Randall Bruce Furniture

A wonderful gem of a piece by famed American/California ceramicist Beatrice Wood featuring her highly coveted, gorgeously radiant turquoise luster glaze. A beautiful design with a delicate long neck rising from a circular base. Classic and timeless. Signed by Beatrice in her customary "Beato" on the underside of the base (with noted inventory number). Would be an amazing addition to any Mid-Century Modern pottery collection or personal collectors of her work or a fabulous stand-alone accent piece in about any setting. One of the best Beatrice Wood's luster glaze vases we have come across in quite a while. Know famously in the art world as "The Mama of Dada", Wood lived a long (1893-1998) and very fruitful, creative life and is considered by many experts and collectors alike to have been a centerpiece in the modern ceramic art movement of the 1950s, 1960s, and 1970s. At one point in her career, Wood studied with master potters Otto and Gertrud Natzler and later become famed in her own right for her distinct luster-glazing techniques. In 1994, the Smithsonian Institution named Wood an "Esteemed American Artist". Her other awards include: 1994 Governor’s Awards for the Arts (California) 1993 Recognition as A Role Model by Women in Film 1992 Gold Medal for Highest Achievement in Craftsmanship, American Craft Council 1988 Distinguished Service Award, Arizona State University 1987 Fellow of American Craft Council Women’s Art Caucus, National Award (NCECA Award) 1986 Women’s Building Award 1984 Living Treasure of California 1983 Symposium Award of the Institute for Ceramic History 1961 Goodwill Ambassador from USA...

California design studio stoneware weed pot / vase, circa 1970s. The pot is in very good vintage condition and measures 7.7"D x 6.5"H. The piece is signed on the underside. #3805

Art Pottery, Studio ceramic /weed pot, feelie by Brenda Williams. Northern California artist. Stunning form, wonderful glaze. Last photo ad...

This is a mid-century ceramic vase weed pot made in Japan in the 1960s. It is glazed on the interior and exterior so it can be used as a vase or weed pot. The bottom of the vase is s...

Studio pottery signed weed pot / vase circa 1970.

Art Pottery, Studio Ceramic /weed pot , feelie by Brenda Williams.. Northern California artist.. Stunning form,, wonderful glaze.. Last pho...

This mid-century vase is an excellent representation of California studio pottery from the 1960s. This weed pot is signed "MOLEN" on the bottom. It has a beautiful blue-green color d...

A very nice MCM California studio pottery stoneware vase with brown earth tones, circa 1970s. The vessel is in very good vintage condition with no chips...

The Brendan Bass Estate Collection is an homage to the beauty of vintage and antique pieces, each artfully concealing endless stories collected through the generations in which the...

A very nice MCM California studio pottery stoneware vase with brown and green earth tones and pinched sides, circa 1966. The vessel is in very good vint...

Small stoneware weed bud vase created by Vivika and Otto Heino of Ojai, California. Vase measures 3.24" by 2.5" and is signed Vivika and Otto beneath. In very good vintage condition.

A very rare early work featuring a dark chocolate brown glaze by master Mid-Century Modern ceramist/potter Glen Lukens whose work has become quite collectible and relatively scarce and difficult to find. The work is signed and dated (1924) by Lukens on the underside (we have only seen one other piece dated this early and that piece is in the Forrest Merrill Collection). Lukens was the founder of the University of Southern California (USC) Architectural School’s Ceramics Department where he helped establish and promote clay pottery as a universally acceptable art form. The current popularity of Studio Pottery and ceramics is widely accepted to have started with Lukens who is oft credited with being one of the first artists to raise the stature of Mid-Century Modern Studio Pottery within the art world. Lukens is famed for his experiments with various glazes and glazing techniques. His influence and glazes can be clearly seen in the works of Otto and Gertrud Natzler, Beatrice Wood, James Lovera, etc. He was also known for combining bright, colorful textile glazes (using natural, organic materials and elements he found in the Mojave Desert, Palm Springs, and Death Valley to make what he referred to as "California Colors") with the rough and raw clay surfaces of his often rudimentary forms and vessels. Lukens currently has an award in his name (Glen Lukens Award) at the University of Southern California's School of fine Arts. A very rare, unique, and truly special work This piece would be a tremendous stand-out addition to any collectors of Lukens' work or Mid-Century Modern ceramics collection or eye-catching accent piece in about any setting, modern or otherwise. A must-have. Lukens work can be found in various museum collections including: Arizona State University Art Museum, Tempe, Arizona Huntington Library...