Prince Monyo

Architectural Brutalist wall mounted sculpture made from cast metal. Imposing wall sculpture 1970s - Belgium Height: 87cm/34.25" Lenght: 190cm/74.80".  

Brutalist wall sculpture designed and manufactured by the Danish artist Henrik Horst, circa 1970s. Patinated metal construction mounted on a frame of wood.

Sculpture bull bronze all in patinated solid bronze, lost wax bronze technic.

Object resembling a group of flowers. Executed in patinated copper. Raw and brutal in expression. It was executed during the 1970s within the perimeters of Middelfart Psychiatric Hos...

Brutalist bronze sculpture on a mahogany base by Laguna Beach based artist Ralph Tazian

A bronze sculpture on a natural stone base made by Italian artist Franco Ciuti in the 1970’s. Conveys the spirit of brutalist and modernist works of the period. A very decorative pie...

Set of two brutalist wall sculptures by David Marshall, Spain, 1970s. Made of aluminum and bronze. These wall sculptures can be placed on the wall as decorative elements, or installe...

Handcrafted in the 1970s and sourced from a Southern California estate, this sculptural wood wall panel showcases a bold geometric relief design, meticulously assembled from richly g...

Intriguing abstract hanging sculpture with two-tone bronze casting, polished chrome background, and various other metals. This piece has been designed and signed by renowned sculptor...

ISIDORE JULES BONHEUR French, 1827-1901 Taureau Aberdeen-Angus" (Standing Aberdeen-Angus Bull) Patinated sand-cast bronze Signed to base "I. BONHEUR" Item # 211HDB17Z An exquisite and very rare casting of an Aberdeen-Angus bull, an unusual and distinctive breed of cattle from Scotland, this sculpture by Isidore Jules Bonheur is almost without a doubt cast by the foundry of his brother-in-law Hippolyte Peyrol and a rather early model as well in light of the distinctive construction method. In her text on the selection of 46 animal bronzes in the collection of the Georgia Museum of Art, Eleanor Luciano notes regarding this model that "Bonheur is never recorded to have been to Scotland, where he would have seen this unusual breed. Rosa Bonheur painted in Scotland, and its seems likely that Isidore would have drawn the idea for this bull either from one of her sketches or from an agricultural show in France. The animal's rich mane and strong modeling make this one of the most successful." Notable is the very fine surface patination which exhibits a glassy finish with a complex range of colors presenting in the body of the bull, overall being medium brown but augmented with an underlying reddish hue against auburn highlights. The base is signed "I. BONHEUR" in the typical manner. Museum Collections: * National Gallery of Art, Washington DC, acc. no. 2006.128.3 * Georgia Museum of Art, University of Georgia...

Interesting artisanal French work from the 1970s Wrought and welded iron sculpture This highly decorative piece is in the same vein as other designers such as Sido and Francois Theve...

Bronze Bull Sculpture c1890 A stunning late 19th-century French bronze study of a standing bull, a striking piece that captures the essence of strength and grace. Masterfully crafted...