Reginald Hallward Art

Tatiana Flis’ “Ripple Idly” is an 8 x 10 inch graphite and gouache drawing on thick rag paper with a deckled edge. Rich blues and indigos shine with white and shimmering silver stars...

My 80's Heart "Token 7" 2019, gouache, acrylic, graphite, panel, blue, wood, orange

This piece titled "busy day" is original artwork made from monoprint, pencil, marker, acrylic gouache collage panel by Miriam Singer. This piece measures 6"h x 6"w. Miriam Singer grew up in Buffalo, New York, In 2000 she received her BA from Brandeis University, and in 2003 her MFA from Massachusetts College of Art. Since moving to Philadelphia in 2004; Miriam Singer has exhibited at James Oliver Gallery. Stanek Gallery, LG Tripp Gallery, Woodmere Art Museum, Space 1026, Friends of the Print and Picture...

New Mexico Mountain Scene by Joseph Henry Sharp (1859-1953) Watercolor on paper 15 ¾ x 19 ½ inches unframed (40.005 x 49.53 cm) 23 x 26 ¾ inches framed...

Léopold KOWALSKY (1856-1931) - Kowalski Preparatory study for the painting “Jeux d’été”, circa 1900 Graphite and aquarelle on blue paper Monogrammed “LK” lower right 30 × 23 cm frame...

JOHN EDWARD GOODALL 1853 - 1920 THE CHOSEN PATH Pencil, watercolour and gouache, signed lower right Image size: 6 ¼ x 8 ¼ inches (16 x 21 cm) Hand made gilt frame John Edward Goodall was the son of Alfred Goodall and Mary Palmer. Alfred was a brother to Edward A. and Frederick Goodall, both accomplished artists. He was most prolific during the period between 1877 and 1911. In the 1891 census he is shown as being married to Grace, manager of the Sommerville Club, London but by 1901 he is to be found with a woman named Annie. John associated with a bohemian art circle and tended to have a corresponding lifestyle. The work produced by Goodall is well executed and often in watercolour. He trained at art school in London and travelled extensively. He was not the prolific artist like his uncles and a lot about his life is still...

Title: Provence Countryside Olive Trees Pastel Landscape Pierre Neveu Artist: Pierre Neveu (French b.1929) Medium: Pastel on thick paper, unframed Size (H x W): 19.75 x 25.75 inches ...

Title: Cucuron Provence Village Rooftops Watercolor Gouache Pierre Neveu Artist: Pierre Neveu (French b.1929) Medium: Watercolour on thick paper, unframed Size (H x W): 21.75 x 29.25...

A unique pencil drawing by David Hockney, ‘John’ was created in 1969 during his highly sought-after California period. Showcasing Hockney’s exceptional draughtsmanship and expressive...

CLAUDE ALLIN SHEPPERSON, ARA, ARWS (1867-1921) Petrushka – Scene from the Ballets Russes Signed l.l.: Shepperson Watercolour over traces of pencil on paper Framed 30.5 by 45.5 cm., 12 by 18 in. (frame size 52.5 by 66 cm., 20 ¾ by 26 in.) Provenance: Richard C Davis...

Original watercolor on archival paper of a horse drawn carriage heading up a house lined street. The watercolor is attributed to the hand of Colin Michael Hind, a British born artist...

Title: Mid Century Modern Interior Design Presentation Gouache Meuble Mural Medium: Gouache ink and pencil on paper, unframed Size: 25.5 x 19.75 inches (height x width) Provenance: private collection Condition: Fair vintage condition. Noticeable creasing, edge wear and handling marks. Light foxing and surface dirt visible. Lower right corner slightly worn. Paper shows age toning throughout. Structurally sound but clearly a working design sheet. Description: A striking mid century French interior design presentation drawing titled Meuble Mural, depicting a modernist living room concept centred around a bold red wall unit. Executed in gouache, ink and pencil on artists paper, the composition presents a fully realised architectural perspective alongside a secondary floor plan study below, typical of professional design proposals from the 1950s or 1960s. The main perspective showcases a dramatic modern interior with clean architectural lines, floor to ceiling glazing, and a sculptural arrangement of low lounge chairs gathered around a circular table. The vibrant red wall unit forms the focal point of the composition, contrasted against muted grey walls and deep green flooring. The integrated shelving system, or meuble mural, reflects the era’s emphasis on built in storage and minimalist design. Stylised human silhouettes provide scale and reinforce the presentation quality of the work. Below, a monochrome floor plan reveals the spatial arrangement of the seating area and architectural elements, further confirming this as a professional design study rather than a purely decorative artwork. The careful use of colour blocking, perspective drawing and graphic typography aligns closely with mid century modern interior architecture, French modernist design and post war European decorative arts. This piece would strongly appeal to collectors of mid century modern design drawings, architectural presentation artworks, and interiors inspired by 1950s and 1960s French modernism. The presence of the French title Meuble Mural significantly enhances search visibility for collectors seeking original interior design concept art and vintage architectural renderings...