Peter Halley Paintings
American, b. 1953
Peter Halley is an American artist known for his distinctive geometric paintings that explore the intersection of technology, society, and architecture. Born in 1953 in New York City, Halley developed an early interest in art and went on to study at Yale University, where he received his Master of Fine Arts degree in 1978.Halley's work is characterized by vibrant, flat colors and repetitive, abstract forms, often resembling circuit boards or prison cells. His paintings reflect his fascination with the effects of technology on human interaction and the isolation of modern society. Halley coined the term "prison cells" to describe the confined spaces and social structures that he believes have been created by technology and urban architecture. Throughout his career, Halley has exhibited his work internationally, gaining recognition for his unique style and thought-provoking concepts. He has also been involved in art criticism and writing, contributing to various publications and expanding the discourse on contemporary art. Today, Peter Halley's art continues to captivate audiences, provoking discussions about the impact of technology on our lives and the nature of human connections in an increasingly digital world. His contributions have made him an influential figure in the field of contemporary art.to
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Artist: Peter Halley
Peter Halley, Hand signed & dated original ink & graphite drawing; unique Framed
By Peter Halley
Located in New York, NY
PETER HALLEY
6/21/96.9, 1998
Graphite and ink drawing
Hand-signed by artist, signed and dated in graphite lower right front; lower left front bears title: 6/21/96.9
Frame included: elegantly matted and framed in a hand made museum frame with UV plexiglass
signed and dated in graphite lower right front; lower left front bears title: 6/21/96.9
This is a unique work
Frame included: elegantly floated and framed in a museum quality hand made white wood frame under UV plexiglass
Measurements:
Framed
16.5 inches vertical by 13 inches horizontal by 1.5 inches
Artwork (visible)
10 inches vertical by 8 inches horizontal
Peter Halley Biography
Peter Halley was born in 1953 in New York. He began his formal training at Phillips Academy in Andover, Massachusetts, from which he graduated in 1971. During that time, Halley read Josef Albers’s Interaction of Color (1981), which would influence him throughout his career. From 1973 to 1974 Halley lived in New Orleans, where he absorbed the vibrant cultural influences of the city, began using commercial materials in his art, and first became acquainted with the writings of earthwork artist Robert Smithson. In 1975 the artist graduated from Yale University, New Haven, with a degree in art history. After Yale, Halley returned to New Orleans, where he received an MFA in painting from the University of New Orleans in 1978. He had his first solo exhibition at the Contemporary Art Center, New Orleans, that same year.
In 1978 Halley spent a semester teaching art at the University of Louisiana, Lafayette. He has continued to teach throughout his career. In 1980, Halley moved back to New York and had his first solo exhibition in the city at PS122 Gallery. At this time, Halley was drawn to the pop themes and social issues addressed in New Wave music. Inspired by New York’s intense urban environment, Halley set out to use the language of geometric abstraction to describe the actual geometricized space around him. He also began his iconic use of fluorescent Day-Glo paint.
In 1984, Halley started to exhibit with the International With Monument gallery, becoming closely associated with the organization and its artists, who exhibited conceptually rigorous work in a market-savvy, coolly presented space that stood in stark contrast to the bohemian, Neo-Expressionist flair of the East Village art scene at the time. In 1986, an exhibition of four artists from International With Monument at the Sonnabend Gallery in New York heralded the group’s growing success. By the late 1980s, Halley was exhibiting with prominent galleries in the United States and Europe. In 1989, an exhibition of his paintings traveled to the Museum Haus Esters, Krefeld, Germany; Maison de la culture et de la communication de Saint-Étienne, France; and Institute of Contemporary Arts, London. From 1991 to 1992, a retrospective toured Europe, with presentations at the CAPC Musée d’art contemporain de Bordeaux, France; Musée d’art contemporain, Lausanne, Switzerland; Museo nacional centro de arte Reina Sofía, Madrid; and Stedelijk Museum, Amsterdam. In 1992, the Des Moines Art Center hosted his first solo exhibition at a U.S. museum.
