Ramon Martí Alsina Art

Mark Harrison’s 2024 oil painting "End of the Line" is a hauntingly atmospheric depiction of a solitary desert cabin illuminated against the vast quiet of the American Southwest. Ren...

Traditional Oil Painting of the English Countryside with River Otters by Modern British Landscape Artist Art measures 30 x 20 inches Frame measures 36 x 26 inches James Wright...

Mark Harrison’s "Phone Home" (2024) is a captivating original oil painting that immerses viewers in a solitary desert scene defined by expansive silence and subtle human presence. Se...

Mark Harrison’s "Passing Through" is a panoramic oil painting that captures the majesty and solitude of the natural world. Completed in 2024, this original, handmade work transports ...

Mark Harrison’s "Homeward Bound" (2024) is a masterful oil on canvas seascape capturing the haunting beauty of the ocean beneath a moonlit sky. Painted in a panoramic format, the wor...

Mark Harrison’s “Home Sweet Home” (2024) is a masterful oil on canvas capturing a winter forest scene steeped in quietude and solitude. Measuring 15.75 x 39.37 inches (40 x 100 cm) a...

"In the series “This is a real place!” I was fascinated by how the underside of the pier at Saint Simons Island, GA was like a readymade collage. The way the pilings and rails divide and frame the spaces between them looks artificially imposed on the scene until you notice the way the waves bounce off the pilings and the railings cast shadows on the water. In some iterations, I chose to simplify the structures of the pier and lighten the values so that it would emphasize the detail in the water. Likewise, I omitted a family of starlings and their droppings in favor of highlighting the geometry of the architecture and the colors and patterns of the water. Making paintings in a series allows me to investigate the results of making different decisions about an image. How I crop or stylize it, the manner in which I apply the paint, what gets included or excluded all add shades of meaning to each piece. Additionally, depictions of the same subject in different weather, seasons, times of day, and tides allows me a deeper understanding. I notice more relationships, colors, and details every time I paint the subject. Every painting is a pile of decisions. Playing with removing more and more details to see what is truly important sometimes improves the painting. The fewer elements you include in an image, the more each one means, and the more important it is to get each thing perfect. At times I like to paint every single detail I can find in a scene, and other times I feel like the unadorned components are sufficient to hold each other in a satisfying composition. I often add simplified shapes to my paintings to highlight the presence of absence or to heighten the importance of each area by creating stark visual contrasts. ⁠The physicality of the paint also plays a role. I used highly textured, thickly applied paint to construct the solid structural elements, and luminous layers of thinly glazed paint for the delicate linework and subtle blending of the water." - Brooke Lanier...

Oil on canvas

Robert Russ (1847–1922) Oil on Canvas Framed: 148 × 99 cm Flat: 94 × 64 cm Signed lower right A remarkable work by Robert Russ, a distinguished Austrian landscape painter of the 19th...

Venetian Harbor Scene Artist: Karl Kaufmann (Austrian, 1843–1902) Date: Late 19th century Medium: Oil on canvas Dimensions: Framed: 40 × 72 cm Unframed (sight): 34 × 63 cm Signature:...

John Berry is a well-known English artist who painted portraits of the royal family. During his career, he discovered Edward Curtis's photographs of Native ...

Artist: Artyom Abrahamyan, Work: Original Oil Painting, Handmade artwork, One of a Kind Medium: Oil on Canvas Year: 2025 Style: Impressionism, Title: Landscape Size: 15.5 x 19.5 ...