Paul Fuentes Paintings

Signed (on verso): AF/2021

America Martin "Woman in Orange & Sunshine" Oil & Acrylic on Canvas 32.5 x 72.5 inches, Framed Exploring the identity of both her namesake and country, LA-based America Martin draws...

America Martin "Woman on Lawn Blanket" Oil & Acrylic on Canvas 45 x 80 in. 46.75 x 81.75 in Framed Exploring the identity of both her namesake and country, LA-based America Martin ...

Jesus Villar (1930-2015) - Women - Oil on canvas Oil measurements 68x98 cm. Frame measurements 85x117 cm. The painter Jesús Villar was born in 1930, he has lived and painted in both...

Sporting a skull cap and a multitude of colorful tattoos, artist Bruno Surdo has painted this self portrait posed as a biker with a puzzled look . As the titled indicates, a storm i...

Sukanta Das : Sublime Love, Figurative, Mixed Media Size : 36 x 48 inches Sukanta Das says, “ I am primarily inspired by the human body and nature. I love to use subtle hues and ton...

Richard Gibbons' painting "Golden Eyes" shows a portrait of a beautiful young woman. Her piercing gaze brings the viewer in for a closer look. Her sultry, yellow eyes are intoxicatin...

Atteone e Diana Oil Painting on Canvas Mythology Rome In Stock Giovanni Tommasi Ferroni (1967, Rome) descended from an artistic Tuscan family. His grandfather, father, sister and unc...

Victor Wang's subject is a female seemingly caught in a contemplative moment yet a war rages behind her. She dons a hat shaped as a boat and carries and oar as if to "Dream Away" these other thoughts. Wang uses a blend of luminous colors and buttery textures to evoke these enigmatic moments of meditation. Influence by the Renaissance Masters Titian and Rembrandt for their glazing and layering techniques respectively, the artist builds the surface using heavy paint, swirling and mixing the color on the canvas. The end result is a poetic and emotionally powerful representation of the human form. Victor Wang Dreaming Away, 2017 oil on canvas 42h x 56w in 106.68h x 142.24w cm VWG009 My path through life has been adventurous, exciting, and dream-like. My experience of settling into America in search of better opportunities has been both challenging and inspiring. I use the human face as a vehicle to paint human experiences - worry and wonder, sadness and pleasure - which reflect the emotional stage directly tied to my immigration experiences. I grew up amongst the sunflower fields in northern China. In my childhood years, I played under the bright, yellow sunflowers with my brothers everyday. China’s Cultural Revolution played an important part in my life. During that time, sunflowers were used as political allegories to depict how citizens of China should follow Mao who represented the sun, since sunflowers follow the sun’s movements. People eventually inferred the deception that this symbol masked. After graduating from high school, I was sent to a labor camp in the country for ‘reeducation’ during China’s Cultural Revolution. There, I was subject to grueling farm work. Often, I worked in corn and sunflower fields from sunrise to sunset. Thus, for me, sunflowers evoke both personal joy and sadness. Therefore, to deliver my complex feelings, I use sunflowers as a metaphor to connote my background and emotional stage. My incorporation of collages of figures from China’s Tang Dynasty represents my Chinese heritage and is a constant reminder of where I came from. The texture and earthiness on the canvas’s surface are inspired by the texture of the soil on the farm where I worked in China. Although I often gain great pleasure from the process of painting, it is most important to unfold expressively those feelings within myself. Wang belongs to a generation of immigrant painters from China, whose artistic background was defined by socialist realism but took advantage of their skills and broke away from that tradition to create new subjects in the U.S. “When I was a student during Cultural Revolution, Soviet realism art was among the dominant source of influence and it grabbed us like lightening rod...

Marsia Prima Della Sfida Oil Painting on Canvas Mythology Myth In Stock - Size 50 x 35 cm . Size with Frame 71 x 56 cm Giovanni Tommasi Ferroni (1967, Rome) descended from an artis...

Polperro depicts the beauty of a sea side view from a window. ADDITIONAL INFORMATION: Original Oil Painting by Eleanor Woolley Oil on Board Complete size of unframed work: 25.5 H x 25.5 W x 2 D cm (10.04 x 10.04 x 0.79 in) Sold unframed Please note that insitu images are purely an indication of how a piece may look SIZE: Image size: Height: 25.5cm (10.04 in) Width: 25.5cm (10.04 in) Complete size of unframed painting Height: 25.5cm (10.04 in) Width: 25.5cm (10.04 in) Depth: 2cm (0.79 in) ARTIST BIOGRAPHY: Eleanor Woolley was born on the Island of Jersey, and moved to Gloucestershire where she was drawn to the outdoors, always taking walks in the landscape. Her first true love for painting came from an inspirational...

This is a painting from Karen Lynn’s ‘Crowd’ series of works. In this particular painting she gave the audience a 60’s retro look and chose very bright colours like reds pinks and o...