Peter Nichols Paintings

Vintage flower landscape oil painting. Oil on canvas. Framed. Signed. In excellent original condition. Handsomely framed in a wood molding. Excellent condition, ready to hang an...

Antique American or possibly European impressionist coastal oil painting by Harry Sutton Palmer (1854 - 1933). Palmer painted in the UK and California. Oil on canvas. Framed. Si...

Signed impressionist landscape oil on canvas circa 1908 by French painter Jean Baptiste Armand Guillaumin. This stunning piece depicts a winter scene with a view of the dam at Geneti...

With a contemporary perspective on landscape painting and inspired by paintings created by old masters, German artist Katharina Husslein paints in a representational manner to captur...

Allison Chambers — Cotton Candy Oil on Paper, 10 x 10 inches Contemporary impressionist Allison Chambers brings her signature palette knife technique to this floral still life, Cott...

Signed and dated oil on board landscape by American impressionist painter Robert William Vonnoh. This stunning piece depicts red and orange wildflowers. This work would have been exe...

Forest river. 1990. Cardboard, oil. 67,5x93 cm Information about artist Edgars Vinters (1919-2014). Edgars Vinters was working in oil, waterc...

Through the Poppy Impressionism Floral 8" x 8" Landscape Spiritual Meaning Poppies grow well in Texas, especially the red corn poppy, and are celebrated in cities like Georgetown, known as the "Red Poppy Capital of Texas". They are typically planted in the fall for a spring bloom and thrive in full sun with well-drained soil. Texas also has native varieties like the white prickly poppy and Mexican gold poppy. V....Vaughan is known for impressionist paintings of wildlife...

The Italian outdoors is a common theme in Nelson White paintings. These paintings use the Italian countryside depicting the poppy fields as scene for his paintings. His paintings sho...

Frame Dimensions: 18 x 25 inches Framed in a custom Italian traditional frame 4.5-inch wide in gold leaf. (Antique -not pristine) An oil painting by American Impressionist painter...

"Ta Som, Angor Wat" is a plein air oil painting of the Buddhist Temple in Cambodia. The painting has earth tones and was painted in the shade, no doubt to escape the heat while tryin...

Signed post impressionist oil on canvas landscape by French painter Lucien Levy-Dhurmer. The piece depicts the gardens of a Moorish Palace at evening. Painted in largely blues, there are some flowering trees in the front of the work below a much larger bare tree. Beyond that the palace sits below a starry sky. Mr. Jumeau-Lafond believes the work was likely painted in Morocco but he also stated that Dhurmer often used imagination to construct settings for his ideas. Signature: Signed lower left Dimensions: Framed: 39"x31" Unframed: 32"x24" Provenance: Private collection - France The authenticity of this work has been confirmed by Jean-David Jumeau-Lafond A certificate of authenticity from Mr. Jumeau-Lafond is available upon request Lucien Lévy-Dhurmer did not follow the conventional route for education in fine arts but was nevertheless a pupil of the painters Raphaël Collin, Vio and Wallet. He was an ornamental painter in an earthenware factory in Golfe-Juan from 1887 to 1895, which influenced his use of pastel. He travelled to Italy in 1895. Around 1902 he painted the portraits of Rodenbach, Pierre Loti and Marguerite Moreno. Although he had not been instructed by Puvis de Chavannes or Gustave Moreau, he seemed to have much in common with those visionary 'painters of the soul' who had been exhibiting at the Salon de la Rose-Croix for several years: Edmond Aman-Jean, Louis Welden Hawkins, Henri Martin, Charles Maurin and Alphonse Osbert. Following the example of some of these artists, Lévy-Dhurmer admired Italian Renaissance art, evidence of which can be seen in pastels such as Woman with a Medal, Medusa, Circes and Florence. His translation of the Symbolist themes in the scores of Beethoven ( Appassionata), Fauré or Debussy into different hues made him seem like a visionary, but his aesthetic seems to have changed to some extent after 1900, when his landscape painting became more prominent. In fact, only his presentation and style changed. He continued to suggest feelings, interpretations and emotions but without relying on any traditional allegories. He became involved in the Intimist movement, along with Ernest Laurent, Charles Cottet, Henri le Sidaner and René Ménard, whose pastels presaged the Classicism of the 1930s. He exhibited at the Salon des Artistes Français in Paris from 1882. From 1906 he was associated with the Salon de la Société Nationale des Beaux-Arts. He showed his works in individual exhibitions, notably in 1896 at the Galerie Georges Petit in Paris, which was a very successful exhibition and earned him admiration in artistic and literary circles alike. Several decades later the exhibition Around Lévy-Dhurmer ( Autour de Lévy-Dhurmer) at the Galeries du Grand Palais in Paris in 1973 revealed a tendency in art which had been largely unknown until then and which remained on the margins of the great innovative movements of the 20th century, but which was nonetheless of a quality which could not be ignored. Lévy-Dhurmer obtained a distinction from the Salon des Artistes Français in 1896 and a bronze medal at the 1900 Exposition Universelle in Paris. He became a Chevalier of the Légion d'Honneur in 1902. Museum and Gallery Holdings Bayonne (Mus. Basque): Portrait of Pierre Loti (1896, pastel) Brest (MBA): Circes Detroit (AI): Vase with Dragonflies (1890, earthenware with iridescent glaze) Mulhouse: Harvest New York (Metropolitan Mus. of Art): Flower Pot (c. 1893, earthenware with metallic glaze) Paris (Mus. d'Orsay): Portrait of Georges Rodenbach (c. 1895, pastel on paper); The Woman with a Medal (1896, pastel on paper on card); The Lost Explorer...