Paul Chojnowski Paintings
to
11
Overall Width
to
Overall Height
to
11
11
10
9
8
8
4
4
3
2
2
1
1
11
11
5
14
785
701
651
649
11
Artist: Paul Chojnowski
Birches in the Glen
By Paul Chojnowski
Located in Fairfield, CT
I have been burning images into wood and paper as a means of drawing for over two decades. During that time I have continued to refine and at the same time experiment with the proces...
Category
21st Century and Contemporary American Realist Paul Chojnowski Paintings
Materials
Birch, Lacquer
Light in the Pines
By Paul Chojnowski
Located in Fairfield, CT
I have been burning images into wood and paper as a means of drawing for over two decades. During that time I have continued to refine and at the same time experiment with the process. Using propane torches I burn, scorch, re-burn, sand and scratch the surface of paper or wood to create my drawings.
My earlier work, the Nocturne Series was inspired by walking at night in the light filled streets of American cities; those drawings were often mistaken for soft focus sepia toned photographs. My present work is a considerable departure in regard to content, execution and appearance - from those dark, abstracted cityscapes, my current drawings are light filled, clearly rendered landscapes. The burning process I use to make my drawings evolved differently for each series. Experimentation (in both bodies of work) is always important to me and always informs the resulting image. In the case of the Nocturnes the image arose from intermixing water with the flame from a large industrial torch. With these new works, I’ve tried to create a visually stimulating accumulation of (often minuscule) marks on the wood surface using the tiny flame from a jeweler’s torch...
Category
21st Century and Contemporary American Realist Paul Chojnowski Paintings
Materials
Wood, Birch
Fading Light Winter
By Paul Chojnowski
Located in Fairfield, CT
I have been burning images into wood and paper as a means of drawing for over two decades. During that time I have continued to refine and at the same time experiment with the process. Using propane torches I burn, scorch, re-burn, sand and scratch the surface of paper or wood to create my drawings.
My earlier work, the Nocturne Series was inspired by walking at night in the light filled streets of American cities; those drawings were often mistaken for soft focus sepia toned photographs. My present work is a considerable departure in regard to content, execution and appearance - from those dark, abstracted cityscapes, my current drawings are light filled, clearly rendered landscapes. The burning process I use to make my drawings evolved differently for each series. Experimentation (in both bodies of work) is always important to me and always informs the resulting image. In the case of the Nocturnes the image arose from intermixing water with the flame from a large industrial torch. With these new works, I’ve tried to create a visually stimulating accumulation of (often minuscule) marks on the wood surface using the tiny flame from a jeweler’s torch...
Category
21st Century and Contemporary American Realist Paul Chojnowski Paintings
Materials
Birch
Nearing Sunset, Summer
By Paul Chojnowski
Located in Fairfield, CT
I have been burning images into wood and paper as a means of drawing for over two decades. During that time I have continued to refine and at the same time experiment with the process. Using propane torches I burn, scorch, re-burn, sand and scratch the surface of paper or wood to create my drawings.
My earlier work, the Nocturne Series was inspired by walking at night in the light filled streets of American cities; those drawings were often mistaken for soft focus sepia toned photographs. My present work is a considerable departure in regard to content, execution and appearance - from those dark, abstracted cityscapes, my current drawings are light filled, clearly rendered landscapes. The burning process I use to make my drawings evolved differently for each series. Experimentation (in both bodies of work) is always important to me and always informs the resulting image. In the case of the Nocturnes the image arose from intermixing water with the flame from a large industrial torch. With these new works, I’ve tried to create a visually stimulating accumulation of (often minuscule) marks on the wood surface using the tiny flame from a jeweler’s torch...
Category
21st Century and Contemporary American Realist Paul Chojnowski Paintings
Materials
Birch
Birches: Edge of the Field
By Paul Chojnowski
Located in Fairfield, CT
I have been burning images into wood and paper as a means of drawing for over two decades. During that time I have continued to refine and at the same time experiment with the proces...
