Nik Wheeler Photography

Signed on front of mount. Titled, dated and numbered on back of mount. Traces original book is accompanied by an original print featured in the volume. The Lily Pad print is a hand-p...

Bauhaus I Portfolio Ed. 33/70 Signed and dated in black ink on print margin.

Pete Townshend of the Who Madison Square Garden New York 1979 Large Oversize limited Estate edition (ed size 15 only this size) silver gelatin print. numbered and signed by the Estate on reverse stamped with blond embossed Archive stamp on front paper size 40x30" inches / 101 x 76 cm Certificate of authenticity supplied. unframed Framing available on request Ships securely from London England OTHER SIZES AVAILABLE pls enquire About Michael Putland the photographer : Born in 1947, Michael grew up in Harrow where he took his first pictures at the age of nine before leaving school at sixteen to work as an assistant to various photographers including Time-Life photographer, Walter Curtain and the legendary motor racing photographer, Louis Klemantaski. In 1969 he set up his own studio and by 1971, he was the official photographer for the British music magazine Disc & Music Echo. His first assignment for them that year was to photograph Mick Jagger in London. From the editorial work for Disc and Music Echo, Sounds and later Smash Hits & Q magazine amongst others, to the 1973 tour with The Rolling Stones that led to a long-standing relationship working with the band, Michael has shot prodigiously including for major record labels including CBS, Warner, Elektra, Polydor, Columbia Records and EMI. Relocating to New York in 1977, it was here that Michael founded the photo agency, Retna. It has been said that Michael photographed everyone from Abba to Zappa … when looking at his archive this is actually true. Now living in East Sussex, recent 2016 exhibitions include “Off The Record” at The Lucy Bell Gallery in Hastings showing images both on and off stage including previously unseen contact sheets; whilst Ono Arte in Bologna, Italy is hosting a David Bowie show. Autumn 2014 saw Michael’s 50 year retrospective at the Getty Gallery in London: “A life in Music, 50 Years On The Road”. Snap Gallery in London’s Piccadilly Arcade regularly have a selection of Michael’s work on show. Michael continues to shoot the artists he most admires – likely to be jazz, classical and world musicians, who have always provided an alternative narrative to his rock music portfolio. “It has been a fantastic ride through an incredible period of music history, which combined my two great loves … music and photography. Little did I appreciate, when my Uncle Alan encouraged my photography back in the 1950s, that this would lead me to photographing nearly all of my heroes … and thrilled to be still finding new ones. A great never ending journey.” Michael Putland About The Who : Few rock & roll bands were riddled with as many contradictions as the Who. All four members had wildly different personalities, as their notorious live performances demonstrated: Keith Moon fell over his drum kit while Pete Townshend leaped into the air with his guitar, spinning his right hand in exaggerated windmills. Vocalist Roger Daltrey prowled the stage as bassist John...

Make up Mirrors - Black and White Royal Pavilion Photograph Judy Dunlop, a participant in the Holiday Girl Beauty competition, is captured completely un-posed by Thurston Hopkins a...

Film stars (left to right) Clark Gable (1901 - 1960), Van Heflin (1910 - 1971), Gary Cooper (1901 - 1961) and James Stewart (1908 - 1997) enjoy a joke at a New Year's cocktail party ...

Robert Longo, Men in the Cities (Rick) , 1984 - unique artist-certified photographic document, 1992 Vintage photographic print on Kodak paper, with unique artist inscription and cert...

This silver gelatin print is signed and editioned "21/100" in pencil on the front of the mount with Baer's stamp on the back of the mount. This print is accompanied by its original b...

This silver gelatin contact print is signed and dated in pencil on the front of the mount with the title, date and numbering in pencil on the back of the mount. Print #30.

Signed. Photograph mounted to black paper & paper mounted to large Album Sheet. Vintage gelatin silver print

This vintage silver gelatin print is signed and dated in pencil mount recto, and again mount verso. Printed in 1961 for inclusion in "Fifteen Photographs" (edition of 50). Mounted to...

Weegee (1899-1968) was equally fascinated and inspired by cinema and all of its tangents, from Hollywood movie stars to ordinary civilians going to the movies. While Weegee is typically associated with crime/disaster images, the broad theme of "entertainment" is a major component of his oeuvre. An interesting and provocative sub-genre of his cinema-related work are his images of couples (often heavy-petting) in movie theatres. Recent scholarship has established that many of Weegee's supposed clandestine images were actually staged or arranged with friends or co-operative strangers. Nevertheless, Weegee created these photographs in the dark with an array of clever techniques including infrared film, filtered flashbulb and triangular prism lens. Employed in shots such as this one, the prism lens would allow the artist to “see around corners,” useful at times when his subjects were in compromising locations. These images of kissing couples, Weegee wrote in 1959, were “his best seller, year in and year out.” "Sailor and GIrl at the Movies...

While many first associate Weegee (aka Arthur Fellig) with New York City crime scenes, perhaps a broader and more consistent theme is that of spectacle and/or urban entertainment. The origins of his nick-name and reputation date back to the 1930s when he became the first New York City press photographer to obtain permission to install a police radio in his car. Following the city's first responders and documenting their duties, Weegee had unprecedented access to New York’s fires, crimes, debaucheries and of course, murders. During the first decade of his career these unflinching urban tragedy or crime images paid Weegee's bills, but as he became more financially independent he was more inspired to pursue photographs on his own agenda. While his oeuvre is vast, Weegee was especially drawn to entertainment: nightlife, circuses, the theatre, showgirls, city thrills, the cinema etc. Some of Weegee's most dynamic and tender (and under-appreciated!) images are related to simply having fun (in a crowd). He was not confined to one neighbourhood or demographic. He captured action, faces and events from Coney Island to the Bowery and Greenwich Village, to Times Square and Harlem. In “A Trip To Mars,” Weegee depicts a multi-generational group crowding around a large telescope...