Roger Guerin Furniture

French Art Deco vase by Louis Dage (Antony, Paris), France, 1920s. Stoneware. Important enamel applications for a masterpiece of Africanism. Measures: Height: 12.8"(32.5cm), Width: 9...

A truly wonderful and whimsical work by Uruguayan-born American ceramist Lidya Buzio. This work was done when she was at her most prolific during her time in New York in the 1970s/ 1980s. Buzio is best known for her uniquely hand painted scenes of New York rooftops...

California design studio stoneware weed pot / vase, circa 1970s. The pot is in very good vintage condition and measures 7.7"D x 6.5"H. The piece is signed on the underside. #3805

Great sweet vase/bottle by the well known artist Bruno Gambone . signed and Italy in bottom.

French Art Deco stoneware vase by Louis DAGE (Antony, Paris), France, ca.1920. Important enamel applications. Height: 10"(25.5cm), Diameter: 6.7"(17cm). Signed "LDage" under the base...

A wonderful work by famed Los Angeles (Echo Park), California-based artist Peter Shire who was a founding member (along with Italian designer Ettore Sottsass and others) of The Memph...

Steen Kepp - La Borne Realised circa 1975-1980 Large brown and white stoneware ceramic floor vase. Signed under the base Original perfect condition Measures: Height 38...

A wonderfully designed and beautifully glazed vase by renowned American / Mississippian master potter George E. Ohr. ( or as he famously referred to himself as the "Mad Potter of Biloxi") The work features a gorgeous mottled green spinach high glaze with a myriad of colors and tones including browns, tans, and yellows. Very striking. George Ohr (July 12, 1857 – April 7, 1918) is widely considered to be America's first art potter. Many art historians believe Ohr was a precursor to the American Abstract-Expressionism movement due to his innovative experimentation with modern clay forms. Ohr's works are featured in many prominent collections and museums both domestically and abroad. From 2007 to 2010 Ohr Rising: The Emergence of an American Master, a major national exhibition of Ohr pottery...

Sculptural vintage table lamp features Modernist asymmetrical base, decorated with monochromatic hunter green glaze on top of the base, and turquoise and white drip glaze on hunter ...

A very fine and stylish English studio pottery teapot and cover decorated in red glazes with blue spot designs by Kent based potter Karen Ann Woo...

A distinctive studio ceramic vase has a tall narrow shape, brown, with an outer glossy glaze and speckled white detailing. The cylindrical form contains an unglazed area at the neck ...

An organic and Brutalist style Butterly table lamp. No chips or cracks. Easily retired for all regions. Bernard Rooke (born 1938) is a British artist and studio potter. Rooke has exhibited his "Brutalist" ceramics and painting both in the UK and abroad with work in many collections both public and private including the Victoria and Albert Museum, Cleveland Museum of Art, Nuffield Foundation, Röhsska Museum in Sweden and the Trondheim Kunstmuseum in Norway. Bernard Rooke attended Ipswich School of Art studying painting and lithography before going on to study at Goldsmiths College of Art. It was while studying here that he decided to take up pottery. Although unfamiliar with this craft and tradition, he found that working with clay provided new opportunities for freedom of interpretation and creativity. In 1960 Rooke set up his first pottery in Forest Hill in South London along with Alan Wallwork. It was a very small room with enough space for a small electric kiln. He was initially using mainly hand building, coiling, blocking and slabbing techniques. While researching ideas, he was supporting himself by part-time lecturing at London University, Goldsmiths College and St Mary's College. In addition, Rooke's membership of 'The Craftsman Potters' Association' enabled him to show his work in a shop in Carnaby Street in London. In 1967, both the need for a larger working space and becoming disillusioned with living in London spurred Rooke into moving out of the city and to an old mill building in Swilland in Suffolk. Rooke wanted to widen the range of work so as to become more commercial. With the birth of his son, Aaron, and much needed work to be done on the mill, it was important to be able to make a living. In 1968, the Grand Metropolitan Hotel commissioned Rooke to make 120 standard lamps, 120 table lamps as well as a 24 foot long ceramic mural and another 9 foot high, which incorporated interior lighting. The money from the commission helped to pay for much needed restoration work on the mill. By the 1970s, a gallery space was opened in the windmill and run by Susan Rooke, Bernard's wife, selling work to locals and tourists as well as to American airmen based nearby. The vision for Mill Gallery was beginning to develop and alongside this a reputation was building bringing in a good source of income. Sons Aaron and Felix were becoming more involved with the running of the pottery, giving Bernard more time to develop new ideas and designs and more time to continue with his painting. In 2004, the Rooke family decided not to sell to the public through the gallery anymore and close the pottery to concentrate more on painting and printmaking. In 2017 Bernard's lighting was featured in the Exhibition: “Glass, Light, Paint & Clay” at the Peterborough Museum and Art Gallery. The exhibition featured four artists: Bernard Rooke, John Maltby...