Category
21st Century and Contemporary American Realist Paul Chojnowski Paintings
Materials
Birch, Lacquer
Mountain Birches
By Paul Chojnowski
Located in Fairfield, CT
I have been burning images into wood and paper as a means of drawing for over two decades. During that time I have continued to refine and at the same time experiment with the process. Using propane torches I burn, scorch, re-burn, sand and scratch the surface of paper or wood to create my drawings.
My earlier work, the Nocturne Series was inspired by walking at night in the light filled streets of American cities; those drawings were often mistaken for soft focus sepia toned photographs. My present work is a considerable departure in regard to content, execution and appearance - from those dark, abstracted cityscapes, my current drawings are light filled, clearly rendered landscapes. The burning process I use to make my drawings evolved differently for each series. Experimentation (in both bodies of work) is always important to me and always informs the resulting image. In the case of the Nocturnes the image arose from intermixing water with the flame from a large industrial torch. With these new works, I’ve tried to create a visually stimulating accumulation of (often minuscule) marks on the wood surface using the tiny flame from a jeweler’s torch...
Category
21st Century and Contemporary American Realist Paul Chojnowski Paintings
Materials
Wood, Birch
View Vall II
By Paul Chojnowski
Located in Fairfield, CT
I have been burning images into wood and paper as a means of drawing for over two decades. During that time I have continued to refine and at the same time experiment with the process. Using propane torches I burn, scorch, re-burn, sand and scratch the surface of paper or wood to create my drawings.
My earlier work, the Nocturne Series was inspired by walking at night in the light filled streets of American cities; those drawings were often mistaken for soft focus sepia toned photographs. My present work is a considerable departure in regard to content, execution and appearance - from those dark, abstracted cityscapes, my current drawings are light filled, clearly rendered landscapes. The burning process I use to make my drawings evolved differently for each series. Experimentation (in both bodies of work) is always important to me and always informs the resulting image. In the case of the Nocturnes the image arose from intermixing water with the flame from a large industrial torch. With these new works, I’ve tried to create a visually stimulating accumulation of (often minuscule) marks on the wood surface using the tiny flame from a jeweler’s torch...
Category
21st Century and Contemporary American Realist Paul Chojnowski Paintings
Materials
Birch, Lacquer
Spring Arabesque II
By Paul Chojnowski
Located in Fairfield, CT
I have been burning images into wood and paper as a means of drawing for over two decades. During that time I have continued to refine and at the same time experiment with the process. Using propane torches I burn, scorch, re-burn, sand and scratch the surface of paper or wood to create my drawings.
My earlier work, the Nocturne Series was inspired by walking at night in the light filled streets of American cities; those drawings were often mistaken for soft focus sepia toned photographs. My present work is a considerable departure in regard to content, execution and appearance - from those dark, abstracted cityscapes, my current drawings are light filled, clearly rendered landscapes. The burning process I use to make my drawings evolved differently for each series. Experimentation (in both bodies of work) is always important to me and always informs the resulting image. In the case of the Nocturnes the image arose from intermixing water with the flame from a large industrial torch. With these new works, I’ve tried to create a visually stimulating accumulation of (often minuscule) marks on the wood surface using the tiny flame from a jeweler’s torch...
Category
21st Century and Contemporary American Realist Paul Chojnowski Paintings
Materials
Birch, Lacquer
Hemlock Trail, Autumn
By Paul Chojnowski
Located in Fairfield, CT
I have been burning images into wood and paper as a means of drawing for over two decades. During that time I have continued to refine and at the same time experiment with the process. Using propane torches I burn, scorch, re-burn, sand and scratch the surface of paper or wood to create my drawings.
