Furniture

Very impressive Art Deco style sculpture of a walking lion by the famous French sculptor Max Le Verrier. Art metal with beautiful dark brown patina on a black marble base. Contempo...

Contemporary French large white plaster hand. Often used as artist model.

Art Deco panther sculpture OUGANDA by Max Le Verrier. Signed M. Le Verrier France 1930 original cast of the Art Deco period. Patinated Art Metal - very dark green patina- on black m...

Large French Neoclassical Style Plaster Hand Sculpture. Unusually large and well detailed Neoclassical Roman plaster hand sculpture. This vintage French academic plaster hand sculpt...

Large French Neoclassical Style Plaster Foot Sculpture. Unusually large and well detailed Neoclassical Roman plaster foot sculpture of Hercules. This vintage French academic plaster ...

Biomorphic plaster sculpture, France 1960s. Intriguing organic forms sculpted out of solid plaster with a characteristic structured surface. The forms flow into each other, and with ...

Philippe Hiquily sculpture. Altuglas and brass. JM Lelouch Editions 2012. Signed and numbered, limited edition 1/4. Circa 1990, France. Signed by the designer. Very good vintage condition. Philippe Hiquily was a French sculptor and designer, trained at the Ecole des Beaux-Arts in Paris. Influenced by his friendship with Marcel Duchamp, Hiquily is known for his surrealist works. The artist produced biomorphic furniture and erotic sculptures...

Antique bronze sculpture on a marble base by the french sculptor Henri Godet (born in Paris March, 5th 1863 - Vincennes 1937). Depiction of a young shoe shiner boy, "Cireur de chaussures". He wears tattered clothes with holes and is barefoot as a poor boy used to look on the streets of the former Paris. Under his left arm he carries several shoe cleaner...

We kindly suggest you read the whole description, because with it we try to give you detailed technical and historical information to guarantee the authenticity of our objects. Statuette of a naked woman sitting in patinated plaster of Paris; plaster of Paris, is a very resistant material, used since ancient times, it was used by the ancient Egyptians as a binder in the construction of the pyramids and is used in sculpture for its strength, the name is linked to the ancient quarries of Montmartre in Paris; the statue is a work of the famous Belgian sculptor and bronze artist Joseph Zomers which he executed between 1915 and 1920 and whose signature is on the pedestal. The woman is represented posing with ill-concealed malice and shows without reticence her body with a thin erotic veil, the artist has not executed the face precisely to accentuate a mysterious charm; it is a figure of harmonic proportions that takes into greater consideration the erotic connotations, however, a refined and elegant eroticism that presents itself in a courteous manner, subtle and suggestive but at the same time provocative and irreverent; the woman, in her most intimate dimension, as a naked presence, defenseless but seductive, becomes the embodiment of the poetic essence of the artist, the emblematic figure of his aesthetics. It is an object in perfect Art Nouveau style (Jugendstil), in fact, many artists of this current used eroticism as their work, portraying women as ethereal and fatal beings, letting themselves be inspired by "le beau sexe" thanks to their naked forms, soft and seductive. Joseph Zomers was born in Liege in Belgium in 1895 and died in 1928; he studied art in Maredsous (Belgium), many of his works are permanently exhibited at the Musèe de Liège; Zomers is well known for his public monument "Tchantchès" in Liege. This great work in stone and bronze is located in the Otremeuse district in Rue Pont-Saint-Nicolas; designed by Joseph Zomers, the statue represents a "hiercheuse", the name was given to the women who pulled the carts in the mine, a tribute to those valiant young people vilified and victims of the exploitation of women's labor, the woman holds aloft the puppet of Tchantchès. Tchantchès is the name given to a puppet that appeared in Liège in the 19th century. The popular character, Tchantchès became over time the archetype of the goodman of Liege, witty and good-natured, wise and subtle, quick to find resolutions and fertile in resources, when he is depressed, he recovers with a joke that reveals the popular Walloon citizen, mocking and sentimental. It was therefore fitting to erect a monument to these two popular and significant symbols of the proud city...

Plaster sculpture by Édouard-Marcel Sandoz titled "Cat" dates from the Art Deco period (1930-1939). The piece depicts a stylized cat, seated on a rectangular base, with its head lowe...

Very rare fine french Art Déco wood sculpture "seated nude woman" by Paul Philippe. Edition S.A.S.Paris . France 1925. The sculpture was carved from wood, signed by the artist Paul P...

Unusual highly stylized wood carved sculpture by Raymond Phillips Sanderson, signed and dated 1937. Known for his interest in Southwest themes and influence of Art Deco-this is an excellent example. A note about the artist: "Raymond Phillips Sanderson (1908–1987) was an American artist and sculptor. Sanderson was born in Bowling Green, Missouri and educated at the Art Institute of Chicago under Raoul Josset. He moved to Bisbee, Arizona for his health in 1932, where he worked as an illustrator and sign painter. His first major commission was the Miner's Monument at the Cochise County Courthouse in Bisbee, popularly known as the Copper Man, as well as some reliefs in the interior of the courthouse. He moved to Phoenix in 1937 to teach at the Phoenix Art Center under sponsorship by the Works Progress Administration. In 1939 he was commissioned by industrialist Rufus Riddlesbarger to outfit and decorate his new house at Riddlesbarger's Lanteen Ranch near Sierra Vista. Sanderson received several significant commissions starting in 1940. Working for the United States Maritime Commission, Sanderson sculpted a series of wood relief panels...