Peter Paul Rubens
Flemish, 1577-1640
Peter Paul Rubens was a Flemish painter and one of the most influential artists of the Baroque period. Born in Siegen, Germany, he grew up in Antwerp, where he trained as a painter. He traveled to Italy and Spain, studying Renaissance masters like Titian, Caravaggio, and Michelangelo, which greatly influenced his dynamic and dramatic style.
Rubens became famous for his large-scale, energetic compositions filled with movement, rich colors, and emotional intensity. His works often depicted religious, mythological, and historical themes. Among his most famous paintings are The Descent from the Cross, The Garden of Love, and The Consequences of War.
Aside from painting, Rubens was also a diplomat, working for European courts and nobility. His workshop in Antwerp produced numerous masterpieces with the help of talented assistants, including Anthony van Dyck.
He died in 1640 in Antwerp, leaving behind a vast artistic legacy that continues to inspire generations.to
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Creator: Peter Paul Rubens
Peter Paul Rubens Circle of "Saint Catherine " Never Restored First Canvas
By Peter Paul Rubens
Located in Madrid, ES
Peter Paul Rubens (Siegen 1577 - Antwerp 1640) circle of
Saint Catherine of Alexandria
Never Restored First Canvas
Oil on canvas
129.5 x 94 cm
The work is based on the painting by Peter Paul Rubens and engraved by Schelte von Bolswert.
Rubens, known as "the Prince of the Baroque", was the great master who revolutionized both Flemish and European painting. His first training took place thanks to the masters Otto van Veen and Jan Brueghel the Elder. His trip to Italy, where he stayed, studied and painted for eight years, was fundamental to his artistic growth. His first stop was Venice, where Titian, Veronese and Tintoretto studied. He later came into contact with Vincenzo I Gonzaga, Duke of Mantua, becoming the court painter of the family, a position he held until the end of his stay in Italy. In Mantua, Rubens had the opportunity to study the rich ducal collection closely and assiduously. By making copies of several famous paintings he was able to practice technically on the examples of the greatest masters. In 1601 he was sent by the duke to Rome, where he was able to further broaden his figurative horizons thanks to the copying of the models of Michelangelo and Raphael and the study of the ancient, also looking at the contemporary artistic production of Carracci, Caravaggio and Federico Barocci. After leaving Italy, he settled in Antwerp, where he organized his atelier, applying the methods of organized production, that is, employing his collaborators with rational criteria and on the basis of individual specializations. Among the many painters who came out of Rubens' workshop or were strongly influenced by the master, we remember: Cornelis and Paul de Vos, Jacob Jordaens, Pieter Van Mol, Victor Wolvoet, Joanna Vergouwen, Jan Boeckhorst known as Lange Jan, Lucas Van Uden, Theodor Van Thulden, Peter Van Lint, Willem Van Harp, Vincent Adrianssen, Pieter Van Avont, Jan and Hendrick van Balen, Theodor Boeyemans or Boeijermans, Vincent Malò...
Category
17th Century German Baroque Antique Peter Paul Rubens
Materials
Paint
Original Antique Print After Rubens, Jesus Christ Descent from the Cross, C.1850
By Peter Paul Rubens
Located in St Annes, Lancashire
Wonderful image after Rubens
Fine steel engraving.
Published by Sangster, C.1850
Unframed.
Category
1850s English Renaissance Antique Peter Paul Rubens
Materials
Paper
Antique Print of St Catherine. After Rubens. C.1850
By Peter Paul Rubens
Located in St Annes, Lancashire
Wonderful image after Rubens
Fine Steel engraving.
Published C.1850
Unframed.
Category
1850s English Baroque Antique Peter Paul Rubens
Materials
Paper
17th Century Pair of Etchings by Theodoor Van Thunlden from Rubens, Antwerp 1642
By Peter Paul Rubens, Theodoor van Thulden
Located in Cagliari, IT
"Arch dedicated to Hercules" and "Arch dedicated to Bellerophon"
Splendid and very rare etchings belonging to a suite of subjects executed for the preparations of the "Celebrations for the entry into Antwerp of the Cardinal-Infante Ferdinando of Habsburg-Spain on 17 April 1635".
