Peter Swanson Art

Suzuki Goro - Nude Woman Sake Cup stoneware, underglaze and glaze 1.75 x 2 x 2” date unknown signed comes with a signed wooden box BIO- Revered Japanese ...

Rare teapot by Suzuki Goro stoneware and glaze 11" tall is the teapot size. Comes with a signed box Teapot is signed on the bottom by the artist. Date unkn...

"Pretty Pickle" is an original piece by Jeff Rubio made from stoneware, glaze, epoxy clay. This pieces measures 13"h x 9"w x 6"d and comes with a signed Certificate of Authenticity. ...

YOBITSUGI STYLE VASE (INV# NP2717) Aaron Scythe porcelain, clay, underglaze, glaze 8 x 6 x 6” 2020 This vase is made of several different vases, cut apart and enameled back together!

LARGE ABSTRACT BOWL (INV# NP3674) Chris Gustin wood fired stoneware and glaze 10.25 x 15.25 x 13.25” 2003 signed

“Untitled” ceramic, is an example of the kind of work by which John Glick became so famous. He was seduced by the effects of the reduction kiln, which decreased the levels of oxygen during firing, inducing the flame to pull oxygen out of the clay and glazes changing the colors of the glazes depending on their iron and copper content. In this way he achieved the rich gradients of ochre and umber and variations in stippling and opacity. This piece is signed on the bottom and can be found on page 129, plate #236 in “John Glick: A Legacy in Clay.” John was an American Abstract Expressionist ceramicist born in Detroit, MI. Though open to artistic experimentation, Glick was most influenced by the styles and aesthetics of Asian pottery—an inspiration that shows in his use of decorative patterns and glaze choices. He has said that he is attracted to simplicity, as well as complexity: my work continually reflects my re-examination that these two poles can coexist… or not, in a given series. Glick also took influences from master potters of Japan, notably Shoji Hamada and Kanjrio Kawai, blending their gestural embellishments of simple forms with attitudes of Abstract Expressionism. He was particularly drown to the work of Helen Frankenthaler whose soak-stain style resonated with Glick’s multi-layered glaze surfaces, which juxtaposed veils of atmospheric color with gestural marks and pattern. He spent countless hours developing and making his own tools in order to achieve previously unseen results in his work with clay and glaze. Glick’s “Plum Tree Pottery...

A Large Minoan style vessel inspired by the views, constantly changing light and rugged beauty of the Atlantic Ocean and coastal moorland of Wes...

stoneware, glaze signed by artist

Jar with lid Stoneware with volcanic ash glaze

“Untitled” ceramic, is an example of the kind of work by which John Glick became so famous. He was seduced by the effects of the reduction kiln, which decreased the levels of oxygen during firing, inducing the flame to pull oxygen out of the clay and glazes changing the colors of the glazes depending on their iron and copper content. In this way he achieved the rich gradients of ochre and umber and variations in stippling and opacity. This piece is signed on the bottom and can be found on page 92, plate #125 in “John Glick: A Legacy in Clay.” John was an American Abstract Expressionist ceramicist born in Detroit, MI. Though open to artistic experimentation, Glick was most influenced by the styles and aesthetics of Asian pottery—an inspiration that shows in his use of decorative patterns and glaze choices. He has said that he is attracted to simplicity, as well as complexity: my work continually reflects my re-examination that these two poles can coexist… or not, in a given series. Glick also took influences from master potters of Japan, notably Shoji Hamada and Kanjrio Kawai, blending their gestural embellishments of simple forms with attitudes of Abstract Expressionism. He was particularly drown to the work of Helen Frankenthaler whose soak-stain style resonated with Glick’s multi-layered glaze surfaces, which juxtaposed veils of atmospheric color with gestural marks and pattern. He spent countless hours developing and making his own tools in order to achieve previously unseen results in his work with clay and glaze. Glick’s “Plum Tree Pottery...

OBLONG LARGE GOOSE BOWL (INV# NP3940) Michael Simon salt-fired stoneware and glaze 4.75 x 14.75 x 13.25” date unknown stamped Michael Simon (b. 1947 - 2021)...

Untitled Vessel (INV# NP3503) Richard DeVore stoneware and glaze 3.25 x 5.75 x 6” date unknown mid century modern Provenance- "ACCUMULATIONS: NOW" at the LongHouse Reserve Richard ...