Paul Brach Art

This is being sold unframed. Jay Milder (born 1934) is an American artist and a figurative expressionist painter of the second generation New York School. Old Testament themes such as Jacob's Ladder and Noah’s Ark, and the Jewish mystical beliefs of the Kabbalah, are recurring themes in Milder’s paintings which are presented as archetypal images that recur in the basic karma, make-up and need of human nature. Internationally exhibited, Milder is included in the collections of many national and international museums. He has been the subject of two, recent retrospectives in Brazil in 2007 at the National Museum Brasilia and, in 2006, at the Museum of Modern Art, in Rio de Janeiro. He is renowned in Sao Paulo, one of the major international centers for street and public art, as a seminal influence on graffiti artists. Jay Milder was born in Omaha, Nebraska, in 1934. His grandparents, who came from the Ukraine, were descendants of the Hasidic mystic, Rabbi Nachman. As he listened to family stories his interest in spiritualism and mysticism increased, and became an important influence on his philosophy of life and art. Later, when he arrived in New York, he was drawn to the Theosophical Society and the teaching of Helena Blavatsky. In 1954 Milder visited Europe where he studied painting with André L’Hote, and sculpture with Ossip Zadkine. He spent much time studying at the Louvre Museum, and at the studio of Stanley Hayter. During his Paris years the paintings of the Jewish painter Chaim Soutine, primarily influenced him. Milder returned to the United States in 1956, and he began studying painting at the Chicago Art Institute. He exhibited with the Momentum Group, an alliance of artists who were particularly dedicated to the progression of figurative art and its global origins. In 1957, Milder spent the summer in Mexico for a summer where he exhibited in Puebla. That year he received the Mexican Government’s Honor Award for artists. In the summer of 1958, Milder studied with Hans Hofmann in Provincetown, Massachusetts. He exhibited his work at the Sun Gallery, with his contemporaries, including Mary Frank, Red Grooms, Bob Thompson, Lester Johnson, Emilio Cruz and Alex Katz, among others. During this period his painting began to incorporate iconography of birds, animals, humans and animal/human hybrids. In 1958, Milder, Bob Thompson and Red Grooms, founded the City Gallery in the Chelsea section of New York City. The gallery moved downtown and became the Delancey Street Museum and an early site for ‘Happenings’,which Milder participated in. He showed his first major series called Subway Runners in 1960 at the Martha Jackson Gallery in New York City. Milder began a group of smaller paintings, entitled “Messiah Series”, in the late 1960s. These were fully expressionistic earth toned pictures, and he completed around 250 paintings in the series, based on biblical themes from the Old Testament. When 40 of these paintings were shown in a traveling exhibition premiering at the Richard Green Gallery in New York City, in 1987, art critic Donald Kuspit wrote in ArtForum Magazine: “after Nolde’s biblical pictures, these are the best and most integral group of biblical pictures in the 20th century.” During the 1970s, Milder co-founded a collective group called Rhino Horn with Peter Passuntino, Peter Dean, Benny Andrews, Nicholas Sperakis, Michael Fauerbach, Ken Bowman, Leonel Gongora, and Bill Barrell. Rhino Horn continued a style promoting politically and socially driven American Figurative Expressionism, when many people in the art world and society were focused on Pop Art and Minimalism. From the 1970s to today, much of Milder's artworks have been centered around interpretations and the visual energy of the Kabbalah. Milder's art has been the subject of two retrospectives in Brazil in 2007 at the National Museum Brasilia and, in 2006, at the Museum of Modern Art, in Rio de Janeiro. In Summer of 2009 he was in Brazil where at this time he painted a commissioned mural alongside Brazilian street artist, Eduardo Kobra...

Artist: Joan Miro, Spanish (1893 - 1983) Title: Joan Miro und Katalonien Year: 1969 Medium: Lithograph on Arches, signed in the plate Size: 20 in. x 26 in. (50.8 cm x 66.04 cm) Frame...

Artist: Alexander Calder, American (1898 - 1976) Title: Damier from Derriere Le Miroir Year: 1966 Medium: Lithograph Size: 14.5 x 10.5 in. (36.83 x 26.67 cm) Frame Size: 23 x 19 inches

With strokes of Gold, Oil, Gesso and Acrylic, Shizico orchestrates a visual symphony of abstract expression in this on-going series [Landscape Memories]; it's a part of her [Sunlit S...

Sonia DELAUNAY Rythm and Dance Lithograph after a painting Printed signature in the plate Numbered /600 On vellum paper 40 x 30 cm (c. 15.7 x 11.8 in) ArtCurial edition, 1994 Exce...

Lilly Muth's geometric abstractions are colourful works full figures that of space such as the distance, shape, size, and relative position of figures. Her use of colour is bold yet ...

One of a series of 18 lithographs drawn by the artist for the Auden Poems/Moore Lithographs 1974 book and portfolio. This work is from an edition of 25 printed on vellum aside from t...

Joan MIRO Composition for Fernand Original lithograph (printed in Mourlot workshop) Printed signature in the plate Unumbered edition On Arches vellum 27.5 x 21 cm (c. 11 x 8 inch) E...

Andre Lanskoy (French / Russian 1902-1976) Untitled from the portfolio La Genese, 1966 Color lithograph on wove paper Signed 'Lanskoy' lower right Edition 11 of 30. Numbered lower ri...

Striking mid century modern abstract with black, brown and orange by an unknown artist (American, 20th Century). Signed "Kimball" lower right. Unframed. Image size: 36"H x 36"W.

Summer Bloom series began in 2022, which Shizico Yi celebrates the season by painting en plein air in her garden and locations. 2024, she embarks on a fresh chapter with her new cott...

Andre Lanskoy (French / Russian 1902-1976) Untitled from the portfolio La Genese, 1966 Color lithograph on wove paper Signed 'Lanskoy' lower right Edition 11 of 30. Numbered lower ri...