Richard Hutter Art
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Artist: Richard Hutter
Ternion III
By Richard Hutter
Located in Surfside, FL
found paper collage, acrylic & charcoal on art paper
From the artists statement:
Floral still life has been the primary theme in my work since 1993. Instead of a representational ap...
Category
Early 2000s Modern Richard Hutter Art
Materials
Mixed Media
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This artwork titled "Double Canyon" c.1980 in a monotype, mixed media with embossing on Arches paper by noted Canadian artist Janet Jones b.1952. It is hand signed and titled in pencil by the artist. The image is 37 x 26 inches, sheet size is 41.5 x 29.5 inches. It is in excellent condition, has never been framed.
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Jones received her MFA from York University and her PhD from New York University in the area of art theory and criticism. Her dissertation titled: Clement Greenberg and the Artist /Critic Relationship, included interviews with Clement Greenberg, Jules Olitski, and other members of the ‘Greenberg Group’ and research gained through accompanying Greenberg on numerous studio visits.
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1988 Ph.D. New York University, New York, NY. Dissertation Title: Clement Greenberg & the Artist/Critic Relationship.
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2009 A Las Vegas State of Mind, Peak Gallery, Toronto, ON.
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About the artist:
Janet Jones was born in Montreal, Quebec in 1952. She received her BFA in painting and photography from Concordia University - studying painting with Guido Molinari and Yves Gaucher, and photography with the experimental photographer Suzanne Swibold.
Janet Jones is currently a Toronto based painter whose work has been exhibited across Canada, in Los Angeles, New York, England, Germany, France and China. Her recent projects include; the solo exhibition, The Dream Machine at Patrick Mikhail Gallery, Montréal (2017), two solo exhibitions, Playtimes (2015) and Joyride (2012) both at Katzman Contemporary Toronto, a national touring exhibition of her paintings, DaDa Delirium, with an accompanying catalogue (2011) with essays by Stuart Reid, Nell Tenhaaf and an interview with the artist by Georgiana Uhlyarik, and participation in the Empire of Dreams exhibition, MOCCA (Summer 2010) curated by David Liss. Jones has been a visiting artist in France, England, Russia, China, the Netherlands, and Cuba.
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A Professor in the Department of Visual Arts, York University, Toronto, where she teaches painting, she has been Chair of the Department of Visual Arts and Director of the MFA Program in Visual Arts.
Professor of Painting, Department of Visual Arts and Art History, AMPD, York University.
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1988 Ph.D. New York University, New York, NY. Dissertation Title: Clement Greenberg & the Artist/Critic Relationship.
1979 M.F.A. York University, Toronto, Ontario. Samuel Sarick Award
1977 B.F.A. Honours, with Distinction, Concordia University
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Solo Exhibitions
Gallery 443 PAS, NYC 2012 Durka Chang Gallery, San Francisco CA 2002 Foster Goldstrom Gallery, New York, NY 1994 Concept Gallery, Pittsburgh, PA 1993 Neville/Sargent Gallery, Chicago, IL 1988, 1989 Portfolio Gallery, Auckland, New Zealand 1988 Neville/Sargent Gallery, Chicago, IL 1986 Belle Arts Gallery, New York, NY 1986 Concept Gallery, Pittsburgh, PA 1985 Dubins Gallery, Los Angeles, CA 1984 Concept Gallery, Pittsburgh, PA 1983 Neville/Sargent Gallery, Chicago, IL 1983 The Brooklyn Museum, Brooklyn, NY 1983 Dubins Gallery, Los Angeles, CA 1982 Getler/Pall Gallery, New York, NY 1982 Spector/Brown Gallery, Santa Cruz, CA 1982 Art Forms, San Francisco, CA 1982 Smith Gallery, UC Santa Cruz, CA 1978 Getler/Pall Gallery, New York, NY 1977 ADI Gallery, San Francisco,CA 1977
Group Exhibitions (selected)
“Art, AIDS, America” MOCA Los Angeles 2015 “Through the Eyes of Love” 2010 Miami International University of Art and Design, Miami, FL “Medicine Men” and “Through Positive Eyes” 2010 2010 International AIDS Conference, Vienna, Austria “Because We Are”, Station Museum of Contemporary Art, Houston, TX
