Rachel Foxwell Vases and Vessels

Chamberlain Worcester Porcelain orange-ground Botanical Campana-Form Vase, circa 1840. The Chamberlain Worcester Porcelain vase is of campana-form with an orange ground body overlai...

A large heavily textured volcanic vase with black, white and brown glaze and markings. Wide necked vessel with a bellied form. Made from black textured s...

Tall Vessel Small by Saturday Yard Work Dimensions: W 10 x D 10 x H 15 cm Materials: Aluminium. Finish: Blackened texture. SATURDAY YARD WORK by Nathan Martin is a Kaurna/Adelaide ...

Japanese contemporary decorative porcelain vase, hand painted in blue, green and orange on a beautifully shaped porcelain body, a signed piece by highly acclaimed porcelain artist of...

Extraordinnary contemporary Japanese collectible Kutani porcelain incense burner, vessel, intricately hand painted with pure gold on an elegantly shaped body in a stunning deep blue,...

Ivory Textured Hand Made Ceramic Vase signed by the artist. This vase, with large handles and textured surface is a study in scale and presence. This vase will be a standout in your ...

'Achromatic Fold in White II' is a unique sculpture by the British artist Steven Edwards, created from parian porcelain. Steven Edwards is a ceramic artist whose work investigates the language of making through the materiality and physicality of clay. Fascinated by process-led making, he uses traditional techniques that provoke unanticipated outcomes, using clay as a medium that sustains the narrative of the making process. The resulting forms embody his interaction and manipulation of the clay using bespoke tools to explore the intrinsic properties of the material. His creative practice starts by purposely placing clay under stress to reveal the natural tension and movement in its surface and form. Throughout the whole making process, he pushes, pulls, compresses and slices the material to provoke a reaction. The final forms are a combination of these making scenarios, translating a theme of duality in their appearance – the contrast of visual distortion and precision, the stillness and movement in form and the surface deception between synthetic and natural. Whilst challenging and pushing his material to the limits, often using clay bodies in ways they are not designed for, Edwards purposely exploits unexpected outcomes. Creating a sense of unease, during the making his clay cracks and buckles, resulting in permanent scars that illustrate the extremes that have been asked of it. Purely aesthetic, these fissures within the surface are an important counter point to the idealised sugary-hued confectionery layered rings. Edwards has exhibited his work at premiere contemporary design and craft shows including British Ceramics...

Monochromatic Fold is part of an ongoing series of ceramic sculptures that explore the boundaries of material, the language of making and the characteristics of form. It has been dev...

Nice and large vase by the well known California maker , California Faience.

Washizome is a Japanese paper with water-absorbing properties, cut into a shape and size according to the pattern, on an unglazed base made of locro. Cobalt oxide, manganese, iron, k...

Large porcelain vase / vessel by Heinrich of Bavaria, circa 1970s. The piece has a high gloss porcelain finish with gold starburst leaves. The vase is in excellent pre-owned conditio...

Kawa Series Large Vessel 05 Oversized white ceramic vessel with textured porcelain exterior surface and clear glazed interior. Made by casting liquid clay into sewn leather molds, a...