The sketches for the decorations were all drawn by Sir Peter Paul Rubens and the execution of the etchings was entrusted to Van Thulden.
Bottom left: P.P. Rubens. Bottom right: G. Gervatius (who was commissioned to bring together the illustrations of the arches in a special volume) and Van Thulden.
Laid paper with watermark - copper imprint - margins - excellent condition.
At the end of 1634 Peter Paul Rubens (1577-1640) was invited to make a series of drawings to decorate the city of Antwerp on the occasion of the solemn entry of the infant cardinal Ferdinand of Habsburg (1609-1641) who, after his death of Archduchess Isabella Clara Eugenia (1633), Spanish governor of the southern Netherlands, had been elected as his successor. Generally in these circumstances, the itinerary was articulated through a series of stations and the city - in its main urban hubs - was adorned with decorations and ephemeral apparatuses which, without solution of continuity, covered the facades of the palaces, churches and convents facing the parade axis of the celebratory itinerary, testifying to the participatory role of the various public and private institutions that took part in the feast1. As had happened for the entrances of Charles V in 1520, of Philip II in 1549 and of the archdukes Albert and Isabella in 1599, also in this case, on 17 April 1635, the most important streets and squares of Antwerp were enriched with arrangements: temporary altars, four scenarios, a portico and large triumphal arches built in wood, over twenty meters height, decorated with paintings, sculptures and allegorical scenes. The references to the ancient alluded in this case to the greatness of the Habsburgs and to the merits of Ferdinand for the victory obtained over the Protestant armies of Sweden and their German allies. The choice to use the triumphal arch has its roots in the "city of the popes" and must be read as a connection with the triumphal and modern arches, with Rome and with the "possession" ceremony, placing the emphasis on its centuries-old use . In the elaboration of the drawings and sketches Rubens proved to be a true connoisseur of architecture, but what is most surprising about the artist is the casual use of architectural language and fidelity to sixteenth-century Roman models. In order for the memory of these works to be perpetuated over time, some artists were commissioned to etch the ephemeral apparatuses and, under the guidance of the painter Theodor van Thulden...
Category
17th Century Belgian Baroque Antique Peter Paul Rubens
Materials
Paper
$2,823 Sale Price
20% Off
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17th century portrait of Mrs Voss and Catherine Kneller oil canvas
By Sir Godfrey Kneller
Located in Seaford, GB
Circle of Sir Godfrey Kneller, Mrs Voss, and Catherine Kneller, oil on paper laid to wood panel
Overview
This exceptional Baroque portrait artwork, the circle of Sir Godfrey Kneller, is an oil on canvas painting from the early 18th century. The painting, laid onto a panel, represents a compelling historical piece linked to Mrs. Voss, who was active circa 1685-1690 and recognized as the mistress of Sir Godfrey Kneller and the mother of Catherine (Agnes) Huckle.
Key Details: Sir Godfrey Kneller, Mrs Voss and Catherine Kneller oil canvas
Medium: Oil on paper, laid onto panel
Period: Early 18th century
Condition: Unframed oil panel
Dimensions: Height - 28 inches, Width - 34 inches
Historical Connection: A larger version of this artwork is held in the Kingston Lacy Estate, Dorset
Artist Influence: Connected to the circle of Sir Godfrey Kneller, one of the most influential portrait artists of the Baroque period.
This Old Master portrait painting is a fine example of Kneller’s portrait style, making it a sought-after piece for collectors, historians, and art enthusiasts looking to buy antique paintings in Sussex or the UK.
About Sir Godfrey Kneller (1646-1723)
Sir Godfrey Kneller (born Gottfried Kniller) was a renowned Baroque portrait painter of Anglo-German descent, widely considered one of the greatest portraitists of the late 17th and early 18th centuries. His influence on English portraiture was significant, and his works remain highly collectable today.
1. Early Life and Training
Birth: August 8, 1646, Lübeck, Germany
Parents: Zacharias Kniller (merchant) and Lucia Kniller
Education:
Studied painting in Lübeck
Trained in Amsterdam under Ferdinand Bol (a student of Rembrandt)
Influenced by the Dutch Golden Age art movement
During his training, Kneller adopted techniques from Rembrandt and Bol, shaping his mastery of light, shadow, and lifelike portraiture.
