Paul Philp Art

A fabulous and rare large 19th century Bombay Pottery Charger from the J J School of Art, depicting scenes of Buddha from the Ajanta caves. Bombay Scho...

Ceramic Plate Installation, Wall Sculpture, Glazed Porcelain, White Inlay, Lee Steven Young Lee is the Resident Artist Director of the Archie Bray Foundation in Helena, Montana. A C...

Face, Pablo Picasso, 1950's, Earthenware, Decorative Art, Design, Interior, Ed. 500 pcs 1955 White earthenware clay, decoration in engobe, glaze inside Inscribed and stamped on the...

This masterpiece is exhibited in the Zimmerman Gallery, Carmel CA. Step into the enchanting world of Marc Zimmerman's clay totem sculpture, where ancient mystique meets the vibrant ...

A fabulous and rare 19th century Indian Bombay Pottery School of Art turquoise pot with the iconic floral motif, still in use in Indian design to...

Pablo Picasso's (1881-1973) love affair with ceramics started in 1946, when he came across a pottery fair in the South of France. There, he met the proprietors of the Madoura Pottery...

This totem is full of surprises with an upside down duck a couple of fish an apple and a cala lily.Its wonderfully random which adds to the fun. Totems can make you laugh! Please no...

Higashida Shigemasa Shino Teabowl with Box stoneware and shino glaze 3 x 5.5 x 5.5" date unknown signed by artist

“Untitled” ceramic, is an example of the kind of work by which John Glick became so famous. He was seduced by the effects of the reduction kiln, which decreased the levels of oxygen during firing, inducing the flame to pull oxygen out of the clay and glazes changing the colors of the glazes depending on their iron and copper content. In this way he achieved the rich gradients of ochre and umber and variations in stippling and opacity. This piece is signed on the bottom and can be found on page 129, plate #236 in “John Glick: A Legacy in Clay.” John was an American Abstract Expressionist ceramicist born in Detroit, MI. Though open to artistic experimentation, Glick was most influenced by the styles and aesthetics of Asian pottery—an inspiration that shows in his use of decorative patterns and glaze choices. He has said that he is attracted to simplicity, as well as complexity: my work continually reflects my re-examination that these two poles can coexist… or not, in a given series. Glick also took influences from master potters of Japan, notably Shoji Hamada and Kanjrio Kawai, blending their gestural embellishments of simple forms with attitudes of Abstract Expressionism. He was particularly drown to the work of Helen Frankenthaler whose soak-stain style resonated with Glick’s multi-layered glaze surfaces, which juxtaposed veils of atmospheric color with gestural marks and pattern. He spent countless hours developing and making his own tools in order to achieve previously unseen results in his work with clay and glaze. Glick’s “Plum Tree Pottery...

"AR 223 - Square headed pitcher" by artist Pablo Picasso. Partially glazed white earthenware turned pitcher painted in black with 99/300 Edition Picasso on bottom.

The Mid-Century Modern red vase by Dante Baldelli is an elegant example of the work his studio could produce for the consumer to enhance the décor of th...

The Fragile Border (Pink and Red Porcelain Lace), by Jeanne Quinn, 2020 Additional information: Medium: Porcelain, underglaze, pins, vinyl Dimensions: 5 x 128 x 3 in Jeanne Quinn (...