Richard Phene Spiers Art

Fred Nagler was born in 1891 in Springfield, Massachusetts, where he first studied wood carving. From 1914 to 1917, he studied at The Art Students League of New York, where his prof...

'Fall Fog, Approaching'. Contemporary landscape painting, Cornwall Original Artwork, Unframed _________________ Heavy skies moving in over the autumnal landscape of West Cornwall: a ...

David Cox Junior (1809-1885) (attr.) A sketch of Richmond Castle, North Yorkshire Graphite and wash on paper 17.6 x 25.8 cm.; (within frame) 35.6 x 43.4 cm. Provenance: Private Co...

A lovely grand tour image of the Doric architectural masterpiece dedicated to Castor and Pollux. Dated 1863. Watercolor and graphite on lightweight card stock, 10 x 13 3/4 inches (2...

Paul Feeley Rafina II Greece, 1961 Watercolour on paper Hand Signed, titled and dated lower front In 1961, color field painter Paul Feeley created a series of watercolors - Rafina an...

Jeanne-Marie BARBEY (1876-1960) Trees in winter Brown ink wash and graphite pencil on paper Signed lower right 26 x 20 cm frame 46 x 40 cm Born Louise Jeanne Marie Barbée in 1876 in...

Sketch for Minoff's painting October 3:30 PM.

Original watercolor over graphite under drawing of the harbor with sailboats in Puerto Plata, Dominican Republic by the American artist, Wilmot Emerton Heitland. Signed “Heitland” lower right by the artist. Condition is excellent. Circa 1930. Under UV plexiglass. A similar painting of the same harbor done in 1924 by Wilmot Heitland is in the permanent collection of the Art Institute of Chicago. The artwork is housed in a light blue laminate frame with navy blue mat. Overall framed measurements are 25 by 31 inches. Provenance: A Sarasota, Florida estate. Born 1893 in Wisconsin, Wilmot Emerton Heitland was an illustrator and painter trained at the Pennsylvania Academy of the Fine Arts. For a time, he was president of the American Watercolor Society. He also painted numerous illustrations depicting high society that were published in magazines such as: Collier’s, Women’s Home Companion, Cosmopolitan, and McCall’s, throughout the 20s, 30s, and 40s. Later, Heitland moved on to paint and teach at the Art Club. His paintings can be found in the collections of the Boston Museum of Fine Arts; the Brooklyn Museum; the Art Institute of Chicago; the Philadelphia Museum of Art; and locally at the Museum of Fine Arts, William R. Hough and Co., Stetson College of Law Library, and the Poynter Institute. Heitland moved to St. Petersburg because of the active Art Club here. He had a solo show of his work at the Art Club in 1963, and served as the exhibition chairman in 1964. He died in 1969. Overview San Felipe de Puerto Plata is the capital of the Puerto Plata province on the Dominican Republic’s Atlantic north coast. The city is best known for its beaches. Playa Dorada’s lengthy beachfront is backed by resorts and an 18-hole golf course. The city’s old colonial-era center is dominated by the 16th-century Fortaleza San Felipe, a Spanish fortress that now houses historical and military artifacts.

Fine Watercolour Drawing by Alexandre Jules Monthelier. He was a French Artist who worked in France and created many drawings of famous landscape and sceneries (e.g. the cathedral of...

just purchased more information to follow Cypher lower right Within a grey mount, 14cm high, 28cm long The gilded cavetto moulded frame 28 cm high, 41 cm long, 3.5cm deep

"Meadow," an original watercolor on paper by William Verdult, is a piece for the true collector. The artist's genius reflects a fiery artistic approach that inspires unexplored feeli...

"Santa Maria della Salute I" is a watercolor painting of the Santa Maria della Salute church and minor basilica in Venice, Italy. This work features hues of blue, orange, green and yellow. This piece is 14.5 by 17.75 inches framed. McLean Jenkins is inspired by the work of JMW Turner, Richard Diebenkorn and Louis Khan. McLean Jenkins is a practicing architect with McAlpine and his work derives from and celebrates the classical forms of his trade. Working in graphite, ink and watercolor, McLean employs a gestural approach that frees his hand to explore a subject’s essence. His compositions rely on the quick, decisive sketch and are then given over to the whims and splashes of watercolor. Spontaneity, movement and spirit are all emphasized and his drawings collectively form their own narrative of his passion for architecture. The city of Venice has captured McLean’s imagination since his first trip there as a 12 year old boy. Over the years a kind of courtship with the city has evolved, and its impact has motivated and sustained his development as both architect and artist. His work depicting the city has been recognized within the architectural profession by the Georgia Trust for Historic Preservation in its award to McLean of the J. Neel Reid...