Rimpa School Furniture

Impressive pair of 17th century Japanese Edo period Rinpa school screens made in the manner and style of Autumn Grasses by Tawaraya Sotatsu (1570-1640). Beautifully decorated with wi...

19th century Japanese Edo period six-panel screen painted in Haboku (splashed ink) style. Depicts Four Seasons landscape scenes with two portraits of Chinese sages. One sage is trave...

A Japanese Edo Period two panel folding screen with white and brown hawks of ink and color on paper.

19th century/Edo-Meiji period japanese painted five-panel folding miniature screen By: unknown Material: lacquer, metal, paint, wood Technique: carved, hand-carved, hand-painted, la...

This is a picture of a cat drawn by a person named "Toshizumi Nitta" from the end of the Edo period to the beginning of the Meiji period. She is a very simple and cute cat. He is a vassal of the Tokugawa Shogunate, born in Ota City, Gunma Prefecture (southern part of Gunma Prefecture). He was related to the Tokugawa family and lived in a large mansion in the Ota clan in Gunma prefecture. However, the Nitta family's territory was very small, and they were by no means a wealthy vassal. He seems to have lived quite poorly. So he painted cats and sold them to people. The Nitta family continued to draw pictures of this cat for four generations. "Nitta toshizumi" is equivalent to the fourth generation. During the Edo period, sericulture was thriving in the Kanto region. Cats were said to be the gods of silkworms, as they drive away mice, the natural enemies of silkworms. It was the Nitta family who drew such a cat on paper, pasted it in the silkworm chamber, and sold it as a mouse repellent. There were also other monks who painted pictures of cats, but the Nitta family in particular was related to the Tokugawa family, so people believed that paintings of cats had special powers. , a lot of paintings...

Rimpa School. Ink, colors and gold on mulberry paper with a silk brocade border and black trim.

An absolutely charming pair of Japanese Tosa School six-panel folding screens painted with the "One Hundred Boys at Play" motif, featuring a multitude...

Spectacular 19th century Japanese late Edo period six-panel byobu screen depicting Yoshitsune and Benkei, two heroes of Japanese folklore. Crafted in ink and natural color pigments on mulberry paper with thick gold leaf borders on each panel. The character Yoshitsune is seated under a blossoming cherry tree in full armor holding a fan. The warrior priest or monk Benkei is depicted kneeling on a leopard skin...

Modern two-panel screen with white peonies. Hand-painted on vegetable paper. Very fresh work that is easy to incorporate into design furniture. Very good state of preservation, sig...

A mid-sized six panel screen. Edo period (c. 1800) painting of a landscape features a temple on the mountain top, a river with fishermen emerging from gold...

Rimpa Floral Scene with Chrysanthemum, Morning Glories and Blue Bell Flowers. Pigment on gilded silk, signature and seal read: Hattori Shunyo. Bold colors and strong design elements combined with the trademark tarashikomi (diluted elements created when water is applied to the surface before or after pigments causing them to diffuse) exhibit the artists deep devotion to this important Japanese painting tradition. Notes about artist: Hattori Shunyo (b. 1883) was an artist from Kyoto who graduated the (now) Kyoto Municipal University of Art and fell under the circle of Yamamoto Shunkyo...

Illustration to an unidentified chapter of the Tale of Genji (Genji Monogatari) Tosa School (second half of the 17th Century) Ink, pigment, gofun and...