My earlier work, the Nocturne Series was inspired by walking at night in the light filled streets of American cities; those drawings were often mistaken for soft focus sepia toned photographs. My present work is a considerable departure in regard to content, execution and appearance - from those dark, abstracted cityscapes, my current drawings are light filled, clearly rendered landscapes. The burning process I use to make my drawings evolved differently for each series. Experimentation (in both bodies of work) is always important to me and always informs the resulting image. In the case of the Nocturnes the image arose from intermixing water with the flame from a large industrial torch. With these new works, I’ve tried to create a visually stimulating accumulation of (often minuscule) marks on the wood surface using the tiny flame from a jeweler’s torch...
Category
21st Century and Contemporary American Realist Paul Chojnowski Paintings
Materials
Birch
Views of the Valley
By Paul Chojnowski
Located in Fairfield, CT
I have been burning images into wood and paper as a means of drawing for over two decades. During that time I have continued to refine and at the same time experiment with the proces...
Category
21st Century and Contemporary American Realist Paul Chojnowski Paintings
Materials
Birch, Lacquer
Woodland Lake
By Paul Chojnowski
Located in Fairfield, CT
I have been burning images into wood and paper as a means of drawing for over two decades. During that time I have continued to refine and at the same time experiment with the process. Using propane torches I burn, scorch, re-burn, sand and scratch the surface of paper or wood to create my drawings.
My earlier work, the Nocturne Series was inspired by walking at night in the light filled streets of American cities; those drawings were often mistaken for soft focus sepia toned photographs. My present work is a considerable departure in regard to content, execution and appearance - from those dark, abstracted cityscapes, my current drawings are light filled, clearly rendered landscapes. The burning process I use to make my drawings evolved differently for each series. Experimentation (in both bodies of work) is always important to me and always informs the resulting image. In the case of the Nocturnes the image arose from intermixing water with the flame from a large industrial torch. With these new works, I’ve tried to create a visually stimulating accumulation of (often minuscule) marks on the wood surface using the tiny flame from a jeweler’s torch...
Category
21st Century and Contemporary American Realist Paul Chojnowski Paintings
Materials
Wood, Birch
Related Items
Waves of Clouds, Deep Blue Cyanotype Print, Pleasant Cloudy Sky, Large Triptych
By Kind of Cyan
Located in Barcelona, ES
This series of cyanotype triptychs showcases the beauty of nature scenes, including stunning beaches and oceans, as well as the intricate textures of water, forests, and skies. These triptychs are large pieces that feature lush blues, making them an impressive addition to any beautifully designed space.
Each triptych is printed by hand and carefully crafted to capture the unique essence of these natural environments, with a focus on the interplay of light and shadows, and the subtle nuances of tone and texture.
The beach and ocean scenes depict the dynamic beauty of waves crashing against the shore, with the cyanotype process lending a dreamy, ethereal quality to the images. Similarly, the forest and wood scenes...
Category
2010s American Realist Paul Chojnowski Paintings
Materials
Lithograph, Rag Paper
Battered by Wind and Storms, Sangre de Cristos Mountain Oil Painting, Colorado
By James Emery Greer
Located in Denver, CO
This breathtaking original oil on canvas painting by James Emery Greer (1903-1990), titled Battered by Wind and Storms, Sangre de Cristos, offers a striking depiction of Southern Col...
Category
1980s American Realist Paul Chojnowski Paintings
Materials
Oil
H 29.75 in W 41.75 in D 2.5 in
Street of the Old Quarter British School signed Cade oil on canvas painting
Located in Barcelona, Barcelona
**Technical Sheet**
**Title:** "Street of the Old Quarter"
**Author:** British School, 19th Century
**Date:** 1892
**Technique:** Oil on canvas
**Dimensions:** 14.17 x 10.63 inc...
Category
1890s American Realist Paul Chojnowski Paintings
Materials
Oil, Canvas
H 14.18 in W 10.63 in
Large Scale Maritime Painting -- Three Masted Braque in Rough Seas
Located in Soquel, CA
Stunning large scale painting of an early 20th century Braque sailing ship named "Medusa" by Charles Miller (American, 19th/20th Century), 1926. Signed and dated lower left corner. C...
