Nicholas Lane Furniture

Antique map titled 'The Kingdom of France (..)'. Large antique map of the Kingdom of France. Engraved by T. Kitchin. Published J. Blair, circa 1779.

The Charles petrol lighter designed by Meyer Maximilian Levene An exceptional and rare silver-plated 'The Charles' petrol pocket lighter stamped 'The Charles Lighter', made in London England, back in the 1947. It was rafted with slim rectangular form, decorated with engine-turned casing, double entry hinged lids with innovative internal mechanical features, including a revolving flint tube to provide even wear to the flint, and a rear barrel containing spare flint chambers so that semi-automatic loading of the spare flint can be undertaken. The Charles Lighter has an extremely complicated mechanism. The flint rotates while grinded by the friction wheel. Also interesting is the revolving magazine for spare flints. A fine example of complete over-engineering. This was made only for a very short period and was patented by Meyer Maximilian Levene in 1949. Weight: 70.50 Grams, (45.19 Dwt). Measurements: 48 mm by 43 mm by 12 mm (1.89 x 1.69 x 0.77 Inches). Hallmarks: Stamped with the maker's mark and signed in full, "THE CHARLES LIGHTER MADE IN ENGLAND BRITISH & DOMINION & FOREIGN PAT GRANTED.". Literature: Stuart Schneider and Ira Pilossof, The Handbook of Vintage Cigarette Lighters...

La Passion des Tissus, Art Tribal d'Afrique, d'Asie et d'Amerique (A Passion for Textiles, Tribal Art from Africa, Asia, and America), French Book by Nicholas Barnard, 1989. Chinese ...

Grand piano. Walnut, metal, etc. Patent Erard London. London, England, possibly around 1870. Requires tuning and minor restorations. Grand or horizontal piano with strings and sou...

A renewed examination of Jeffrey Deitch’s pivotal exhibition Originally exhibited in 1992, Jeffrey Deitch’s groundbreaking exhibition Post Human brought together the work of thirty-six young artists interested in new frontiers of body and identity transformation. The prescient exhibition, which traveled to five international venues, introduced the art world to posthumanism - how the human body continues to merge with and diverge from technology. Both the show and it catalogue, which featured a unique visual essay and innovative design, helped set the agenda for art discourse in the 1990s. More than thirty years later, Deitch revitalized Post Human at his Los Angeles gallery, bringing the themes of the original back to the present. The show’s 2024 iteration presented several key figures who participated in the original exhibition in dialogue with emerging contemporary artists whose boundary-pushing work explores how these themes, particularly recent forms of technology such as AI, have evolved over the course of the twenty-first century. This timely publication revisits artworks from both iterations of the show. Readers will discover color photography of the featured works, along with Deitch’s iconic visual essay from the original catalogue and text contributions from contemporary philosopher Rosi Braidotti and critic Philippa Snow. Together, they form a printed testament to the show’s indelible impact and Deitch’s everlasting influence on the art world. Featured artists include: Isabelle Albuquerque, Matthew Barney, Ivana Bašić, Frank Benson, Ashley Bickerton, Maurizio Cattelan, Chris Cunningham, John Currin, Alex Da Corte, Olivia Erlanger, Jana Euler, Rachel Feinstein, Urs Fischer, Pippa Garner, Robert Gober, Hugh Hayden, Damien Hirst, Tishan Hsu, Pierre Huyghe, Anne Imhof, Alex Israel, Arthur Jafa, Jamian Juliano-Villani, Mike Kelley, Josh Kline, Jeff Koons, Paul McCarthy, Sam McKinniss, Mariko Mori...

A 3 ½ inch Regency Lane’s pocket globe, dated 1818, the terrestrial globe with the seas in light green and the land masses outlined in darker green, contained within a hinged black shagreen case, the concave interior of the case applied with the engraved celestial charts...

A wonderful Gothic period hand carved stone statue of Saint Nicholas from the Avignon area of France. The now headless Saint Nicholas holds his staff an...

1995 Kenneth Lane Caterpillar Brooch Signed, KHL 3" in (76.2 mm) Amusing faux cabochon lapis turquoise caterpillar brooch pin, gold tone mounting. Come in it's original dust bag a...

Globe, solid rotating brass frame with spinning globe, faux hardstone.

Vintage Boon & Lane Aluminum Hat Block Mold Form Millinery Luton Beds England B. Circa Mid 20th Century. Measurements: 7" H x 13" W x 10.5" D. *Listing is for (1) hat mold as picture...

An elytron is a modified, hardened forewing of certain insect orders, notably beetles and a few of the true bugs such as the family Schizopteridae

Antique print titled 'Interior of the late Theatre Royal Drury Lane (..)'. Old print of the Theatre Royal, Drury Lane, as it was between 1794 and 1809 showing the tiers of boxes stage left and the chandelier-lit auditorium with a small party of visitors standing in one of the boxes, as if being shown around. The Theatre Royal, Drury Lane, commonly known as Drury Lane, is a West End theatre and Grade I listed building in Covent Garden, London, England. The building faces Catherine Street (earlier named Bridges or Brydges Street) and backs onto Drury Lane. The building is the most recent in a line of four theatres which were built at the same location, the earliest of which dated back to 1663, making it the oldest theatre site in London still in use. According to the author Peter Thomson, for its first two centuries, Drury Lane could "reasonably have claimed to be London's leading theatre". For most of that time, it was one of a handful of patent theatres, granted monopoly rights to the production of "legitimate" drama in London (meaning spoken plays, rather than opera, dance, concerts, or plays with music). The first theatre on the site was built at the behest of Thomas Killigrew in the early 1660s, when theatres were allowed to reopen during the English Restoration. Initially known as "Theatre Royal in Bridges Street", the theatre's proprietors hired prominent actors who performed at the theatre on a regular basis, including Nell Gwyn...