Rico Lebrun Art

Joan Miro (Spain, 1893-1983) 'Maravillas con variaciones acrósticas en el jardín de Miró (cobertura para el estuche)', 1975 lithograph on canvas 21.5 x 32.25 x 21 in. (54 x 82 cm.) Edition of 1500 Unframed ID: MIR2001-014 It is documented in Cramer, P (1992). Miró Litographer V (1972-1975). Maeght Éditeur, pp 162-163. No. 1051. Artwork history: At the end of 1971 Rafael Alberti wrote from Rome to Joan Miró in the following terms “(…) I think I have news that you liked my folder...

Original mixed media work on paper by Adam Baranello. Mixed media, acrylic, spray paint on canvas. Size 17 x 14 in. Offered unframed. Ships rolled Multidisciplinary artist Adam Ba...

Alvar Sunol Pencil Signed Lithograph C.1970s Three women around a table Dimensions 21.5" wide x 12.5" high The frame measures 32.75" wide x...

This print was made for the American Abstract Artists Portfolio, 1937. All the images were lithographs made on zinc plates. Usually they were signed in the image -- on the plate, as this one is. As a group they explored abstraction in the 1930s, while maintaining their individual styles. The plan was to make an edition of 500 portfolios although it seems highly unlikely that this was accomplished. Ibram Lassaw (1913-2003) was primarily known for his sculpture. Born in Egypt to a Russian family...

This print is part of my private collection. They were published in a numbered unsigned edition of 1000, and a signed edition of 200, printed by Serifraphie Fernand Leger, Paris and ...

Here we have an Original Pencil Signed and Numbered Lithograph by Rufino Tamayo, famous Mexican American Artist…. known for abstract Figurative Expressionist images There was only a...

This print was made for the American Abstract Artists Portfolio, 1937. All the images were lithographs made on zinc plates. Usually they were signed in the image -- on the plate, as ...

Norman Barr recorded his beloved New York City from the Bronx, to Coney Island, to the Fulton Fish Market. In this period he was on the New Deal's Mural ...

This color lithograph is part of my private collection since the 1970's. Marie Raymond was a pioneer post WWII painter of her generation. She was a lyrical abstractionist of her time...

Artist: Georges Braque Title: "La Charrue" (The Plow) Year: 1960 Medium: Original Hand Colored Lithograph on Printed Japan Nacre Signature / Edition: Signed in pencil "G. Braque" in ...

"Venus Noire" by Rufino Tamayo is a Figurative Abstraction lithograph limited edition measuring 30x22 in. The piece is framed beautifully with a white mat in a gold and black frame u...

This is a rare print, #46 in an edition of 96 that Gwendolyn (Gwen) Knight created while visiting Philadelphia's Brandywine Workshop with her late husband, the artist Jacob Lawrence. It is signed, titled, and dated along the lower edge. The print itself measures 22" x 30" and is professionally framed in a contemporary dark wood frame with muted green and gold double mats under UV protective glass. Framed measurements are 29.5" x 38". This print can also be found in the permanent collections of: - Washington State Arts Commission - Telfair Museums - David Driskell Center, University of Maryland - Seattle Art Museum and many private collectors. Gwendolyn Knight was born in Barbados in 1913. When she was seven, her widowed mother entrusted her to close friends who brought her with them to the United States. In 1926, Knight moved with her foster family from their first home in St. Louis to Harlem, where her developing interest in the arts flowered in the creative atmosphere of the Harlem Renaissance. In Harlem, Knight became a daily participant in the workshop of sculptor Augusta Savage, in whom Knight found a mentor, and Savage's studio became a second home. Through Savage, Knight first came into contact with Claude McKay...