Muhammad Ali Prints and Multiples

Lowell Nesbitt Orchid, 1979 Silkscreen on wove paper Pencil signed, dated and numbered 144/175 by Lowell Nesbitt on the front Published by Charles Cardinale Fine Creations, Inc., with blind stamp on the front 25 × 25 inches Unframed This work is pencil signed, dated and numbered 144/175 by Lowell Nesbitt on the front. About Lowell Nesbitt. Lowell Nesbitt, who was born in Baltimore on Oct. 4, 1933, was a graduate of the Tyler School of Art at Temple University in Philadelphia and also attended the Royal College of Art in London, where he worked in stained glass & etching. In 1964, the Corcoran Gallery or Art in Washington gave him one of his first museum exhibitions, and by the mid 1970's he had decided to leave the museum a bequest of more than $1 million. But in 1989, he publicly revoked the bequest after the Corcoran canceled a disputed exhibition of photographs by Robert Mapplethorpe, who was an old friend. Mr. Nesbitt named the Phillips Collection as a beneficiary instead. He was frequently grouped with the Photo Realists, but his images were more interpretively distorted, somewhat loosely painted and boldly abbreviated. He had many subjects: studio interiors, articles of clothing, piles of shoes and groupings of fruits and vegetables. He also painted his dog, a Rottweiler named Echo, the Neoclassical facades of SoHo's 19th century cast-iron buildings and several of Manhattan's major bridges. Despite such variety, Lowell Nesbitt was best known for gargantuan images or irises, roses, lilies and other flowers, which he often depicted in close up so that their petals seemed to fill the canvas. Dramatic, implicitly sexual and a little ominous, they earned the artist a popularity with the general public that tended to overshadow his reputation within the art world. In 1980, the United States Postal Service issued four stamps based on Mr. Nesbitt's floral paintings. He also served as the official artist for the space flights of Apollo 9...

"CONGREGATION OF WITS, Box Set of 41 Prints", 2018, limited-edition collection of 40 double-sided silkscreen prints, plus one title print, by Andrew Cornell Robinson. There are 10 box sets in custom-made chocolate linen archival boxes with a gold stamped title. Each print is signed, stamped and editioned. The prints measure 17x17", the box 17.5x17.5". Note the double-sided printing – surfaces of text, surfaces of image. The installation (see photos above) is a striking performance in itself with myriad possibilities for color, pattern, language, culture, politics, identity. The artist is pleased to offer guidance on the installation, according to the collector's wishes. Or a collector may arrange personally. It's a dynamic body of work that delights in the craft of making and the experience of revealing a tapestry of image and language. Initially inspired by a visit to the Talking Sculptures...

GUILLAUME CORNET (b. 1987, Paris, France) Guillaume Cornet is an artist working with illustration and painting, exploring notions of abstract geometry, influenced by surreal perspec...

Screen print on paper realized by Franco Bocchi in 1980s. Hand signed and numbered in pencil. Edition of 200 prints. Excellent condition. Franco Bocchi was born in Cologne (BS) o...

Andy Warhol (1928-1987) Andy Warhol für die Grünen, 1980 Medium: Screenprint on paper (election poster) Dimensions: 101 x 77 cm Edition size unknown: Not signed, not numbered Publish...

Artist: (after) Roy Lichtenstein (American, 1923-1997) Title: "Kunsthalle Bern (Hopeless)" Year: 1968 Medium: Original Screenprint, Exhibition Poster on light wove paper Limited edit...

Screenprint 23.75 x 39.50 in (60.3 x 100.3 cm). Published by K21 Kunstammlung Nordrhein-Westfalen, Dusseldorf. Unknown edition size. Publisher text detailed along the bottom. CATALOGUE RAISONNÉ: Watkins, Jonathan. "Julian Opie: Editions 1984 - 2011. Catalogue Raisonné", Alan Cristea Gallery, 2011, p.244. In a handful of simple black lines and splashes of red and yellow, Julian Opie presents a sensual figural study in ‘Woman Taking Off a Man’s Shirt...

Hand titled, dated, initialed and numbered by the artist. From the Fruits and Flowers suite. Sheet size 23 x 22 inches. Image size 12 x 12 inches. Frame size approx 31 x 30 inches. A...

Hand titled, dated, initialed and numbered by the artist. From the Fruits and Flowers suite. Sheet size 23 x 22 inches. Image size 12 x 12 inches. Frame size approx 31 x 30 inches. A...

Keith Haring Lucky Strike 1987: Vintage original 1980s Keith Haring poster designed & illustrated by Haring on behalf of the long-time cigarette brand, Lucky Strike. Catalog Raisonne...

Screen print on Lenox museum board. From the Cowboys And Indians Portfolio. Hand signed and numbered lower front by Andy Warhol. Numbered 131/250 (there were also 50 AP's, 15 PP's, 15 HC's and 10 numbered in Roman numerals). Published by Gaultney, Klineman Art, Inc., New York. Printed by Rupert Jasen Smith, New York. The artwork is in excellent condition. All reasonable offers will be considered. In Cowboys and Indians, Warhol interspersed recognizable portraits of well-known American heroes with less familiar Native American images and motifs. It demonstrates his ironic commentary on America’s collective mythologizing of the historic West. Rather than portraying Native Americans within their historical landscape, Warhol chose to portray a romanticized version of the American West. The West that he chose to represent is familiar to everyone and can be seen in novels, films, and television series. Warhol’s Cowboys and Indians suite...

Screen print in colors on hand made wove paper. Hand signed on horizontal black bar by Jim Dine. Hand numbered 78/200 lower left. From 11 Pop Artist's Volume II (Mikro 36). Publi...