Category
1920s American Realist Paul Chojnowski Paintings
Materials
Linen, Oil
H 54 in W 38 in D 1 in
Industry and Commerce
Located in Los Angeles, CA
This mural study is part of our exhibition America Coast to Coast: Artists of the 1930s
Industry and Commerce, 1936, tempera on panel, 16 ½ x 39 ½ inches, signed verso “John Ballator, Portland Ore.” provenance includes: J.C. Penney Company, represented by Russell Tether Fine Arts Assoc.; presented in a newer wood frame
About the Painting
Industry and Commerce is a prime example of WPA Era muralism. Like a Mediaeval alter, this mural study is filled with icons, but the images of saints and martyrs are replaced with symbols of America's gospel of prosperity through capitalism. Industry and Commerce has a strong narrative quality with vignettes filling the entire surface. Extraction, logistics, design, power generation, and manufacturing for printing, chemicals, automobiles and metal products are all represented. To eliminate any doubt about the mural's themes, Ballator letters a description into the bottom of the study. Ballator also presents an idealized version of industrial cooperation, as his workers, lab-coated technicians and tie-wearing managers work harmoniously toward a common goal in the tidy and neatly designed environments. Although far from the reality of most industrial spaces, Ballator's study reflects the idealized and morale boosting tone that many mural projects adopted during the Great Depression.
About the Artist
John R Ballator achieved success as a muralist, lithographer, and teacher during the Great Depression. Born in Oregon, he studied at the Portland Museum Art School, the University of Oregon and at Yale University where he received a Bachelor of Fine Art. In 1936, Ballator was commissioned to paint a mural panel for the new Department of Justice Building in Washington DC, an important project that spanned five years with several dozen artists contributing a total of sixty-eight designs. Ballator completed murals for the St. Johns Post Office and Franklin High School, both in Portland, Oregon. He also contributed to the 1938 murals at Nathan Hale School in New Haven, Connecticut. During the late 1930s, Ballator taught art for several years at Washburn College in Topeka, Kanas, where he completed a mural for the Menninger Arts & Craft Shop before accepting a professorship at Hollins College...
Category
1930s American Realist Paul Chojnowski Paintings
Materials
Tempera
Approach to Lee's Ferry
By Kim Whitesides
Located in Salt Lake City, UT
"Approach to Lee's Ferry" by Kim Whitesides, oil on canvas, 18 X 22 inches (Framed size: 21.5 x 25.5 inches)
Whitesides made an impact in the art community at a very young age. While working as an illustrator in New York City from the late 60s through the mid 80s, his paintings appeared in many publications, including Time Magazine, Rolling Stone and Playboy. He received numerous awards from The Art Directors Club of New York and The Society of Illustrators. It was at this time that Whitesides began a period of bold work with the airbrush that emphasized the simplified spaces and clean lines of art deco and art moderne, for which he gained a national reputation.
A native Utahn, Whitesides believes art is a language and an opportunity for his vision to inspire others. He continues to grow as an artist, as his art is constantly opening doors on new vistas...
Category
21st Century and Contemporary American Realist Paul Chojnowski Paintings
Materials
Canvas, Oil
"Washington Park" - Landscape oil painting of a park in Denver, CO
Located in Denver, CO
This original, handmade oil on panel painting, Washington Park (2009), is by the late Ken Valastro (1954–2014). Measuring 8 x 10 inches (20.32 x 25.40 cm) and framed to approximately...
