Robert Robinson Figurative Paintings

Chroma sky (Blue key) 10, 2007 Acrylic and oil on canvas (Signed on reverse) 23.62 H x 31.49 W in 60 H x 80 W cm The artist wrote about how he conceives this work: "The transformat...

Wonderful vintage reclining male nude study by Patricia E. Gillfillan (American, 1924-2016), c.1980s. From a collection of her works. Unsigned. Unframed...

Dump. Oil on canvas, 28.5x43 cm

'Antique beauty'. Oil painting on canvas 50 x 60 cm, 2024. 

Charming oil painting of the Wells Fargo Express Office building in the gold country town of Columbia State Historic Park in Columbia, California by Cecil ...

Title: Torero and Bull Artist: José María Tuser Vázquez (1919-1986) Technique: Oil on canvas mounted on board Dimensions: 18.9 x 15 inches Framing: Unframed Art Movement: Costumbrismo, Figurative Expressionism Theme: Bullfighting Date of Creation: Second half of the 20th century DESCRIPTION The painting Torero and Bull depicts a classic bullfighting scene, where a matador, elegantly dressed in a golden and violet traje de luces, performs a pass with the cape while the bull, wounded with banderillas, bows toward the ground. The composition conveys dynamism and tension, emphasizing the drama of the moment with loose and expressive brushstrokes. The background is rendered in warm, diffused tones, contrasting with the deep black of the bull and the vivid hues of the cape. The thick brushwork and vibrant oil application enhance the sense of movement and emotion in the scene, a distinctive feature of Tuser Vázquez’s bullfighting paintings. ARTIST'S BIOGRAPHY José María Tuser Vázquez (Barcelona, 1919 - 1986) was a Spanish painter specializing in bullfighting themes. He trained at the School of Arts and Crafts in Barcelona, where he developed a strong foundation in drawing and painting. From 1947 onwards, he dedicated his artistic production to tauromaquia, creating posters, illustrations, and paintings that captured the intensity of the bullfighting spectacle. He was a regular contributor to the magazine El Ruedo and designed a series of postcards featuring traditional Spanish costumes for Editorial Artigas in the 1940s. His work has been auctioned numerous times and is highly valued by collectors of bullfighting art...

Rafael Duran Benet (1931-2015) - River port - Oil on canvas on board Oil measurements 22x27 cm. Frame 24x29. Rafael Duran Benet (Terrassa, 1931 - Barcelona, 2015) is a Catalan paint...

DESCRIPTION: Perhaps the best Romney in private hands. If Vogue Magazine existed in the late 18th century, this image of Lady Caroline Price would be ...

Resurrection of Christ Attributed to the Master of the Prodigal Son / Jan Mandyn (1500-1560) Oil on panel, 73 x 56 cm (without frame), 81 x 63 cm (with frame) The work was exa...

Vibrant abstract composition by Aromas, California, Monterey Bay Area abstract expressionist artist Frank Thomas Romero (American, b-1985). Signed ...

Title: Cape Maneuver Artist: José María Tuser Vázquez (Barcelona, 1919 – 1986) Technique: Oil on canvas mounted on board Dimensions: 19.7 x 23.6 in (50 x 60 cm) Date: Circa 1980s Signature: Signed "Tuser" in the lower left corner Condition: Excellent; thick, vibrant brushwork and vivid colors well preserved. 📝 Description This painting captures a dramatic moment in the bullfight — the classic verónica — as the matador gracefully halts the bull’s charge with a sweeping motion of the cape. The vivid contrast of magentas, blues, and golds intensifies the theatrical tension between man and beast. The composition is dynamic yet controlled, emphasizing the poise of the torero against the raw force of the bull. The expressive brushstrokes and thick impasto enhance the sense of movement, while the abstracted background ensures focus remains on the central figures. The piece is a striking blend of figuration and emotional energy, characteristic of Tuser’s taurine works. 👤 About the Artist: José María Tuser Vázquez José María Tuser Vázquez was a Spanish painter born in Barcelona in 1919. He studied at the Barcelona School of Arts and Crafts and began exhibiting in the 1940s. By 1947, he had fully devoted his career to bullfighting scenes, developing a distinctive figurative expressionist style with impressionist influences. He collaborated with the magazine El Ruedo, creating numerous illustrations and covers, and designed collectible postcards for Editorial Artigas. His work became well-known in Spanish artistic circles and is now part of both private and institutional collections, including the Club Taurino of London. His paintings have been auctioned internationally, reaching up to $3,000 depending on size and subject. His legacy is that of a painter who masterfully captured the emotion, tradition, and drama of the Spanish corrida. 🎨 Similar Artists José María Tuser Vázquez’s work shares thematic and stylistic elements with: Roberto Domingo – A pioneer of bullfighting art...

Exhibited: London, Royal Academy, 1800, no. 93 What was happening in British history painting in around 1800? In recent discussions of the emergence of a British School of history painting following the foundation of the Royal Academy in 1768, this is a question which is rarely posed and one which is not easily answered. Examination of surviving Royal Academy exhibition catalogues reveals a profusion of artists’ names and titles, few of which remain immediately recognizable, whilst endeavours to explain the impact of exhibition culture on painting - such as the 2001 Courtauld show Art on the Line - have tended to focus on the first and second generation of Royal Academician, rather than young or aspiring artists in the early nineteenth century. This makes the discovery and identification of the work under discussion of exceptional importance in making sense of currents in English painting around 1800. Executed by Edward Dayes...