Robert Lambdin Paintings

This idyllic scene with the reflections in the water is of Rye Windmill in East Sussex, an area which was frequented by Duncan Grant and his Bloomsbury friends and associates. Circl...

Montezin's dazzling display of brushwork captures the effects of the sunlight on the water and the glittering leaves of the poplar trees. A masterwork by the artist presented in the ...

This very fine quality 19th century oil on canvas in dark brown wood frame with gold leaves details throughout is signed by Joseph Brunner (Vienna 1826-...

A rare and most attractive still life by William Jones of Bath. The sumptuous textures of the peaches, grapes and strawberries contrasting with the dark background. A really handsome...

An incredibly striking study of the male form with the figure set against a colourful background with stylised organic forms. Attractively framed, the painting is ready to be hung an...

An incredibly captivating image of a leopard basking on a rock by a river. Not only is this a very striking study of a magnificent feline but there is also a narrative here with a py...

This delightful turn of the century (early 20th century) oil on canvas painting represents an Italian landscape with one of the most famous squares in the world: Piazza San Marco in ...

We would like to thank Madame Beck-Saiello for confirming the autograph nature of this drawing after an in-person examination. It was probably during an excursion in the countryside near Avignon that Claude-Joseph Vernet executed this drawing, enhanced with pen and brown ink, depicting a mansion on a hilltop overlooking a small village with geometric shapes. 1. Joseph Vernet, a painter influenced by Italy Claude-Joseph Vernet was born in Avignon in 1714, the son of Antoine Vernet (1689-1753), an artisan painter of architectural decorations, coach panels, and the like. He moved to the studio of Philippe Sauvan (1697-1792), a leading history painter in Avignon, and then worked with Jacques Viali (active 1681-1745), a decorative, landscape, and marine painter in Aix-en-Provence. Vernet's first recorded paintings were decorative overdoors executed in 1731 in the Aix townhouse of the marquise de Simiane. In 1734, Joseph de Seytres, marquis de Caumont, a leading amateur in Avignon, sponsored Vernet to make a study trip to Italy to complete his artistic education and to draw antiquities for his patron. As Avignon was a papal territory in Vernet's day, he also had a number of useful introductions among influential churchmen when he arrived in Rome. Vernet was soon at home in the French community there, and he was encouraged by Nicolas Vleughels (1668-1737), director of the Académie de France in Rome, even though the young painter had no official affiliation with the royal institution. He likely entered the studio of the French marine painter Adrien Manglard...

An impressive, panoramic view of the River Stour looking towards Harwich and Felixstowe in Suffolk. It is very much a snapshot of times gone by with the hay barge loaded with hay. F...

A timeless snapshot of a Suffolk landscape looking towards Stoke by Nayland, an area where John Constable would have painted a couple of centuries before. Presented in a most attract...

A unique figurative abstract of a couple made using vibrant white, purple and tan to create a bold original modern work of art. There is a unique range of expressionistic strokes, textures and text incorporated in this Contemporary painting by Svetlana Shalygina. Framed in a black matte floater frame. Custom digital renderings showing the painting in your home available upon request. It is on gallery wrapped canvas, unframed, but some clients choose to add a floater frame depending on preference. *It is with a heavy heart...

“BS Trust” is 36” x 36”. Frank Arnold’s paintings exhibit the highest quality materials for a truly archival piece, created to last generations. Much of Frank Arnold’s work is sourc...