Peter Behrens Art

The Greek Soldier and the Bacchant is an original modern artwork realized by Ferdinand Bac (1859 - 1952) in 1922. Signed and dated on plate on the lowe...

Realized by Picasso in 1956. Lithograph on Arches Paper. Hand Signed and numbered. Edition of 19/50.  Ref. Bloch n.790. 

Color lithograph with photolithography. Hand signed lower right by Rafael Canogar. Hand numbered 62/75 lower left corner. Artwork size 22 x 29 inches. Frame size 30 x 37 inches. ...

Lithograph in black on pale green panel on white Rives paper. Hand signed lower right by Salvador Dali. Hand numbered LXXVII/CXX lower left. Artwork size: 20 x 28 inches. Frame ...

Color lithograph after the work by Henri Matisse, plate-signed by Matisse from the edition of 200. This lithograph was printed and published in 2007 in Paris using 100% cotton 300 g...

Color lithograph after the work by Henri Matisse, plate-signed by Matisse from the edition of 200. This lithograph was printed and published in 2007 in Paris using 100% cotton 300 g...

Les Amants is a color lithograph on ivory paper, created by the Italian artist Umberto Brunelleschi (Montemurlo 1879- Paris 1949). Illustration for “Tales and Short Stories” by La F...

Three iconic Leon Bakst costume designs for Le Dieu Bleu ( The Blue God ) a ballet choreographed by Michel Fokine and written by Cocteau. The ballet premiered in Paris in 1912. It tells the story of a girl who tries to dissuade her fiancé from becoming a priest and is thereafter tormented by demons; but she is eventually saved by the Blue God, a part performed by Vaslaw Nijinsky, the greatest male dancer of his time. Fokine’s choreography and Bakst’s costumes drew upon Siamese dance and Hindu sculpture. These three prints are vintage reproductions quite unlike the reproductions of today. They each have the look of original watercolors and are backed on heavy grey rag paper with a hand painted gold border. Properly framed they will definitely look like the original drawing. The size of the actual prints varies slightly but the background paper size is consistently 10.5 x 15.5. Born in Russia in 1866, Léon Bakst belonged to a young generation of European artists who rebelled against 19th-century stage realism, sparking a revolution in theatre design. His fame lay in the sets and costumes he designed for Serge Diaghilev’s (1872 – 1929) legendary dance company the Ballets Russes, and his huge pageant spectaculars for the dancer and patron of the performing arts, Ida Rubinstein...

Lithograph in colors on paper. Hand signed lower right by Douglas Hofmann. From the edition of 300. Hand numbered lower left. Artwork is in excellent condition. Certificate of ...

The Flowers is a color lithograph on ivory paper, created by the Italian artist Umberto Brunelleschi (Montemurlo 1879- Paris 1949). Illustration for “Tales and Short Stories” by La ...

"H. L'Illusion (L'Estampe Moderne I)" is an original color lithograph by Henri Bellery-Desfontaines. This piece depicts a nude child before a dream-like woman in a blue translucent robe. This piece was published in the French Art Nouveau publication L'Estampe Moderne. Signed in plate. 15 3/4" x 12" art Henri Bellery-Desfontaines , born with Paris in 1867 and dead the October 6th 1909, is a French Noveau artist Jack-of-All- Trades, who produced tables, illustrations, posters, lithographies, drawings of carpet, pieces of furniture and banknotes, and even dabbled with decoration & architecture. In the 1900s, Paris was the perfect place for a group of young artists influenced by artistic currents like neogothic style or symbolism. Most of them started as painters and they switched later to decorative arts, attracted by the idea of an ever-present art, a lifeless art, a total art. Henri Bellery-Desfontaines was a member of this group and he started as as painter in Pierre-Victor Galland’s atelier. He entrusted him the decorative motifs which would frame Panthéon de Paris' drawings: Maillot, Bonnat, Humbert and specially Jean-Paul Laurens, who proposed him to join his atelier in l’École des Beaux-Arts de Paris. With him, he decorated l'Hôtel de Ville de Paris or Le Salon Lobau, Henri Bellery-Desfontaines is thought to have Luc-Olivier Merson (1846-1920) as a teacher. During his years as a student, he started to illustrate magazines and books of tales and in 1895, Bellery-Desfontaines opted rapidly for illustration, probably due to financial problems, and he participated in magazines such as L’Image, L’Estampe Moderne or L’Almanach des Bibliophiles. This year, the Salon des Artistes Français hosted one of his design of tapestry. From 1900 on, he gradually evolved toward an ambitious decorative artist, making tapestries and furniture for rich leaders and patrons. Bellery-Desfontaines was an important artist of his epoch, and he took part in numerous events like Bal de...

"La Chatelaine" is a color lithograph by Charles Doudelet. The artist's name is printed lower right. This piece, featuring a wealthy woman on a white horse surrounded by dogs, was published in the Art Nouveau publication L'Estampe Moderne. 15 3/4" x 12" art 19 1/4" x 23" frame Belgian painter, sculptor, illustrator and stage designer. He studied music at the Koninklijk Muziekconservatorium and sculpture at the Gewerbeschule, Ghent (after 1877). He visited Paris in 1887 and Italy in 1890, with a grant from the city of Ghent. He was deeply impressed by the masters of the Quattrocento, and was encouraged to take up painting after meeting Constantin Meunier...