“Crossoverwise”, Manresa Gallery, San Francisco, CA 2010 “Good Friday”, Museum of Contemporary Religious Art, St Louis, MO 2009 “Not Alone”, Durban Museum, Durban, South Africa and The Castle of Good Hope Museum, Cape Town, South Africa 2009 “Make Art/ Stop Aids, Fowler Museum, UCLA 2008 Los Angeles, CA Green Room Gallery, San Francisco, CA 2006 “The Visual Culture of American Religions”, Brauer Museum of Art, 2000 Valparaiso, Indiana Museum of Contemporary Religious Art, St. Louis, MO 1998 National Gallery of Victoria, Melbourne, Australia 1998 Museum of Contemporary Religious Art, St. Louis, MO 1995 Cabrillo College Art Gallery, Santa Cruz, CA 1995 Richmond Art Center, Richmond, CA 1994 Fischbach Gallery, New York, NY 1994 Katzen Gallery, New York, NY 1991 California Crafts Museum, San Francisco CA 1990 Neville/Sargent Gallery, Chicago, IL 1989 Allport Gallery, San Francisco 1988 “Recent Bay Area Prints,” Allport Gallery, San Francisco, CA 1984 “Four Hundred Years of the Woodcut,” Palo Alto, CA 1983 “Four Bay Area Woodblock Artists,” World Print Council, San Francisco, CA “Subjective Realities: Seven Bay Area Artists”, Achenbach Foundation Palace of the Legion of Honor, San Francisco, CA 1982 The Brooklyn Museum National Print Exhibition, Brooklyn, NY 1981 “Recent Acquisitions,” Achenbach Foundation, San Francisco, CA 1980 “Four California Printmakers,” Associated American Artists, New York, NY 1979 “New Talent in Printmaking,” Associated American Artists, Ney York, NY 1977 Tokyo Central Museum of Art, Tokyo, Japan 1977 “Thirty Years of American Printmaking,” The Brooklyn Museum, NY 1976 “Prints, California,” The Oakland Museum of art, Oakland, CA 1976
Selected Publications
Continuum, By Jason Lahman, Published by Daniel Goldstein Studio, 2011 In conjunction with the 433PAS exhibition, New York, NY“Art and Activism”, by Steven C. Dubin. Art in America, December 2009. Beyond Belief: Modern Art And The Religious Imagination, by Rosemary Crumlin. Published by the National Gallery of Victoria, Melbourne Australia. 1998. Reliquaries, by Richard Howard, Robert Atkins and David Maxim; Published by Foster Goldstrom Gallery, NY, 1994. The Folding Image, by Komanecky and Butera; Published by The Yale University Art Gallery and the National Gallery of Art, Washingtom, DC, 1984. Daniel Joshua Goldstein: Woodblocks and Paper Cut-outs 1974-1983, by Barry Walker and Richard Howard; Published by The Brooklyn Museum, 1983. Prints, A Collector’s Guide, by Ellen Kaplan; Published by Coward McCann, 1983. Subjective Realities, by Robert Flynn Johnson; Published by the Fine Arts Museums of San Francisco, 1983. Thirty Years of Printmaking, by Gene Baro; Published by The Brooklyn Museum, 1977. “Four West Coast Artists”, Graphics, August/September, 1977. Daniel Joshua Goldstein: An Interview With The Artist By Gene Baro Catalogue published by ADI and Getler/Pall, 1977.
Selected Collections and Major Commissions
Brooklyn Museum of Art, Brooklyn, NY Fine Arts Museums of San Francisco Oakland Museum of Art Museum of Contemporary Religious Art, St. Louis, MO Art Institute of Chicago Carnegie Museum of Art. Pittsburg, PA University of California Museum of Art, Berkeley, CA
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About the artist:
Janet Jones was born in Montreal, Quebec in 1952. She received her BFA in painting and photography from Concordia University - studying painting with Guido Molinari and Yves Gaucher, and photography with the experimental photographer Suzanne Swibold.
Janet Jones is currently a Toronto based painter whose work has been exhibited across Canada, in Los Angeles, New York, England, Germany, France and China. Her recent projects include; the solo exhibition, The Dream Machine at Patrick Mikhail Gallery, Montréal (2017), two solo exhibitions, Playtimes (2015) and Joyride (2012) both at Katzman Contemporary Toronto, a national touring exhibition of her paintings, DaDa Delirium, with an accompanying catalogue (2011) with essays by Stuart Reid, Nell Tenhaaf and an interview with the artist by Georgiana Uhlyarik, and participation in the Empire of Dreams exhibition, MOCCA (Summer 2010) curated by David Liss. Jones has been a visiting artist in France, England, Russia, China, the Netherlands, and Cuba.