While developing his visual language, Halley became interested in French post-structuralist writers, including Jean Baudrillard, Guy Debord, Michel Foucault, and Paul Virillio, all of whom shared his concern with the character of social spaces in a post-industrial society. In 1981, he published his first essay “Beat, Minimalism, New Wave, and Robert Smithson” in Arts, a New York–based magazine that would publish eight of his essays before the decade’s end. Halley’s writings became the basis for Neo-Geometric Conceptualism (also known as Neo-Geo), the offshoot of Neo-Conceptualism associated with the work of Ashley Bickerton, Halley, and Jeff Koons. In 1988, the artist’s writings were anthologized in Collected Essays, 1981–1987, and again in 1997 in a second anthology, Recent Essays, 1990–1996.
In the mid-1990s, Halley began to produce site-specific installations for museums, galleries, and public spaces. These characteristically brought together a range of imagery and mediums, including paintings, wall-size flowcharts, and digitally generated wallpaper prints. Halley has executed permanent installations at the Dallas/Fort Worth International Airport, Texas, and the Gallatin School of Individualized Study at New York University. In 2011, his installation of digital prints Judgment Day...
Category
1990s Abstract Geometric Peter Halley Paintings
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Press Play
By Peter Halley
Located in Rye, NY
Halley's paintings explore both the physical and psychological structures of social space; he connects the hermetic language of geometric abstraction—influenced by artists such as Ba...
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2010s Peter Halley Paintings
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Acrylic
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This abstract geometric painting on vellum was made by Hudson Valley based artist, Donise English, in 2022. The composition begins with a blue green toned background of acrylic wash. A grid of box-like patterns in sky blue, green, grey, and black with white line work are stacked to create an irregular shape or an "imagined city grid", says the artist. The painting on vellum is complemented by a simple black frame with an 8-ply white mat, non-glare plexi, and wire backing. It's in excellent condition and ready to hang.
About the artist:
Donise English emphasizes lines, grids, and fields of subtle color to evoke imagined places and invented structures. While precise lines and straight angles are often associated with themes in architecture and urban planning designs, English conveys a geometric motif guided by intuition rather than a ruler. Variations on grids retain flaws and unmistakable traces of the artists’ hand; her style of draftsmanship shies away from intellectualism and instead makes her compositions feel very personal. A central checkerboard formation floats over a ground of pastel color or washes of grey or cream. Each design is intensely intricate, incorporating gouache, acrylic, pen, graphite, ink and colored pencil. The artist recently retired from her decades career teaching at Marist College and is now devoted full time to her art making.
Artist Statement:
My work is about the way visual diagrams present information that describes how something is made or the way it is. I am interested in drawing and collaging multiple layers of information that refer abstractly to maps, architectural drawings and blueprints or patterns and structures found in such things as roller coasters, power lines and fences. I use gouache and collaged paper in a series of layers that are a visual and ideological response to the previous layer to define my pictorial space. For each piece I create a set of rules to follow about the use of a limited palette, a grid format, opacity of paper and whether a piece may include curving lines or maintain a rectilinear structure.
Artist CV:
EDUCATION
Master of Fine Arts in Painting
Bard College 1986
Bachelor of Science in Art History
State University College at New Paltz 1977
Additional Study: New York Studio School (Drawing Marathons)
Columbia University, School of Architecture
Women’s Studio Workshop
TEACHING
Professor of Studio Art, Department of Art and Art History, Marist College, Poughkeepsie, NY
Coordinator, Interior Design Program, Florence, Italy campus
1992-present
AWARDS
NYFA Fellowship in Painting 2018
Invitational Award for Outstanding Contemporary Talent,
University of Bridgeport, CT 2000
Purchase Prize, “11th National Juried Exhibition”
College of Notre Dame of Maryland, Baltimore 1999
First Prize, “Women in the Visual Arts ‘95”
Erector Square Gallery, New Haven, CT 1995
Joseph A. Cain Memorial Purchase Award for Sculpture
Del Mar College, Corpus Christi, TX 1994
Honorable Mention, “National Juried Exhibition”
University of Bridgeport, CT 1993
Individual Artists Fellowship in Sculpture
Dutchess Arts Fund 1992/93
Tallix, Morris, Singer Internship in Sculpture
Tallix Foundry, Beacon, NY 1990/91
MEMBERSHIP Royal British Society of Sculptors
SELECTED JURIED/INVITATIONAL EXHIBITIONS
2020
“edu: Art Faculty of the Hudson Valley”, Hudson Valley MOCA, Peekskill, NY
2019
“Contemporary Abstraction”, Carrie Haddad Gallery, Hudson, NY
