Odoardo Tabacchi Figurative Sculptures

19th-century Italian Grand Tour Bronze of the Gladiator, After the Roman Antique Attributed to the Naples Foundry, late 19th century This fine 19th-century Italian Grand Tour bronze...

19th Century Bronze Statuette of Achilles After the Antique This 19th century bronze statuette of Achilles the Greek hero of the Trojan war is pictured in an attack pose with shield...

Large 19th century neoclassical carved marble sculpture of the three graces after Canova. A Beautiful execution of one of Canova's Masterpieces. Ours amazingly accurate to the sculpt...

AFTER MICHELANGELO OF ANTIQUITY Grand Tour Model of Giuliano de Medici from the Medici Chapel in Florence Patinated sand-cast bronze numbered on the back corner "5505", otherwise u...

Bronze After the antique, Le Discobole, green patina

This pair of 19th century busts are after noted French sculptor Albert Ernest Carrier-Belleuse (1824 - 1887). The pieces are exquisitely detailed and depict the head and torso of a ...

An enchanting and classical late 19th century patinated bronze study of two cherubs wrestling over a heart, after Etienne-Maurice Falconet (1716-1791).

"Bronze Bust, after the antique, 19th century" Beautiful bronze sculpture on its marble base of the 19th century, in the Taste of the Anc...

This exquisite alabaster sculpture is a refined interpretation of "La Baigneuse" (The Bather), originally created by the renowned French sculptor Étienne-Maurice Falconet in the mid-18th century. Known for his delicate treatment of the female form and his ability to convey grace and sensuality with subtlety, Falconet’s Bather became one of the most iconic representations of neoclassical taste in the decorative arts. The figure is depicted nude, in a moment of quiet intimacy, holding a small sphere and resting one hand on a column draped with fabric. Her head is slightly bowed, and her gentle expression evokes a sense of introspection and softness. The figure’s elegant posture, with one leg subtly bent and the weight shifted delicately to the other, creates a harmonious balance and a fluid sense of movement. Carved in alabaster, the sculpture has a luminous, velvety surface that enhances the refined modeling of the body, the finely detailed hair, and the naturalistic folds of the drapery. This material lends the figure a timeless quality, echoing the marble originals of the 18th century while bringing its own delicate glow. This piece exemplifies the neoclassical fascination with antiquity, ideal beauty, and the private moments of mythological or allegorical figures. A beautiful addition to any collection, it brings the charm and elegance of 18th century French sculpture...

A Massive After Alfred Barye (French 1839-1882) And Emile Guillemin (French 1841-1907), Cavalier Arabe Revenant De La Chasse, Coated Cast Metal Sculpture. "Cavalier Arabe”, which i...

This elegant terracotta sculpture is a refined interpretation of a classical female nude, inspired by the celebrated 18th-century French sculptor Étienne-Maurice Falconet. The piece ...

Grand Tour Carved Marble Statue of the Empress Livia Drusilla After the Antique. A true depiction of the Classical Statue of Rome's First Empress. Livia Drusilla (30 January 59 BC – 28 September AD 29) was Roman empress...