Category
2010s American Realist Paul Chojnowski Paintings
Materials
Oil, Board
Circus Wagons
By Millard Sheets
Located in Los Angeles, CA
This watercolor is part of our exhibition America Coast to Coast: Artists of the 1930s
Circus Wagons, 1927, watercolor on paper, signed and dated lower left, 10 x19 ¾ inches (sight), provenance includes Stary-Sheets Art Gallery (Gualala, CA); J. Ralph & Louis Stone Foundation; presented in a newer metal frame behind glazing
About the Painting
Millard Sheets was only twenty years old and in his third year of studies at the Chouinard Art Institute when he painted Circus Wagons. Despite his youth, Sheets was already an accomplished artist who had publicly exhibited his work and won prestigious prizes. Within several years, he would have his first solo exhibition at one of Los Angeles’ premiere galleries and become a painting instructor at his alma mater. In Circus Wagons we already see Sheets deft handling of the watercolor medium and his interest in the California Scene. In this case, Sheets captures a back lot view of a traveling circus, a subject he sometimes returned to, including in a color screen print in the collection of the National Gallery. Sheets made a career by painting what he knew and observed firsthand. This approach allowed Sheets to capture with authenticity the details of each narrative. Even with a narrowly limited palette and an economy of brushstrokes, Sheets effectively depicts the southern California scene with its strong and mysterious shadows, as well as the workers and circus animals. Seen through the hindsight of his six-decade long career, Circus Wagons offers a fascinating insight into the early development of California Scene painting which would by the mid-1930s become the best recognized style on the West Coast.
About the Artist
Millard Sheets was the dean of California watercolorists. His list of accomplishments is so extensive that his entry in Who was Who in American Art is over forty lines. Born in Pomona, California, Sheets became a painter at an early age, winning a prize at the Los Angeles County Fair in 1918. By the mid to late-1920s, Sheets became a regular at art exhibitions in the western part of the United States, winning several additional prizes before he reached the age of twenty-five. Sheets studied at the prestigious Chouinard Art Institute from 1925 through 1929 with Frank Tolles Chamberlin and Clarence Hinkle and had his first solo show with Los Angeles’ Dalzell Hatfield Gallery in 1929. During the 1930s, Sheets was invited to exhibit at almost every major American Museum and in many ways, his work came to represent the California watercolor school...
Category
1920s American Realist Paul Chojnowski Paintings
Materials
Watercolor
Vintage Edgartown Harbor, Martha’s Vineyard Oil Painting; James King Bonnar 1960
By James King Bonnar
Located in Baltimore, MD
This painting, by listed artist James King Bonnar (1884-1961), is a lovely scene of Edgartown Harbor, Martha’s Vineyard, Massachusetts. It dates to ca 1960, towards the end of his career. There is a lot of action and detail presented, as the harbor is busy, likely in full summer season. The variety of boats, men working them and an abundance of rigging fill the composition. Bonnar, however, left enough of the foreground water clear to show off his skills of reflection and slight movement to the water. Full sail boats glide past in the background. A hillside of Edgartown is depicted beyond, with a few of its buildings highlighted. The sky is blue with just a hint of high clouds...
Category
Mid-20th Century American Realist Paul Chojnowski Paintings
Materials
Oil
Beach Cloudscape VIII, Oil Painting
By Nancy Hughes Miller
Located in San Francisco, CA
Artist Comments
Working from observation and imagination, artist Nancy Hughes Miller paints an early morning coastal sky. A cloud moves across the ocean as the sunlight casts...
Category
21st Century and Contemporary American Realist Paul Chojnowski Paintings
Materials
Oil
Knight’s Lodging
Located in Los Angeles, CA
This painting is part of our exhibition American Coast to Coast: Artists of the 1930s
Knight’s Lodging, 1941, oil on canvas panel, signed and dated lower left, 16 x 20 inches, exhi...
Category
1940s American Realist Paul Chojnowski Paintings
Materials
Oil
UNION SQUARE Depression Era Oil Painting WPA Realism American Scene Realism NYC
By Jo Cain
Located in New York, NY
UNION SQUARE Depression Era Oil Painting WPA Realism American Scene Realism NYC
Jo Cain (1904 – 2003)
"Union Square"
24 x 36 inches
Oil on canvas, c.1940s
S...