“Mixed Media”, SITE Gallery, Brooklyn, NY
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“JuxtaPositions”, The Painting Center, New York, NY
“Peculiar Rarities”, Carrie Haddad Gallery, Hudson, NY
2017
“Interlock: Color and Contrast in Abstraction”, Carrie Haddad Gallery, Hudson, NY
“Donise English: Encaustics”, Catskill Art Society, Livingston Manor, NY
2016
“Let’s Stay in Touch”, Howard County Center for the Arts, Ellicott City, MD
“Under, Over, After Over”, Vassar College, Poughkeepsie, NY
2015
“Off the Grid”, Arts & Culture Program, Albany International Airport, Albany, NY
“Gridspace”, KMOCA, Kingston, NY
“Abstraction”, Carrie Haddad Gallery, Hudson, NY
“Assuming Identity”, NY Institute of Technology, New York, NY
2013
“Modern Artists”, Carrie Haddad Gallery, Hudson, NY
“Artists of the Mohawk-Hudson Region”, The Hyde Collection, Glens Falls, NY
Stone Canoe/Community Folk Art Center, Syracuse, NY
2012
New York Institute of Technology, New York, NY
“Contemporary Painters (Who Just Happen To Be Women)”,
Carrie Haddad Gallery, Hudson, NY
“Strange Glue: Collage at 100”, Cambridge School, Weston, MA
“Dear Mother Nature”, Dorsky Museum, SUNY New Paltz, NY
“Fresher Paint”, Rockland Center for the Arts, Nyack, NY
Courthouse Gallery, Lake George Arts Project, Lake George, NY
2011
“Process+Content: Donise English”, Vassar College, Poughkeepsie, NY “Donise English-Paintings”,Orange County Community College,
Newburgh, NY
“Gender Matters/Matters of Gender”, Freedman Gallery,
Albright College, Reading, PA
2010
Carrie Haddad Gallery, Hudson, NY
“Encaustics: Wax and Image”, Westchester Community College,
White Plains, NY
“Dots, Lines and Figures”, Carrie Haddad Gallery, Hudson, NY
“Spring Awakening”, NY Institute of Technology, New York, NY
“Clay City Dreams”, NY Institute of Technology, New York, NY
“Texture,Pattern, Fragment”, Krause Gallery, Moses Brown School,
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2009
“Collage”, NY Institute of Technology, New York, NY
“Working in Wax”, Bedford Gallery, Walnut Creek, CA
“Encaustic 2009”, College of New Rochelle, NY
“Three Artists”, Carrie Haddad Gallery, Hudson, NY
“Convergence: The Human Experience”,Howard County Center for the Arts, MD
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“Suckers and Biters: Love, Lollipops, and Exquisite Corpse”
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Carrie Haddad Gallery, Hudson NY
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“Patterns and Light”, Blue Hill Gallery, Blue Hill, ME
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“100 Artists, 100 Watercolors”, Jeannie Freilich Fine Art,
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“The Love Show”, Manchester Community College, Manchester, CT
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“Greed, Envy, Jealousy, Fear”, TSL Warehouse, Hudson, NY
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“Women in the Middle: Borders, Barriers, Intersections”
University of Wisconsin-Milwaukee
“Girl Art Now”,Hera Gallery, Wakefield, RI
3 Person Exhibition, Monterey Peninsula College, Monterey, CA
“The Feminine Eye”, Bradley University, Peoria, IL “Women Painting Women”, McNeese State University, Lake Charles, LA “Thought Patterns”, Kent Place Gallery, Summit, NJ “Surface, Matter and Artifice”, Dutchess Community College Art Gallery
Poughkeepsie, NY
2003
“Beefcake/Cheesecake”,Orange County Center for Contemporary Art,
Santa Ana, CA,Juror: Jamie Wilson, Curator
Halpert Bienniel, Appalachian State University, Boone, NC
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2002
“Cat Calls”, Red Clay Arts, Brooklyn
“Hudson Valley Regional”, SUNY New Paltz
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2001
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2000
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Donise EnglishBlue & Grey Green Plan: Abstract Geometric Framed Painting in Cool Toned Palette, 2020
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Specifically Nowhere, Yellow (Abstract Geometric Painting with Grids on Yellow)
By Donise English
Located in Hudson, NY
Large abstract geometric painting with intricate line work in pencil and gouache on a bright yellow background
"Specifically, Nowhere (Yellow)" made by Hudson Valley artist, Donise English, in 2022
gouache, acrylic, pencil, and colored pencil on paper, mounted on panel
48 x 48 inches unframed, 50 x 50 inches with a dark brown stained wood floater frame
Surface is protected with four coats of an archival UV protective varnish
Signed, verso
Excellent condition and ready to hang
This large abstract geometric painting was made by Hudson Valley based artist, Donise English, in 2022. The composition begins with a bright yellow background overlaid with intricate line work in graphite and colored pencil. Thousands of hand drawn lines serve as a backdrop for a bold geometric form in a dusty violet and dark gray gridded pattern that references "an imagined city grid", says the artist. The painting on paper is mounted to wood panel and complemented with a dark stained wood floater frame. It's in excellent condition and ready to hang as is. The surface is protected with four coats of an archival UV protective varnish.
