Myron Wood Photography

Stone and Press Gallery is excited to offer several works in celebration of the LGBTQ community. A black and white photograph of a young woman with flowers

An iconic image. Beams of sunlight streaming through the windows at Grand Central Station, New York City, circa 1930. (Photo by Hal Morey/Getty Images) As ...

Paris, Champs Elysées - Signed limited edition archival pigment print, 1998 - Edition of 5 The legacy of Ian is deeply woven into the fabric of our gallery. During his lifetime,...

Madonna - Limited edition archival pigment print - Edition of 5 This is an Archival Piment print on fiber based paper ( Hahnemühle Photo Rag® Baryta 315 gsm , Acid-free and lignin...

An iconic image. Beams of sunlight streaming through the windows at Grand Central Station, New York City, circa 1930. (Photo by Hal Morey/Getty Images) As ...

An iconic image. Beams of sunlight streaming through the windows at Grand Central Station, New York City, circa 1930. (Photo by Hal Morey/Getty Images) As ...

This silver gelatin print is signed and dated in pencil on the front of the mount, and again on the back of the mount. Printed in 1961 for inclusion in "Fifteen Photographs" (edition...

Original Polaroid of The City a Contemporary Landscape Photography by Pia Clodi. Pia Clodi’s works encompass moments and mementos from her countless walks through cities as well as...

This silver gelatin contact print is signed and dated in pencil on the front of the mount with the title, date and numbering in pencil on the back of the mount. Print #30.

This Photograph titled "Mission San Xavier Del Bac, Tucson Arizona" is a gelatin silver print by noted American photographer Huntington Witherill, born ...

Vintage hand signed and stamp signed with the photographers stamp and numbered photo of trilliums. Samuel Herman Gottscho (February 8, 1875 - January 28, 1971) was an American architectural, landscape, and nature photographer. Samuel Gottscho was born in Brooklyn in New York City. He acquired his first camera in 1896 and took his first photograph at Coney Island. From 1896 to 1920 he photographed part-time, specializing in houses and gardens, as he particularly enjoyed nature, rural life, and landscapes. After attending several architectural photograph exhibitions, Gottscho decided to perfect and improve his own work and sought out several architects and landscape architects. After twenty-three years as a traveling lace and fabric salesman, at an age when most people would have given up their youthful dreams, Gottscho became a professional commercial photographer at the age of 50. His son-in-law William Schleisner joined Gottscho in his business in 1935. During this time his photographs appeared in and on the covers of American Architect and Architecture, Architectural Record. His portraits and architectural photography regularly appeared in articles in the New York Times. His photographs of private homes in the New York and Connecticut suburbs often appeared in home decoration magazines. From the early 1940s to the late 1960s, he was a regular contributor to the Times of illustrated articles on wildflowers. the meticulous, adoring pictures of New York City architecture and interiors that he took at his creative peak in the late 1920's and early 30's are finding a new audience, placing him more firmly in the ranks of the great architectural photographers of his day, like Ezra Stoller, Julius Shulman and Ken and Bill Hedrich. the Museum of the City of New York, which has one of the largest archives of Gottscho's work, showed about 150 of his best city scenes in an exhibition called "The Mythic City: Photographs of New York...

This contact print on 60-year-old single-weight Azo was made in 2020. This print is one of five known. It is signed and dated in pencil on the front of the mount, with title on the b...