Paul Rigoulet Art

Neutral toned abstract cubist still life painting of an antique coffee grinder arranged next to a coffee pot. Signed in the front lower right corner. Currently hung in a gold frame w...

Susan Kiefer Planar Assembly Oil on Canvas Year: 2022 Size: 40x30x1.35in Signed by hand COA provided Though born and raised in Kansas City, artist Susan Kiefer lived on the west co...

Late Art Deco Period, Cubist watercolour of a nautical harbour scene painted by Yan Bernard Morel (dit Yan Bernard Dyl ) in 1939. Yan B. Morel, born on June 18th 1887, was a French painter, landscape designer, decorator, illustrator and film maker. Morel was a friend of Robert Delauney...

Rites of Passage by Parris Jaru is a commanding composition that captures the essence of transformation and resilience. The figure, painted in deep brown against a vibrant yellow bac...

This etching is in very good condition, it is signed and numbered by the artist but I was unable to identify the artist. It is a piece from my private collection of artists from the ...

Abstracted Cubist Turkey Portrait in Pastel on Paper Brightly colored abstract portrait by Michael William Eggleston (American, 20th Century). An abs...

Waterline Fine Art, Austin, TX is pleased to present the following work: Oil on canvas. Signed lower right, signed and dated verso. 62.25 x 56.25 in. 64 x 58 in. (framed) Custom framed in a natural cherry wood floater. Provenance Washburn Gallery, New York Behnke Doherty Gallery, Washington Depot, CT Born in 1908 in Chicago, John Opper moved with his family to Cleveland, Ohio, in 1916. In high school, he began studying art and attending classes at the Cleveland Museum of Art. After graduation, he enrolled in the Cleveland School of Art (now Cleveland Institute of Art), only to withdraw after a year and move to Chicago, where he took classes at the Art Institute of Chicago. He eventually returned to Cleveland, enrolling at Western Reserve University (now Case Western Reserve), receiving his bachelor’s degree in 1931. The Depression has taken hold during this period, so Opper found work by teaching metalworking and sketching classes at the Karamu Settlement House, the oldest African American theater in the United States. In 1933, Opper traveled to Gloucester, Massachusetts, eventually connecting with the artist Hans Hofmann, who was teaching at the school run by Ernest Thurn. Hofmann encouraged Opper to work “in a more modern vein and start finding what it’s all about.” Heeding this advice, Opper relocated to New York, co-founding a mail-order club of American and British prints for dissemination to schools and museums. By the mid-1930s, he joined the Works Progress Administration (WPA) Easel Division, and also began attending the 57th Street school that Hans Hofmann had established after leaving the Art Students League. Looking back at his time at the school, Opper felt that beyond Hofmann’s teaching, most advantageous was his contact with fellow artists, including Byron Browne, Rosalind Bengelsdorf, and George McNeil. At the time, he also met Giorgio Cavallon and the sculptor Wilfrid Zogbaum. In 1936, Opper became a founding member of the American Abstract Artists, along with Balcomb and Gertrude Greene. The organization was formed to provide an opportunity for artists to show abstract works at a time when such opportunities were scarce. This led to his first solo show in 1937 at the Artists’ Gallery in New York. During his summer in Gloucester in 1933, Opper came to know Milton Avery. Painting in Avery’s informal studio in New York City the following winter, he became acquainted with Adolph Gottlieb and Mark Rothko. Opper participated in a couple of shows during the 1930s of the American Artists Congress Against War and Fascism, whose president was Stuart Davis. About the same period, Opper joined the Artists’ Union and served as the business manager of its publication, Art Front. During World War II, Opper worked for a ship design company creating drawings for piping systems used in PT boats...

Michel Debiève was born on May 29, 1931, with his twin brother Raymond, in a popular suburb of Maubeuge (North of France). Very early, encouraged by Emile, their father, the two brot...

"Rebound Series #2" by Oklahoma artist Eugene Allen Bavinger is a captivating abstract geometric painting that showcases a harmonious blend of soft, muted tones. This composition fea...

Composition No. 12 Gouache on paper, c. 1926 Signed lower right: “Urban Weis” (see photo) Condition: Excellent Image: 16 5/8 x 10 5/8" Frame: 21 1/2 x 15 5/8" Provenance: Dudensing G...

Waterline Fine Art, Austin, TX is pleased to present the following work: Oil on canvas. Signed lower right. 50.5 x 38.25 in. 51.5 x 39 in. (framed) Custom framed in maple. Theodore Franklin (“Ted”) Appleby, Jr. was born January 28, 1923 in Asbury Park, New Jersey to a very prominent family in Monmouth County. He attended the Pauling School in New York and studied at the atelier of John Corneal. On December 12, 1942, Appleby enlisted in the U.S. Marine Corps, subsequently seeing action in the Marshall Islands. Upon the conclusion of the war, he was stationed for a year in Yokohama, Japan, where he studied local engraving techniques. In 1947, after returning home, Appleby moved to Mexico for a year to study mural painting in San Miguel de Allende. Following his sojourn in Mexico, Appleby briefly returned home to the U.S. before ultimately relocating to Paris. There, he joined a lively community of expatriate American artists involved with what would come to be known as the “School of Paris.” Appleby befriended fellow Americans Sam Francis and Jackson Pollock, exhibiting extensively throughout France with the former. He also regularly visited the atelier of Fernand Léger, and was represented in the "Salon de Réalités Nouvelles" and the “Salon d’Automne” during the 1950s and 60s. From 1955 to 1961, Appleby participated in group exhibitions in Chicago, Leverkusen (Germany), Lisbon, London, and Paris. He also had three notable solo exhibitions during this period: Studio Facchetti, Paris (1956); Martha Jackson Gallery, New York (1957); and the American Cultural Center, Paris (1959). In 1957, Appleby’s work was presented at the 62nd American Exposition of Painters and Sculptors at the Chicago Art Institute, where he was awarded the Norman Wait Harris Bronze Medal and Prize. Answering the famed artist André Lhote’s call to help save the village of Alba-la-Romaine in the Ardèche, Appleby and his wife - the artist Hope Manchester - purchased a home in the village in 1950, ultimately settling there until their deaths. Source: Taylor Graham Gallery

Waterline Fine Art, Austin, TX is pleased to present the following work: Oil on canvas. Signed and dated lower right. 41.75 x 61 in. 44 x 63 in. (framed) Custom framed in a hardwo...