More about the work:
Donise English emphasizes lines, grids, and fields of subtle color to evoke imagined places and invented structures. While precise lines and straight angles are often associated with themes in architecture and urban planning designs, English conveys a geometric motif guided by intuition rather than a ruler. Variations on grids retain flaws and unmistakable traces of the artists’ hand; her style of draftsmanship shies away from intellectualism and instead makes her compositions feel very personal. Each design is intensely intricate, incorporating gouache, acrylic, pen, graphite, ink and colored pencil.
Artist Statement:
My work is about the way visual diagrams present information that describes how something is made or the way it is. I am interested in drawing and collaging multiple layers of information that refer abstractly to maps, architectural drawings and blueprints or patterns and structures found in such things as roller coasters, power lines and fences. I use gouache and collaged paper in a series of layers that are a visual and ideological response to the previous layer to define my pictorial space. For each piece I create a set of rules to follow about the use of a limited palette, a grid format, opacity of paper and whether a piece may include curving lines or maintain a rectilinear structure.
Artist CV:
EDUCATION
Master of Fine Arts in Painting
Bard College 1986
Bachelor of Science in Art History
State University College at New Paltz 1977
Additional Study: New York Studio School (Drawing Marathons)
Columbia University, School of Architecture
Women’s Studio Workshop
TEACHING
Professor of Studio Art, Department of Art and Art History, Marist College, Poughkeepsie, NY
Coordinator, Interior Design Program, Florence, Italy campus
1992-present
AWARDS
NYFA Fellowship in Painting 2018
Invitational Award for Outstanding Contemporary Talent,
University of Bridgeport, CT 2000
Purchase Prize, “11th National Juried Exhibition”
College of Notre Dame of Maryland, Baltimore 1999
First Prize, “Women in the Visual Arts ‘95”
Erector Square Gallery, New Haven, CT 1995
Joseph A. Cain Memorial Purchase Award for Sculpture
Del Mar College, Corpus Christi, TX 1994
Honorable Mention, “National Juried Exhibition”
University of Bridgeport, CT 1993
Individual Artists Fellowship in Sculpture
Dutchess Arts Fund 1992/93
Tallix, Morris, Singer Internship in Sculpture
Tallix Foundry, Beacon, NY 1990/91
MEMBERSHIP Royal British Society of Sculptors
SELECTED JURIED/INVITATIONAL EXHIBITIONS
2020
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2019
“Contemporary Abstraction”, Carrie Haddad Gallery, Hudson, NY
“Mixed Media”, SITE Gallery, Brooklyn, NY
2018
“JuxtaPositions”, The Painting Center, New York, NY
“Peculiar Rarities”, Carrie Haddad Gallery, Hudson, NY
2017
“Interlock: Color and Contrast in Abstraction”, Carrie Haddad Gallery, Hudson, NY
“Donise English: Encaustics”, Catskill Art Society, Livingston Manor, NY
2016
“Let’s Stay in Touch”, Howard County Center for the Arts, Ellicott City, MD
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2012
New York Institute of Technology, New York, NY
“Contemporary Painters (Who Just Happen To Be Women)”,
Carrie Haddad Gallery, Hudson, NY
“Strange Glue: Collage at 100”, Cambridge School, Weston, MA
“Dear Mother Nature”, Dorsky Museum, SUNY New Paltz, NY
“Fresher Paint”, Rockland Center for the Arts, Nyack, NY
Courthouse Gallery, Lake George Arts Project, Lake George, NY
2011
“Process+Content: Donise English”, Vassar College, Poughkeepsie, NY “Donise English-Paintings”,Orange County Community College,
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“Encaustics: Wax and Image”, Westchester Community College,
White Plains, NY
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“Spring Awakening”, NY Institute of Technology, New York, NY
“Clay City Dreams”, NY Institute of Technology, New York, NY
“Texture,Pattern, Fragment”, Krause Gallery, Moses Brown School,
Providence, RI
