Reginald Hallward Art

Glen Orchy. c. 1925. Watercolor, pencil and conte crayon on paper. 9 1/4 x 13 (sheet 10 3/8 x 13 1/4). Ex-collection L.G. Duke,purchased at Sotheby's, London '10.12.70'. Mat line; ot...

"NY Street Signs" Mid-20th Century WPA 1938 Modernist Abstract Realism Pop Art Stuart Davis (American, 1892-1964) "Street Signs" Modernist gouache and traces of pencil on paper in the proto-pop art style Davis is celebrated for, 1938, signed to lower right, framed. Image: 11 1/4 x 15 1/4 inches. Frame by Bark: 18 1/2 x 22 inches. LITERATURE: A, Boyajian, M. Rutkowski, Stuart Davis, A Catalogue Raisonne, Vol. 2, New Haven, Connecticut, 2007, vol. II, p. 632, no. 1232, illustrated. EXHIBITIONS: ACA Galleries, New York American Artists' Congress: Group Exhibition of Paintings and Sculpture, Dec. 3-16, 1939 (SDAB I, 12/3/39, p. 129). Outlines Gallery, Pittsburgh, Stuart Davis, Mar. 3-16, 1946. Coleman Art Gallery, Philadelphia, 5 Prodigal Sons: Former Philadelphia Artists: Ralston Crawford, Stuart Davis, Charles Demuth, Julian Levi, Charles Sheeler, Oct 4 - 30, 1947 (pamphlet), no. 12. PROVENANCE: The artist; Mr. and Mrs. Frank Bowles, New York, Apr. 3, 1956; thence by descent, Private Collection, New York. NOTES: According to the Catalogue Raissonne, "the title 'Street Signs' is recorded in the artist's account books...

Tatiana Flis’ “Ripple Idly” is an 8 x 10 inch graphite and gouache drawing on thick rag paper with a deckled edge. Rich blues and indigos shine with white and shimmering silver stars...

A minimalist but masterfully executed monochrome watercolor. The work is striking in its lightness - although there is nothing on it except the figure of a child, from the way he is ...

'Horses at the Edge of the Pond', pencil, ink and watercolour on art paper, by Yves Brayer (1980). Brayer loved the Camargue region of France and painted it widely. The Camargue is a vast, swampy delta near Arles, very exotic, with tall marsh grasses where pink flamingos, black bulls and white horses roam freely. This image depicts three horses in the Camargue near pond's edge. Although there are many horses that still run free in the area, there are cowboys — called gardians — who ride the white horses on the beaches...

Vogue USA, Fashion Illustration. Meticulously drawn in a descriptive and yet creative way. Antonio's full mastery of his art is on full display. Signed lower right. The work is arch...

"#224 – ABANDONED, SEPARATED" is from Amy Williams' series A Farewell to Arms – wherein the artist works directly onto page 224 of a found copy of Ernest ...

Hungarian/American artist/illustrator depicts a charming scene of sledding in the snow in Central Park. The work is abstract in its design as it's functional in its narrative - Unpublished New Yorker...

'Dinosaur Me & Baby' abstract composition, mixed media on soft board, Japanese ink, oil, pencil and gouache by Erez Yardeni (2018). The scribblings of a c...

"#71 – THEN IT'S HOPELESS?" is from Amy Williams' series A Farewell to Arms – wherein the artist is working directly onto page 71 of a found copy of Ernest Hemingway's WWII romance novel. The artist selects certain words and phrases from the page to isolate as a poem, and then draws, inks, redacts and paints the rest of the page according to the text of the poem. Here the poem reads: "Then it's hopeless? / But sometimes I cannot hope. / I cannot." Note the poem is outlined in dark red and purple radiating lines, while outside there are lighter violet, blue and white lines. From Amy Williams – "My recent work is focused on making treated book pages using a found vintage...

Nathan Oliveira's "Female Sleeping Nude" is a captivating artwork that elegantly combines style, technique, and layered interpretation, offering a rich and multifaceted experience to...

Excellent condition. Mint. Free US CONTINENTAL shipping, incl Europe and Asia. Thomas Colman Dibdin was an illustrator and painter. Born at Bletchworth, Surrey, on 22 October 1810,...