Jones received her MFA from York University and her PhD from New York University in the area of art theory and criticism. Her dissertation titled: Clement Greenberg and the Artist /Critic Relationship, included interviews with Clement Greenberg, Jules Olitski, and other members of the ‘Greenberg Group’ and research gained through accompanying Greenberg on numerous studio visits.
A Professor in the Department of Visual Arts, York University, Toronto, where she teaches painting, she has been Chair of the Department of Visual Arts and Director of the MFA Program in Visual Arts.
Professor of Painting, Department of Visual Arts and Art History, AMPD, York University.
EDUCATION
1988 Ph.D. New York University, New York, NY. Dissertation Title: Clement Greenberg & the Artist/Critic Relationship.
1979 M.F.A. York University, Toronto, Ontario. Samuel Sarick Award
1977 B.F.A. Honours, with Distinction, Concordia University
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2013 DaDa Delirium, MacIntosh Gallery, University of Western ON.
2012 Joy Ride, Katzman Kamen Gallery, Toronto, ON September, 2012.
2012 DaDa Delirium, Art Gallery of Northumberland, Coburg, ON, April-May
2010 DaDa Delirium, MacLaren Art Centre, Barrie, ON.
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About the artist:
Janet Jones was born in Montreal, Quebec in 1952. She received her BFA in painting and photography from Concordia University - studying painting with Guido Molinari and Yves Gaucher, and photography with the experimental photographer Suzanne Swibold.
Janet Jones is currently a Toronto based painter whose work has been exhibited across Canada, in Los Angeles, New York, England, Germany, France and China. Her recent projects include; the solo exhibition, The Dream Machine at Patrick Mikhail Gallery, Montréal (2017), two solo exhibitions, Playtimes (2015) and Joyride (2012) both at Katzman Contemporary Toronto, a national touring exhibition of her paintings, DaDa Delirium, with an accompanying catalogue (2011) with essays by Stuart Reid, Nell Tenhaaf and an interview with the artist by Georgiana Uhlyarik, and participation in the Empire of Dreams exhibition, MOCCA (Summer 2010) curated by David Liss. Jones has been a visiting artist in France, England, Russia, China, the Netherlands, and Cuba.
Jones received her MFA from York University and her PhD from New York University in the area of art theory and criticism. Her dissertation titled: Clement Greenberg and the Artist /Critic Relationship, included interviews with Clement Greenberg, Jules Olitski, and other members of the ‘Greenberg Group’ and research gained through accompanying Greenberg on numerous studio visits.
A Professor in the Department of Visual Arts, York University, Toronto, where she teaches painting, she has been Chair of the Department of Visual Arts and Director of the MFA Program in Visual Arts.
Professor of Painting, Department of Visual Arts and Art History, AMPD, York University.
EDUCATION
1988 Ph.D. New York University, New York, NY. Dissertation Title: Clement Greenberg & the Artist/Critic Relationship.
1979 M.F.A. York University, Toronto, Ontario. Samuel Sarick Award
1977 B.F.A. Honours, with Distinction, Concordia University
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2017 The Dream Machine, Patrick Mikhail Gallery, Montréal, Quebec, October - December, 2017
2016 Recent Acquisitions from DaDa Delirium, MacLaren Art Gallery, Barrie, ON. March – July
2015 Playtimes, Katzman Contemporary, Toronto, March-April 2015.
2013 DaDa Delirium, MacIntosh Gallery, University of Western ON.
2012 Joy Ride, Katzman Kamen Gallery, Toronto, ON September, 2012.
2012 DaDa Delirium, Art Gallery of Northumberland, Coburg, ON, April-May
2010 DaDa Delirium, MacLaren Art Centre, Barrie, ON.
2009 A Las Vegas State of Mind, Peak Gallery, Toronto, ON.
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About the artist:
Janet Jones was born in Montreal, Quebec in 1952. She received her BFA in painting and photography from Concordia University - studying painting with Guido Molinari and Yves Gaucher, and photography with the experimental photographer Suzanne Swibold.
Janet Jones is currently a Toronto based painter whose work has been exhibited across Canada, in Los Angeles, New York, England, Germany, France and China. Her recent projects include; the solo exhibition, The Dream Machine at Patrick Mikhail Gallery, Montréal (2017), two solo exhibitions, Playtimes (2015) and Joyride (2012) both at Katzman Contemporary Toronto, a national touring exhibition of her paintings, DaDa Delirium, with an accompanying catalogue (2011) with essays by Stuart Reid, Nell Tenhaaf and an interview with the artist by Georgiana Uhlyarik, and participation in the Empire of Dreams exhibition, MOCCA (Summer 2010) curated by David Liss. Jones has been a visiting artist in France, England, Russia, China, the Netherlands, and Cuba.