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“Collage”, NY Institute of Technology, New York, NY
“Working in Wax”, Bedford Gallery, Walnut Creek, CA
“Encaustic 2009”, College of New Rochelle, NY
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“Convergence: The Human Experience”,Howard County Center for the Arts, MD
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New York, NY
“On/Of Paper”,Kirkland Art Center, Clinton, NY
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2005
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2004
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“The Feminine Eye”, Bradley University, Peoria, IL “Women Painting Women”, McNeese State University, Lake Charles, LA “Thought Patterns”, Kent Place Gallery, Summit, NJ “Surface, Matter and Artifice”, Dutchess Community College Art Gallery
Poughkeepsie, NY
2003
“Beefcake/Cheesecake”,Orange County Center for Contemporary Art,
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Halpert Bienniel, Appalachian State University, Boone, NC
Juror: Jeff Fleming, Senior Curator, Des Moines Art Center “The Great White Oak”, Garrison Art Center, Garrison, NY Carrie Haddad Gallery, Hudson, NY
2002
“Cat Calls”, Red Clay Arts, Brooklyn
“Hudson Valley Regional”, SUNY New Paltz
Juror: Sydney Jenkins, Director, Ramapo College Art Galleries
2001
One-Person Exhibition, Davis and Hall Gallery, Hudson, NY “Beyond the Surface”, Womanmade Gallery, Chicago
One-Person Exhibition, Garrison Art Center, Garrison, NY
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Tower Afterglow - Original Lifeguard Tower Beach Painting
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Located in Los Angeles, CA
Kathleen Keifer is a California-based internationally collected artist. She is a leading force of the New California Realism. With a high level of technical virtuosity Keifer creates a new sense of reality with textures and colors that seem to add lighting effects and distinct shadows, confronting the viewer with new interpretations of familiar objects.
This one-of-a-kind 12 inch square original artwork is a composition created with acrylic paint on canvas. It is wired and ready to hang. The sides are painted as a continuation of the front and it does not require framing. It signed by the artist on the front of the artwork. Convenient local Los Angeles area shipping. Affordable Continental U.S. and global shipping also available. A certificate of authenticity issued by the art gallery is included.
Kathleen’s paintings invite the viewer to consider the complex relationship between time and timelessness. It is the sheer visual interaction between the elements, taken in their bare simplicity that interests her. For her, painting captures the very essence of time and its passage. She believes that actual sites and places have an individual magic. The goal is to take objects from popular culture and paint them in a new narrative context. Her complex approaches to popular board games present the subjects as living, tangible objects.
Born and raised in Chicago, Kathleen Keifer is a second-generation artist. Her mother, also a fine artist, exposed Keifer to the world of art and supervised her training from a very early age. This legacy continues today as Keifer closely nurtures the development of the artistic leaning in each of her three daughters, inspiring a third generation of female artists. Her works are represented by Artspace Warehouse Los Angeles and have been exhibited and collected internationally, including Chicago, New York and London.
Artspace Warehouse has been representing and exhibiting Kathleen Keifer's original artworks since 2017. The gallery has been a 1stdibs partner since 2014 with consistently excellent reviews from clients worldwide. The gallery exhibits a large selection of affordable original artworks from established and emerging international artists with diverse backgrounds at high standards. Artspace Warehouse is known to provide accurate descriptions, images, reliable services, communication, and delivery.
