Richard Phethean Art

Allyson George Not the Priceless Historical Ceramic Jar! (Funny, Witty, Installation) Porcelain, glaze, stoneware, enamel spray paint, epoxy Year: 2025 Size Large Sitting Cup: 20 x 1...

Ken Ferguson Basket with handle Material: Stoneware, glaze Year: Circa 1980 Size: 18 x 13 inches Stamped Kenneth Richard Ferguson was an American c...

Not Available

OBLONG LARGE GOOSE BOWL (INV# NP3940) Michael Simon salt-fired stoneware and glaze 4.75 x 14.75 x 13.25” date unknown stamped Michael Simon (b. 1947 - 2021)...

"Medium Yellow Hive", Contemporary, Ceramic, Sculpture, Design, Stoneware, Glaze

LARGE ABSTRACT BOWL (INV# NP3674) Chris Gustin wood fired stoneware and glaze 10.25 x 15.25 x 13.25” 2003 signed

"Pretty Pickle" is an original piece by Jeff Rubio made from stoneware, glaze, epoxy clay. This pieces measures 13"h x 9"w x 6"d and comes with a signed Certificate of Authenticity. ...

Inese Margevica (1960) Education: 2004 – LU, master's degree of educational sciences in art pedagogy; 2001 – LMA, Master of Arts degree; 1990 – LMA, Department of Applied Decorative...

Albrecht was half way through his MFA program (ceramics) at the University of Iowa when he was deployed to Iraq (03-04 medic/security work). His work explores the collision of war m...

Albrecht was half way through his MFA program (ceramics) at the University of Iowa when he was deployed to Iraq (03-04 medic/security work). His work explores the collision of war m...

“Untitled” ceramic, is an example of the kind of work by which John Glick became so famous. He was seduced by the effects of the reduction kiln, which decreased the levels of oxygen during firing, inducing the flame to pull oxygen out of the clay and glazes changing the colors of the glazes depending on their iron and copper content. In this way he achieved the rich gradients of ochre and umber and variations in stippling and opacity. This piece is signed on the bottom and can be found on page 92, plate #125 in “John Glick: A Legacy in Clay.” John was an American Abstract Expressionist ceramicist born in Detroit, MI. Though open to artistic experimentation, Glick was most influenced by the styles and aesthetics of Asian pottery—an inspiration that shows in his use of decorative patterns and glaze choices. He has said that he is attracted to simplicity, as well as complexity: my work continually reflects my re-examination that these two poles can coexist… or not, in a given series. Glick also took influences from master potters of Japan, notably Shoji Hamada and Kanjrio Kawai, blending their gestural embellishments of simple forms with attitudes of Abstract Expressionism. He was particularly drown to the work of Helen Frankenthaler whose soak-stain style resonated with Glick’s multi-layered glaze surfaces, which juxtaposed veils of atmospheric color with gestural marks and pattern. He spent countless hours developing and making his own tools in order to achieve previously unseen results in his work with clay and glaze. Glick’s “Plum Tree Pottery...

Hand Thrown Glazed Stoneware signed on bottom by Robert Piper 3 1/2 x 5 1/2"dia.