Category
1940s American Realist Paul Chojnowski Paintings
Materials
Canvas, Oil
Previously Available Items
In the Canopy (Intricate Burned and Scorched Forest Landscape on Birch Wood)
By Paul Chojnowski
Located in Hudson, NY
In the Canopy , 2018
6 1/4" X 24"
burned and scorched Baltic Birch plywood
Perhaps the single most fascinating thing about this painting is the artist's choice of medium: water and fire. There is no sepia tone, no pigment, no watercolor. The artist painted this horizontal view of tree trunks standing in a thick canopy of leaves with a wet brush on paper that he then burns with a blow torch to add contrast and hue.
Throughout Chojnowski's career a distinguishing characteristic has been the use of nontraditional media and tools in his art making. His current work, images burned into paper and wood evolved as a result of his conscious effort to embrace art historical traditions while rejecting the traditional processes. Chojnowski began burning and scorching wood and paper to create his images in the early 1990’s.
Since then, his fire drawings have been shown in group and solo exhibitions in art centers, museums and galleries nationally. His work was part of the set decoration on the Scott Hicks film No Reservations, starring Catherine Zeta-Jone and Aaron Eckhart and the Nancy Meyers...
Category
2010s Contemporary Paul Chojnowski Paintings
Materials
Plywood
Birches (Small, Realistic Landscape of Birch Forest on Panel, Burned Drawing)
By Paul Chojnowski
Located in Hudson, NY
Realistic horizontal landscape of a Birch forest on Baltic Birch panel made with a blow torch
Burned drawing on panel, naturally sepia toned
6.25 x 18 inches unframed, sides are bur...
Category
2010s Modern Paul Chojnowski Paintings
Materials
Plywood
Moutain Birches (Realistic Landscape of a Birch Forest, Burned Drawing on Panel)
By Paul Chojnowski
Located in Hudson, NY
Realistic landscape of a Birch forest on Baltic Birch panel made with a blow torch
Burned drawing on panel, naturally sepia toned
30 x 40 inches unframed
32.5 x 42.5 inches in custo...
Category
2010s Modern Paul Chojnowski Paintings
Materials
Birch, Wood Panel
H 32.5 in W 42.5 in D 1.5 in
Looking Up Lex (Manhattan Cityscape Drawing of Nighttime on Lexington Ave.)
By Paul Chojnowski
Located in Hudson, NY
Beautiful New York City cityscape drawing made with burned and scorched paper
22 x 15 inches unframed
Perhaps the single most fascinating thing about this painting is the artist's choice of medium: water and fire. There is no sepia tone, no pigment, no watercolor. The artist paints iconic views of New York City and other famous American cities with...
Category
2010s Contemporary Paul Chojnowski Paintings
Materials
Archival Paper
H 22 in W 15 in D 0.5 in
From the Rooftops (New York City Urban Fire Drawing on Paper)
By Paul Chojnowski
Located in Hudson, NY
From the Rooftops (New York City Urban Fire Drawing on Paper) by Paul Chojnowski
A contemporary urban skyline at night time
Made with burned and scorched paper
11 x 18 inches, 18 x 25 x 1.5 inches framed in black walnut stained wood frame
Perhaps the single most fascinating thing about this painting is the artist's choice of medium: water and fire. There is no sepia tone, no pigment, no watercolor. The artist paints iconic views of New York City and other famous American cities with a wet brush on paper that he then burns with a blow torch to add contrast and hue. Bright headlights on yellow taxis illuminate the streets with such vibrancy that the work almost appears to be backlit.
Throughout Chojnowski's career a distinguishing characteristic has been the use of nontraditional media and tools in his art making. His current work, images burned into paper and wood evolved as a result of his conscious effort to embrace art historical traditions while rejecting the traditional processes. Chojnowski began burning and scorching wood and paper to create his images in the early 1990’s.
Since then, his fire drawings have been shown in group and solo exhibitions in art centers, museums and galleries nationally. His work was part of the set decoration on the Scott Hicks film No Reservations, starring Catherine Zeta-Jone and Aaron Eckhart and the Nancy Meyers film It's Complicated starring Meryl Streep, Alec Baldwin and Steve Martin. A documentary titled AGLOW about his life has been shown at film festivals around North America recently.