Jones received her MFA from York University and her PhD from New York University in the area of art theory and criticism. Her dissertation titled: Clement Greenberg and the Artist /Critic Relationship, included interviews with Clement Greenberg, Jules Olitski, and other members of the ‘Greenberg Group’ and research gained through accompanying Greenberg on numerous studio visits.
A Professor in the Department of Visual Arts, York University, Toronto, where she teaches painting, she has been Chair of the Department of Visual Arts and Director of the MFA Program in Visual Arts.
Professor of Painting, Department of Visual Arts and Art History, AMPD, York University.
EDUCATION
1988 Ph.D. New York University, New York, NY. Dissertation Title: Clement Greenberg & the Artist/Critic Relationship.
1979 M.F.A. York University, Toronto, Ontario. Samuel Sarick Award
1977 B.F.A. Honours, with Distinction, Concordia University
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2017 The Dream Machine, Patrick Mikhail Gallery, Montréal, Quebec, October - December, 2017
2016 Recent Acquisitions from DaDa Delirium, MacLaren Art Gallery, Barrie, ON. March – July
2015 Playtimes, Katzman Contemporary, Toronto, March-April 2015.
2013 DaDa Delirium, MacIntosh Gallery, University of Western ON.
2012 Joy Ride, Katzman Kamen Gallery, Toronto, ON September, 2012.
2012 DaDa Delirium, Art Gallery of Northumberland, Coburg, ON, April-May
2010 DaDa Delirium, MacLaren Art Centre, Barrie, ON.
2009 A Las Vegas State of Mind, Peak Gallery, Toronto, ON.
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Previously Available Items
Ternion III
By Richard Hutter
Located in Surfside, FL
found paper collage, acrylic & charcoal on art paper
From the artists statement:
Floral still life has been the primary theme in my work since 1993. Instead of a representational approach, however, I prefer an abstracted, "architectonic" view of my subject. I paint on constructions made of found wood and panels made of new wood (usually birch), sometimes using techniques borrowed from printmaking. I also create works on paper, including self-published prints.
I create imagery by drawing with architects' tools (such as a french curve) and by collaging found elements from old books, magazines, postcards, and the like. I frequently use images from early 20th century books on mechanical drawing and engineering (a personal connection to my late father, about stories of paths not taken.) Formal concerns predominate over symbolic or emotional ones, informed by Minimalism and Pop, with a nod to Dada. Tactility and an obsession with surface are evident in all my work: encaustic-like waxy acrylic paint on found-wood constructions; sticky and mottled passages on lithographic monotypes; and matte and almost-porous-looking surfaces on found-paper collages.
More recently I began using found diagrams and photos of gears...
Category
Early 2000s Modern Richard Hutter Art
Materials
Mixed Media
Ternion III
By Richard Hutter
Located in Surfside, FL
found paper collage, acrylic & charcoal on art paper
From the artists statement:
Floral still life has been the primary theme in my work since 1993. Instead of a representational approach, however, I prefer an abstracted, "architectonic" view of my subject. I paint on constructions made of found wood and panels made of new wood (usually birch), sometimes using techniques borrowed from printmaking. I also create works on paper, including self-published prints.
I create imagery by drawing with architects' tools (such as a french curve) and by collaging found elements from old books, magazines, postcards, and the like. I frequently use images from early 20th century books on mechanical drawing and engineering (a personal connection to my late father, about stories of paths not taken.) Formal concerns predominate over symbolic or emotional ones, informed by Minimalism and Pop, with a nod to Dada. Tactility and an obsession with surface are evident in all my work: encaustic-like waxy acrylic paint on found-wood constructions; sticky and mottled passages on lithographic monotypes; and matte and almost-porous-looking surfaces on found-paper collages.
More recently I began using found diagrams and photos of gears...
Category
Modern Richard Hutter Art
Materials
Mixed Media
Richard Hutter art for sale on 1stDibs.
Find a wide variety of authentic Richard Hutter art available for sale on 1stDibs. You can also browse by medium to find art by Richard Hutter in mixed media and more. Much of the original work by this artist or collective was created during the 21st century and contemporary and is mostly associated with the modern style. Not every interior allows for large Richard Hutter art, so small editions measuring 21 inches across are available. Customers who are interested in this artist might also find the work of Jack Hooper, Janet Jones, and Suzan Etkin. Richard Hutter art prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $850 and tops out at $850, while the average work can sell for $850.



