Peter Simon Black and White Photography

monumental scale abstract b&w photograph of mesmerizing monochromatic black white water surface with "frameless" glass face mounting SEASCAPE V by Frank Schott 87.5" x 70" / 222 x 177.8cm signed edition of 7 photograph with acrylic glass mounting "Modern Gallery Frameless", a contemporary alternative to classic framing: photo print is mounted onto aluminum composite for archival support and stability, then sealed behind a protective layer of high quality acrylic glass with polished edges all around. A recessed aluminum back frame adds additional stability, allows instant hanging and provides a floating artwork appearance. Work ships from renown museum framing facility in Germany, the only production facility offering glass face mounting at this artwork scale. archival quality fine art pigment print limited art edition published by Edition EKTAlux artist signed + numbered certificate of authenticity ________________________ Frank Schott grew up in Germany and attended the prestigious Academy of Arts in Cologne, studying under Professor Arno Jansen, who was an early influence. Moving to California in 1998, Schott's work has evolved to include the epic landscapes and deserts of the American West as well as architectural, conceptual and more formal environments from both home and his travels. Influenced by a number of photographic peers and precursors such as Candida Höfer, Andreas Gursky, Thomas Struth, Jeff Wall, Michael Wolf, Gregory Crewdson, Ed Rusha...

"Fluidity Nr 13" Photography 40" x 30" inch Edition of 10 by Lika Brutyan Original photography by Lika Brutyan from the ""Fluidity" series Archival pigment print on Hahnemühle Ph...

"Sculpt - S5 Diptych" Photography 40" x 40" inch Edition of 10 by Giuliano Bekor "S5 Diptych" from SCULPT series Year: 2010 Medium: Photography Print size: Each of the 2 print at s...

Black and White Photograph Archival Pigment print Medium Ed of 10 Blanco: For this black and white photography series, he used elements such as water (emotions) to narrate a story....

Unique Collage Printed on Canson Platine Fiber Rag Framed in black wood to 31 x 38 cm This image is from Sarah Hadley's series The Whispering Dark, about her unusual childhood grow...

Archival Pigment print Medium Ed of 10 Palm & Trees: For this series, the artist explores short poems, the expansion of the palms, textures, and ease of the male figure surrounded b...

Half Angels Half Demons - Zebra #26, 2008 by Mauricio Velez Black and White Photography Archival Pigment Print Image size: 39.4 in. H x 39.4 in. W x 0.1 in. D Frame size: 48 in. H x...

Black and white fine art long exposure waterscape - landscape photography. Archival pigment ink print as part of a limited edition of 7. All Gerald Berghammer prints are made to orde...

Fragmented-Untitled 4 & 2 Diptych, 2021 by Ying Chen From the Fragmented series Archival pigment print Overall size: 24 in. H x 40 in. W. Individual size: 24 in. H x 20 in. W. Edi...

Minimalist landscape photograph of black and white waterlilies "Summer Lilies", photographed by Betsy Weis in 2006 archival inkjet print on watercolor paper 20 x 30 inches, 27 x 37 inches in white frame with white mat & anti-reflective non-glare glass Wire backing for easy installation, ready to hang as is Photographed at the Brooklyn Botanic Garden, this black and white archival pigment print by Betsy Weis captures a cluster of water lilies afloat on a glassy, onyx-like body of water. Looming clouds are reflected in the pond's serene surface. Crisp, moody, and rich in texture, the photograph can stand on its own as a quiet glimpse at nature, or can be juxtaposed with others in the series to form a more complete vision. This photograph is available unframed, $1700. The image measures 20 x 30 inches, and the paper measures 24 x 26 inches. Artist statement: Nature provides the perfect model of beauty, according to Plato and Socrates. In the classical period, something was considered beautiful because it existed in nature; art was secondary. In the 18th Century, the German philosopher Johann Joachim Winckelmann argued against the idea that art imitates life, believing that qualities superior to nature are found in art, specifically, ideal beauty, and “brain-born images”. Neoclassical thought represented that art need not serve any end other than its own existence. For me, beauty is an ideal, nature is real, and art comes from the brain. I take pictures in nature, finding shifting, disparate, and beautiful landscapes. I develop my pictures of trees...

Majesty Surfacing Yukon, Canada, 2012. 24 x 36 in / 61 x 91.4 cm / Edition of 20 - $9,500 31 x 46.5 in / 78.7 x 118.1 cm / Edition of 15 40 × 60 in / 101.6 x 152.4 cm / Edition of 3...

'Radio Woman' Castelloland Digital photographs on glossy pearlescent paper 27.5" x 19.6" Edition 2/3 + 1AP Unframed 2015 _______________________ Paloma Castello born 1988 Bogotá, Co...