In 2013 Chojnowski's work was part of exhibitions titled illuminators at OK Harris Works of Art and SUB urban at Smart Clothes Gallery both located in New York. He was selected to be the first Artist in Residence at WATERFIRE Sharon, in western Pennsylvania where an exhibition of his fire drawings took place in October 2013. In 2014 his work was selected for the inaugural exhibition Figuring In at the Berkshire Artist Museum in North Adams, Massachusetts, home of MASS MoCA. In the autumn a fire drawing acquired by the University of Arizona Art Museum will be part of the exhibition A Continuing Legacy: Gallagher Purchases.
During the summer and fall of 2015 his work was in the first exhibition at the Fresh Paint Gallery, part of the Berkshire Artist Museum in North Adams, Massachusetts and in WAVELENGTH: THE ART OF LIGHT at the University of Arizona Museum of Art in Tuscon. It was followed by a solo exhibition titled New and Selected Work at the C. William Gilchrist Museum of the Arts in Cumberland, Maryland that opened in October.
In 2016 the Carrie Haddad Gallery in Hudson, NY mounted a solo show titled Paper, Plywood and Light. During the summer Bright Ideas Brewing in North Adams, MA hosted an exhibition his Infrastructure Series. Both exhibitions featured new drawings on plywood and illuminated drawings on paper.
Artist statement:
Walking after dark in the light filled streets of American cities like Boston, New York and Chicago has been my inspiration for an ongoing series of work I call Nocturnes. As a pedestrian one is aware of being surrounded by the rich array of sights and sounds. I have no interest in a studied representation of a street scene per say. My intent with this series has always been to capture a memory, a fleeting moment of what I saw from the corner of my eye as I made my way amidst the bustling city dwellers. Visually, my subject is light: taxi headlights reflecting off wet pavement, neon blaring and shop or apartment windows aglow. I love the energy of the city after dark and I hope to some extent to have captured it in works like On the Street and Out of the Darkness.
Artist CV:
2016 Paper, Plywood & Light, Carrie Haddad Gallery, Hudson, NY
2015 New & Selected Work, Gilchrist Museum of the Arts, Cumberland, MD
2013 Fire Drawings, James E. Winner Jr. Arts Culture Center, Sharon, PA
2012 NIGHT I LIGHT, James Gallery, Pittsburgh
2011 Searchlights & other works Carrie Haddad Gallery, Hudson, NY
2008 Town and Country, Hubert Gallery, New York
Selected Work, Mason Murer Fine Art, Atlanta
2007 Natural and Unnatural Disasters, Kidder Smith Gallery, Boston
2005 More Pictures About Buildings and Food, Naoussa Gallery, Tyringham, MA
2004 New Work, Jeffrey Coploff Fine Art Ltd, New York
New Work, PLUM Gallery, Williamstown, MA
Nudes and Nocturnes, Smart Duval Gallery, Aspen
2003 Threadlines, Naoussa Gallery, Tyringham, MA collaborations Scott Sandell
2002 Atlanta Hartsfield International Airport Atrium Gallery
2001 Revealed by Fire, Bridgewater/Lustberg & Blumenfeld Gallery, New York
and Macon & Co. Fine Art, Atlanta
2000 Jan Cicero Gallery, Chicago
Spencertown Academy, Spencertown, NY
Macon & Co. Fine Art, Atlanta
1999 Bridgewater/Lustberg & Blumenfeld Gallery, New York
1997 Macon & Co. Fine Art, Atlanta
1996 Chattahoochee Valley Art Museum, LaGrange, GA
1995 AGIARY, Macon & Co. Fine Art, Atlanta, collaboration with Kevin Haller
Albany Museum of Art, Albany, GA, collaboration with Kevin Haller
1993 New Work, Macon & Co. Fine Art, Atlanta
