Myron Barlow Paintings

Excellent figurative oil painting of a man seated in an armchair with papers strewn about the interior space by Charles Ross Kinghan (American, 18...

Look for Free Shipping at Checkout Kit is an American Impressionist figurative painting by Stuart Fullerton. The artist is known for his landscape, still-life, portraits and citys...

Beautiful figurative oil on canvas of a woman seated in her boudoir by Monterey California-area artist Patricia Gillfillan (American, 1924-2016). Signed "Gillfillan" lower left. Unfr...

White Horse Carousel, 1956 - Oil On Canvas Oil painting of an empty carousel ride, a single white horse gleams in the center. Three doorways are seen to the right, with sunlight ema...

"Happy Family", Mid Century Sepia Figurative Interior Scene, Illustration Art by Charles Kinghan A classic and heartwarming mid-century sepia toned figurative interior scene by Charles Ross Kinghan (American, 1895-1984). Circa 1940's. This mid-century piece exemplifies the classic style of illustrations and advertisements from the period, and depicts a family gathered in their living room. Signed "Kinghan" in the lower right corner. Acquired with other works by the artist. Displayed in a period giltwood frame. Linen size: 36"H x 30"W. Framed size: 45"H x 38.5"W x 2"D. Charles Ross Kinghan (American, 1895-1984) was born in Anthony, KS on January 18, 1895. A teacher, he moved to Wichita as a teenager and did sign painting for the Western Sign...

Look for Free Shipping at Checkout The Evening Gown is an American Impressionistic painting by Stuart Fullerton. The artist is know ...

"Tea, Reading" impressionist composition of woman at the kitchen table, Tuscany. A woman sits in Fenske's kitchen, reading a book and sipping on tea. Light streams in through an open...

Figure standing with window

Red draped figure look out window onto landscape

Ultra Realist Library Still-Life Books and Candles "Little Devil in the Details" Highly detailed library interior scene and still-life titled "Little Devil in the Detail" by Ken DeWaard (American, 20th-century). This intriguing artists performance in excellence piece, features realistically rendered books, paintings within paintings, candle light, and a devil or gargoyle sculpture. The artist creates a strong mood as well as interesting subject matter in this unique scene. Signed "Dewaard '99" upper right. Displayed in a wood frame. Image size, 13"H x 14"L. Frame: 20"H x 21"W x 2"D After receiving his Bachelor of Arts with honors, Ken began working in a commercial art studio in Chicago. He continued his studies at the American Academy of Art, where he studied with nationally recognized watercolorist, Irving Shapiro. Upon Irving's recommendation Ken joined the acclaimed Palette and Chisel Academy of Fine Art in Chicago, where he soon began studying with Scott Burdick as well as Dan Gerhartz...

Hamilton Hamilton (American, 1847-1928) A large and impressive oil on canvas "Othello and Desdemona" after the William Shakespeare's play "Othello", depicting a young Desdemona pleading with an enraged Othello, and perhaps Iago is the seated figure, within a giltwood craquelure finished frame. Signed (l/r): H. Hamilton, 1921 . Canvas Height: 67 inches (170.2 cm) Canvas Width: 48 inches (121.9 cm) Frame Height: 75 inches (190.5 cm) Frame Width: 57 inches (144.8 cm) Frame Depth: 2 inches (5.1 cm) Hamilton Hamilton (1 April 1847 – 4 January 1928) was a painter and etcher, known mostly for his landscapes of the American West. Born in Oxford, England, he lived most of his life in the Eastern United States. He painted landscapes in New York, Connecticut, the American West, England, and France. He also painted portraits and drew illustrations. Artistic career Hamilton Hamilton was born in Oxford, England, on 1 April 1847. While young, he was a protégé of John Ruskin. In 1872, he began his mostly self-taught career as a portrait artist in Buffalo, New York. He created 47 landscape paintings during an 1873 expedition to Colorado which were chosen to be part of the 1876 Centennial Exposition in Philadelphia. He spent 1878 and 1879 painting in Pont-Aven, Brittany, alongside Barbizon School painters. He moved to New York City in 1881 and shortly after began to practice genre painting and etching.[6] He became an associate member of the National Academy of Design in 1886 and a National Academician in 1889. Until the end of the century, he and his family resided alternately in upstate New York, Long Island, Colorado, and England.[6] In 1907 and 1908, Hamilton spent two years painting landscapes in Southern California. In 1912 he and his family permanently moved to Norwalk, Connecticut. There he became involved with the Silvermine group of artists led by Solon Borglum...

Harry Leslie Hoffman (1871 - 1964) The Artist's Wife (Beatrice Pope) at the Loom, circa 1915 Oil on canvas 30 x 32 inches Housed in a period Newcomb-Macklin frame Provenance: Estate of the artist Private Collection, Massachusetts This painting depicts the artist's wife at the loom, producing textile versions of Hoffman's underwater paintings. The screen shown behind Bea is an underwater scene also painted by Hoffman. The study of this painting is held in the collection of the Wolfsonian Museum in Florida. Harry Leslie Hoffman was born in Cressona, a small community in Pennsylvania's Schuylkill Valley. His mother was an amateur artist who encouraged her son to pursue a career in the arts. In 1893, Hoffman entered the School of Art at Yale University and studied with John Ferguson Weir, the son of Robert Walter Weir. After graduation in 1897, Hoffman moved to New York to continue his studies at the Art Students League. He also traveled to Paris and took classes at the Académie Julien. In the summer of 1902, Hoffman attended the Lyme Summer School of Art, in the town of Old Lyme on the Connecticut coast. The school was headed by Frank Vincent Dumond and was located in a boarding house owned by Florence Griswold. The school eventually grew into an artists' colony and a center for American Impressionism. When Hoffman first arrived as a student, he was not permitted to stay in the house which was designated for the professional artists only. However, his outgoing personality soon won him many friends at the colony. In 1905, Hoffman settled in Old Lyme and worked as a full member of the artist colony. He was particularly influenced by Willard Leroy Metcalf, an Impressionist also working in Old Lyme. Fellow artists later fondly recalled Hoffman's antics at the Griswold house, which included playing the flute and banjo, tap-dancing, singing humorous songs, and performing magic tricks. In 1910 Hoffman...