ND Dolfi Decorative Objects

Classic Aldo Londi Bitossi ceramic vase from the Rimini blue range. A gorgeous Mid-century modern retro classic, with really nice glazing, the colors are what makes these vases so sp...

Beautiful French ceramic vide poche with glossy cream glaze and gold painted spiral detail. Perfect as a decorative piece or catch-all. Stamped on underside.

Postmodern Haeger vide poche catchall. Bold rounded edges make this a standout piece, burgundy color is versatile and pairs nicely with many other colors. Perfect for a coffee table,...

Mid-century malachite vide poche ashtray, Italy, C.1950. In excellent condition commensurate of age.

A ceramic vase in a beautiful glaze of blue and brown produced by Accolay Pottery. Founded in the 1950s in Accolay, France, the Accolay studio became well known after it produced but...

Large Vintage malachite natural stone vide poche trinket dish Italy, C.1960 A substantial piece of all natural malachite mineral stone. Polished beautifully to depict the natural ...

Postmodern Haeger vide poche catchall. Bold rounded edges make this a standout piece, mauve color is versatile and pairs nicely with many other colors. Perfect for a coffee table, dr...

Anatoly Turov Large Ceramic Circus Elephant signed and numbered collectible.Anatoly Turov wanted to become successful in producing his own ceramic vessels, most notable animals. It w...

Beautiful hand-turned polychrome Mata Ortiz ant motif vase / seed jar by Yoly Ledezma, circa 1990s. The exquisite piece has wonderful design and color and is ...

A contemporary studio ceramic vase made by Japanese potter Ken Matsuzaki (1950-). The vase showcases distinguished "moon flask" form with shoulder loops. The moon flask form was widely recorded first in Tang Dynasty China, most likely arrived from the Mideast countries via the silk road. It was originally used as drink vessel for the nomads and the loops were used to tie it to the horse-centered owner. The exotic form persisted in Chinese ceramic production through Ming to Qing dynasty. The form is unusual in Ken Matsuzaki's work. The artist covered the vase with a thick dripping Oribe green glaze partially revealing the unglazed part of the body, which is decorated with scrolling pattern in left by ash glaze. The work is rooted in both Yohen Shino glaze technique and Oribe tradition, but interestingly it also paid homage to Sancai pottery in Tang Dynasty when green glaze was prominently used to drip and splash onto the pottery. Viewing the vase, one can see in this harmonious piece, the innovative reinterpretation of ancient aesthetics that cross the cultures, geology and time. The base is marked with the artist's signature. The vase comes with an inscribed tomobako storage box with the artist's bio and wrapping cloth with seal. The vase measures 8.6"h x 7"w x 2"d. Ken Matsuzaki’s haptic ceramics bring a contemporary approach to traditional Japanese ceramicware, most notably 16th-century Oribe pottery...

Entrancing mid 20th Century French pate-de-verre vide-poche decorated with variegated colours of greens and browns with a raised figure of a snake exhibiting fine translucent colour ...

Vintage French ceramic vase with African mask motif attributed to Jacqueline Lerat (circa 1960s). This sculptural, asymmetric piece presents a tribal mask m...