Paul Francois Berthoud

The Baré Planter is part of a family of surfaces designed around the act of indoor horticulture. Named after Jeanne Baré - the first woman to circumnavigate the globe - each object in the series provides an elegant, elevated home for your houseplants. The smallest of the set features a cast bronze...

Large and heavy Chinese gilt bronze squat form jardiniere / planter. Amazing details with foo lion handles with rings, center band of relief chrysanthemums and other floral decoratio...

Stainless Drum Planter/Table Base by Paul Mayen for Habitat  USA, circa 1980s This sleek stainless steel drum planter or table base, designed by Paul M...

Fine Bronze from Japan with great weight and strength. Large form for Bonsai presentation. Elegant style and beautiful patina. Incised decoration on the front and bronze elephant hea...

Antique fine quality large Oriental Japanese bronze Jardinière planter bowl censor Meiji Period, 19th Century. Would look amazing in the right location and make a fabulous centre ...

Contemporary patinated bronze planter by Hervé van der Straeten. Monogrammed: HV.

1920's pair of Egyptian Winged Sun bronze urns or planters. Nice patina with removable tin inserts and double handles. Front and back have Egyptian winged sun symbols. The winged sun...

Paul Evans (1931-1987) American Brutalist industrial modern welded steel and copper, mixed metals patchwork and hardwood planter with rivet accents and removable metal insert. Can be used indoors or outdoors, with real plants or faux plants. Includes green styrofoam blocks for artificial plant use and natural stones for covering the top. Circa 1970 Dimensions: 26" High, 30" Wide, 11" Deep Please note, at the time of writing this, a matching coffee table is available separately. Please check our other listings or contact us to view it. Great original vintage condition. Strong, stable and structurally sound and in wonderful overall appearance; Age appropriate wear and tear, including minor scuffs, scattered scratches to wood panels and metal components. The black insert has fairly significant patinated weathered rustic oxidation consistent with age and indicative of use. The overall patina adds warmth and character to the overall aesthetic appeal and vintage authenticity. Biography: Paul Evans (American , 1927-1993) Born in Brooklyn, New York, Paul Evans is an American furniture designer and sculptor best known for his work in American Furniture design and the American craft movement. His work was influential to many furniture manufacturers in the second half of the 20th century, most notably Directional Furniture. He often used non-traditional materials and techniques like sculpted metal furniture. His work with Directional Furniture was extremely fruitful and during that time he started several series including their Argente, Sculpted Bronze, and Cityscape series. Evans started his career making copper chests and sculpted steel cabinets -- both of which are highly sought after today. Paul Evans’s work with Directional Furniture changed the relationship between creative directors and the companies they worked for. His name helped sell pieces, and he was consciously aware of that fact. As a proponent of modernism, Evans became an innovator in the furniture world. His patrons were often part of the New York elite, and he was able to enjoy sustained success, helped in large part by his ability to evolve with the times -- from craft-based in the 1950s to more flashy pieces in the 1970s and 1980s. His work was mostly recently featured at the Michener Art Museum and was the subject of a 2014 documentary. What kind of art does Paul Evans make? Paul Evans was primarily a furniture designer and sculptor. Though he started within the American Craft movement, Evans is hard to pin down stylistically. An expert metalworker and sculptor, several of Evans pieces were heavily influenced by the shipbuilding industry. As he moved through his career, his pieces became more stylistically diverse, but through it all there is a dedication to craft and function. Much of Evans work is best showcased in his work for Directional Furniture. He had several iconic lines including Patchwork Copper, Pewter and Brass, and the extremely popular CItyscape Series. In the 1980s, Evans branched off on his own with his Think Tank series. He opened his own showroom in New York City, but eventually retired in 1987. How did painter Paul Evans get started? Paul Evans was born on May 20th, 1931 in Newton, Pennsylvania. He studied sculpture and silversmithing at a number of colleges including the Philadelphia Textile Institute, the Rochester Institute of Technology, and the School for American Craftsmen. In the early 1950s, he attended the Cranbook Academy of Art in Michigan, later moving back to Pennsylvania to work with his mentor and guide, Phillip Loyd Powell. Together they began a business heavily influenced by the work of George Nakashima. Powell worked wood pieces, while Evans dedicated himself to metal. Evans burst onto the scene in the late 1960s and early 1970s as the American Craft movement exploded in popularity. From there he parlayed his popularity into a lucrative career with Directional Furniture. How much are Paul Evans pieces worth? Paul Evans furniture pieces can vary in value greatly, from a few thousand dollars on the low end to over $200,000 on the high end. In 2015 a Paul Evans wavy...

A large antique bronze two handled decorated planter.

Pair of Early 20h century Oversized French Classical Figural Bronze Urns/Planters. Planters feature stag heads on each side beneath seated cherubs. The stag heads might be considered...

Large Roman Style Figural Bronze Jardinière /Planter. Bronze Planter / Jardinière features a Cow driven Cart with figures on both. Intricate wreath motif rim symbolizes honor or eter...

20th century, Italian bronze planter or Gueridon Measures: cm W 56 x maximum diameter 51 x H 90. H on the floor of the wide 81 cm This refined planter was made in Italy, in Naples, towards the Early 20th Century in the style of «Retour d'Egypte». It consists of a tripod structure in finely chiselled gilded bronze and lacquered in tones. Each leg originates with scroll decorations and phytomorphic elements with golden details, supported by a sphinx with hairstyle, tail and golden wings. This sits on a curvilinear and wavy element decorated with golden ramage and a man’s head with a long beard of classic taste. The legs end with an injured foot and rest on a tripartite base that connects them. In the middle of each leg there is a bronze junction with curls and volutes that converges towards the others in the center, where a vertical element contributes to the momentum and gracefulness of the whole. The basin of the planter is in lacquered tin, with gold edges and reserves. The rising part of the tub has some holes that allow the breathability of the space. This tripod is inspired, with variations, to a famous model of the brothers Luigi and Antonio Manfredini, active in Milan at the beginning of the nineteenth century, financed by the viceroy of Italy Eugenio de Beauharnais, adopted son of Napoleon Bonaparte, for the opening of the real manufacture of Eugenia. The Retour d'Egypte style was widely echoed in France and Europe and originated from General Bonaparte’s military campaign in Egypt in 1799. The fashion of the Egyptians had already in Italy found a previous interpreter in the engraver Giovan Battista Piranesi, but the vast diffusion that also had in the furniture the Egyptian ornament...