ND Dolfi Decorative Objects

A unique piece by the renowned producer Deruta of Umbria, Italy. This piece is produced in the 1950's and has a greek motif in vibrant pink, white, black and gold. The condition is p...

Postmodern Haeger vide poche catchall. Bold rounded edges make this a standout piece, mauve color is versatile and pairs nicely with many other colors. Perfect for a coffee table, dr...

A ceramic vase in a beautiful glaze of blue and brown produced by Accolay Pottery. Founded in the 1950s in Accolay, France, the Accolay studio became well known after it produced but...

Very large vintage 20th century Italian Dolfi Otello Cottura white glazed terracotta urn / floor vase featuring two handles and applied bunches of high relief grapes and leaves. Pale...

1970s mid-century modern Italian pottery decorative vases, in vintage original condition with minor wear and patina due to age and use.

Mid-century malachite vide poche ashtray, Italy, C.1950. In excellent condition commensurate of age.

A fantastic Italian modernist pottery vase by Gianni Tosin. With Gambone style mottled blue glaze and raised cream colored 'lava' decoration. Stamped I...

Beautiful hand-turned polychrome Mata Ortiz ant motif vase / seed jar by Yoly Ledezma, circa 1990s. The exquisite piece has wonderful design and color and is ...

Red pottery vase Perfect condition Measure: H 64 cm.

Wonderful Minimalist bear form, golden speckle textured matte glaze. Over 1 foot high and 15 lbs.

A contemporary studio ceramic vase made by Japanese potter Ken Matsuzaki (1950-). The vase showcases distinguished "moon flask" form with shoulder loops. The moon flask form was widely recorded first in Tang Dynasty China, most likely arrived from the Mideast countries via the silk road. It was originally used as drink vessel for the nomads and the loops were used to tie it to the horse-centered owner. The exotic form persisted in Chinese ceramic production through Ming to Qing dynasty. The form is unusual in Ken Matsuzaki's work. The artist covered the vase with a thick dripping Oribe green glaze partially revealing the unglazed part of the body, which is decorated with scrolling pattern in left by ash glaze. The work is rooted in both Yohen Shino glaze technique and Oribe tradition, but interestingly it also paid homage to Sancai pottery in Tang Dynasty when green glaze was prominently used to drip and splash onto the pottery. Viewing the vase, one can see in this harmonious piece, the innovative reinterpretation of ancient aesthetics that cross the cultures, geology and time. The base is marked with the artist's signature. The vase comes with an inscribed tomobako storage box with the artist's bio and wrapping cloth with seal. The vase measures 8.6"h x 7"w x 2"d. Ken Matsuzaki’s haptic ceramics bring a contemporary approach to traditional Japanese ceramicware, most notably 16th-century Oribe pottery...

An elegant decorative composition featuring a large natural shell used as a container, holding a carefully curated selection of seashells and small coral fragments. The piece rests o...