REPRESENTATION
Artspace Warehouse, Los Angeles, CA
EXHIBITIONS
2023 “Postcards From Nowhere”, Artspace Warehouse, Los Angeles, CA
2022 “The Comforting Familiar”, Artspace Warehouse, Los Angeles, CA
2020 “Midnight Blue”, Artspace Warehouse, Los Angeles, CA
2018 Morris Inn, Notre Dame, IN
Malibu Beach House, Malibu, CA
Bon Voyage, Coda Gallery, Palm Desert, CA
Solo Exhibition, Jeffrey Breslow Gallery, Chicago, IL
Art Palm Springs Fine Art Fair, CA
Artspace Warehouse, CA
2017 Affordable Art Fair New York, NY
Affordable Art Fair London, UK
Art Palm Springs, CA
“Pop Futurism and Abstraction”, Artspace Warehouse, Los Angeles, CA
2016 Susan Schomburg gallery, Santa Monica, CA
Jazz in the Pines, Idyllwild, CA
2015 Official artist of Chitag, Chicago Toy and Game Fair, Chicago, Il
Jazz! Dion Gallery, Redondo Beach, CA
Art 90266, LA 25, Manhattan Beach, C
Political Commentary, Linus gallery, Long Beach and Pasadena, CA
2014 RETROspective, Coast Gallery, Long Beach, CA
ArtHampton, Bridgehampton, NY
The Pursuit of…, Lurie Gallery, Los Angeles, CA
Art 90266, LA 25, Manhattan Beach, CA
2013 Pop meets Painterly, CODA Gallery, Palm Desert, CA
University of Notre Dame, Notre Dame, IN
Puzzles and Games, Liss Gallery, Toronto, Ontario, Canada
2012 Art, Wine & Roses, Home Gallery, Malibu, CA
Pop Meets Painterly, Oh My Godard Gallery, Atlantic City, NJ
2011 Beach Games, Riley Arts Gallery, Manhattan Beach, CA
Art of The Game, Oh My Godard Gallery, Atlantic City NJ
Art of The Game, Liss Gallery, Toronto, Ontario, Canada
2010 Art of The Game, Gallery 319, Santa Monica, CA
One Woman Show, Canfin Gallery, Westchester, NY
2009 American Riviera, ARTfront Gallery, Los Angeles, CA
American Landscape, Hilliard Gallery, Kansas City, MO
2008 Coastal Living, Gallery 319 Santa Monica, CA
2007 On the Beach, Gallery 319 Santa Monica, CA
Why We Live Here, Dion Gallery, Redondo Beach, CA
2006 Mc Lean Gallery, Malibu. CA
BOOK: Perspective on Coastal Beauty, From Malibu to Manhattan Beach
2005 Along the PCH, Mc Lean Gallery, Malibu, CA
FRESH!, MOCA, Los Angeles, CA
Gallery C, Hermosa Beach, CA
California Visions, Long Beach Museum of Art, Long Beach, CA
2004 President’s Show, CA Heritage Museum, Santa Monica, CA
Coastal Nostalgia, Mc Lean Gallery, Malibu, CA
Gallery C, Hermosa Beach, CA
2003 Los Angeles County Museum of Art, Los Angeles, CA
Coastal Nostalgia, 2003, Mc Lean Gallery, Malibu, CA
2002 Coastal Nostalgia, 2002, Mc Lean Gallery, Malibu, CA
2001 Los Angeles County Museum of Art, Los Angeles, CA
Ambient Light, Mc Lean Gallery, Malibu, CA
2000 The Coastal Landscape, Mc Lean Gallery, Malibu, CA
Malibu Art...
Category
21st Century and Contemporary American Realist Peter Halley Paintings
Materials
Canvas, Acrylic
Blue Twisting Grid (Abstract Geometric Work on Paper, Custom Light Wood Frame)
By Donise English
Located in Hudson, NY
Abstract drawing on paper in light sky blue, black and white with custom light wood frame
'Blue Twisting Grid' by Donise English
30 x 22 inches unframed, 37 x 29 inches custom frame ...
Category
2010s Abstract Peter Halley Paintings
Materials
Acrylic, Gouache, Archival Paper, Graphite
$2,400
H 37 in W 29 in D 2 in
Peter Halley paintings for sale on 1stDibs.
Find a wide variety of authentic Peter Halley paintings available for sale on 1stDibs. You can also browse by medium to find art by Peter Halley in acrylic paint, paint, synthetic resin paint and more. Not every interior allows for large Peter Halley paintings, so small editions measuring 54 inches across are available. Customers who are interested in this artist might also find the work of Deborah Bigeleisen, Richard Hawk, and Nestor Toro. Peter Halley paintings prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $1 and tops out at $1, while the average work can sell for $1.