2. Italian Influence and Artistic Growth Sir Godfrey Kneller Mrs Voss and Catherine Kneller oil canvas
Traveled to Italy in the early 1670s to study Titian, Veronese, and Caravaggio
His exposure to Italian Renaissance and Baroque art deepened his understanding of color theory, composition, and grand portraiture
After returning to Northern Europe, he briefly worked in Hamburg before moving to England in 1676
3. Kneller’s Rise in England and Royal Patronage
His talent quickly gained recognition among the English aristocracy and royalty
In 1680, he was appointed Principal Painter to King Charles II
Over his career, Kneller painted portraits of five English and British monarchs:
King Charles II
King James II
King William III & Queen Mary II
Queen Anne
King George I
His iconic portrait paintings continue to serve as historical records of British nobility, making his works highly valuable in the art market.
4. Notable Works and Contributions
Kit-Cat Club Portraits: A famous series of 48 portraits of prominent literary, political, and cultural figures of the time.
Developed the grand yet lifelike Baroque portrait style, balancing realism with nobility.
His influence on later English portrait painters, such as Thomas Gainsborough and Joshua Reynolds, was profound.
5. Kneller’s Honors and Legacy
Knighted by King William III in 1692
Created a Baronet by King George I in 1715
Naturalized British Citizen in 1711
Passed away on October 19, 1723, and was buried in Twickenham, England.
His works remain highly collectible, sought after by art collectors, historians, and museums worldwide.
Historical & Artistic Significance of the Painting
This early 18th-century oil portrait attributed to Kneller’s circle is an outstanding example of his influence on Baroque portraiture. The depiction of Mrs. Voss and her connection to Catherine (Agnes) Huckle adds historical depth and collector value.
1. Artistic Style and Features
Detailed brushwork characteristic of Kneller’s school
Rich color palette influenced by Titian and Rembrandt
Noble posturing typical of 17th-18th century aristocratic portraiture
Use of light and shadow to enhance depth and realism
2. Collector’s Appeal & Investment Potential
Highly sought-after Old Master artwork with documented provenance
Strong appeal to art collectors, historians, and museums
Valuable addition to Baroque art collections
Investment-worthy due to high demand for Kneller’s works in auctions and private sales
3. Comparison to the Kingston Lacy Version
A much larger version of this painting exists in the Kingston Lacy Estate, Dorset
This smaller panel version offers collectors a unique opportunity to own a historically significant work at a more accessible scale and price
Final Thoughts
The circle of Godfrey Kneller oil on canvas painting featuring Mrs. Voss and Catherine (Agnes) Huckle is an important historical artwork. Whether you are an art collector, investor, or historian, this painting represents a rare opportunity to acquire a piece of Baroque portraiture.
Why This Painting is a Must-Have for Collectors:
Authentic Old Master Portrait from the School of Kneller
Strong Historical and Artistic Value
Investment Potential in the Art Market
Connected to the Kingston Lacy Collection
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Previously Available Items
Original Antique Print After Rubens, Jesus Christ Descent from the Cross, C.1850
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Located in St Annes, Lancashire
Wonderful image after Rubens
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Unframed.
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Paper
H 10.5 in W 8 in D 0.07 in
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Peter Paul Rubens Six Plate Engraving, The Battle of the Amazons
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A fine example of a large engraving assembled from six printing plates, by well known German artist Peter Paul Rubens (1577-1640). Rubens was born in Siegen, Westphalia, Germany and ...
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Located in St Annes, Lancashire
Wonderful image after Rubens
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Unframed.
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H 10.5 in W 8 in D 0.07 in
Peter Paul Rubens furniture for sale on 1stDibs.
Peter Paul Rubens furniture are available for sale on 1stDibs. These distinctive items are frequently made of paper and are designed with extraordinary care. Many of the original furniture by Peter Paul Rubens were created in the Baroque style in europe during the 19th century. If you’re looking for additional options, many customers also consider furniture by John Speed, Rembrandt van Rijn, and Flemish. Prices for Peter Paul Rubens furniture can differ depending upon size, time period and other attributes — on 1stDibs, these items begin at $30 and can go as high as $3,285, while a piece like these, on average, fetch $30.