Berkshire Artisans Gallery, Lichtenstein Center for the Arts, Pittsfield, MA
1991 Butters Gallery, Portland, OR
1989 Butters Gallery, Portland, OR
Group Exhibitions
2018 Landscapes: Capturing the View, Carrie Haddad Gallery, Hudson, NY 2016 IS 183 Faculty Show, Williamstown, MA
2015 WAVELENGTH: THE ART OF LIGHT, University of Arizona Art Museum, Tucson,
AZ
Fresh Paint, Berkshire Artist Museum, North Adams, MA Fence Select, Arts Center of the Capital District, Troy, NY
2015 CITYSCAPES, Carrie Haddad Gallery, Hudson, NY 2014 Figuring In, Rudd Art Museum, North Adams MA 2013 SUBurban, SMART CLOTHES Gallery, New York
illuminators, OK Harris Works of Art, New York
The Abstracted City, Hubert Gallery, New York
2012 WORKS ON PAPER, Carrie Haddad Gallery, Hudson, NY 2011 BLACK & WHITE, Dolby Chadwick Gallery, San Francisco 2010 Pulp Friction, James Gallery, Pittsburgh
Painted City, Carrie Haddad Gallery, Hudson, NY
2009 Great Pretenders: An Exhibit of Art Fakery, Carrie Haddad Gallery, Hudson
2008 Turn and Burn, The Gilchrist Gallery, Cumberland, MD
2006 New Visions, The Harrison Gallery, Williamstown, MA
2005 NEW AMERICAN TALENT the twentieth exhibition, curated by Dan
Cameron, Arthouse, Austin, TX
Berkshire Biennale, The Contemporary Artists Center, North Adams, MA
The City, Contemporary View of the Built Environment, Lehman College, Savoir Affair, Nemacolin Woodlands, Farmington, PA
Mapped, from here to there, Margaret Thatcher Projects, NY 2004 Night New York, Elizabeth Harris Gallery, NY
UNnatural, Full Spectrum Gallery, Lakewood, NJ 2003 flicker, Jeffrey Coploff Fine Art, New York
FLORA, Plum Gallery, Williamstown, MA
Painted City, Carrie Haddad Gallery, Hudson, NY
2002 Hot Art: Burning Images, Paul Chojnowski, John Cage and Andrew Bennett
University of Arizona Museum of Art, Tucson
ON THE MOVE: Transportation Imagery in Art, Swan Coach Gallery, Atlanta
FIREWORKS, 55 Mercer Gallery, New York
Fire, KGA Compound, Houston
2001 BURN: Artists Play with Fire, Norton Museum of Art, West Palm Beach 1999 Westside Inaugural Exhibition, Macon & Company Fine Art, Atlanta 1998 Ink Jet, Contemporary Artists Center, North Adams, MA
Earthly Visions, Jan Cicero Gallery, Chicago, IL
1998 National Juried Exhibition, No BIAS Gallery, Bennington, VT
1997 National Endowment for the Arts Visual Arts/Southern Arts Federation Fellowship Exhibition, Southeastern Center for Contemporary Art, Winston-Salem, NC
1997 New Artists, a baker’s dozen, Spazi Contemporary Art, Housatonic, MA
Naked Landscape, Spazi Contemporary Art, Housatonic, MA
New Prints, Jan Cicero Gallery, Chicago, IL
Berkshire Photography, Contemporary Artists Center, North Adams, MA
Figure 8, Spruill Center for the Arts, Atlanta
1996 17 Days of Olympic Art...
Category
2010s Contemporary Paul Chojnowski Paintings
Materials
Archival Paper
H 18 in W 25 in D 1.5 in
Paul Chojnowski paintings for sale on 1stDibs.
Find a wide variety of authentic Paul Chojnowski paintings available for sale on 1stDibs. You can also browse by medium to find art by Paul Chojnowski in birch, wood, lacquer and more. Not every interior allows for large Paul Chojnowski paintings, so small editions measuring 12 inches across are available. Customers who are interested in this artist might also find the work of Mark Harrison, Frank Corso, and Stephen Wright. Paul Chojnowski paintings prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $1,900 and tops out at $1,900, while the average work can sell for $1,900.