Rud Thygesen and Johnny Sorensen Sofas

Arne Vodder for Ivan Schlechter, sofa, patinated leather, teak, Denmark, design 1953, manufactured late 1950s-1960s. Elegant two-seat settee in admirable cognac leather and teak b...

An icon of postmodern design: a pair of Nicoletti Salotti 2-seater sofas in gray leather, produced in Italy around 1980. The leather of the sofas has taken on a lived-in look that gi...

An elegant Empire Swedish Karl Johan sofa with graceful lines in mahogany with satinwood line inlay, ormolu and ebonized details. Offers scrolled arms and saber feet with upholstered...

New basket weave fabric upholstery Widdicomb sofa love seat slipper chair booth sofa. Black lacquer hardwood frame.

Loveseat by Kai Lyngfeldt Larsen in Cognac Leather and Solid Rosewood, 1960's A rare and characterful loveseat by Danish designer Kai Lyngfeldt Larsen, upholstered in its original c...

A lovely romantic Baroque style three seater sofa with cushions covered in vintage fabric. Made in solid oak. Handcrafted by Danish cabinetmaker Hans Dau in the 1950s. The overall im...

Curved Danish Mid-Century Modern Three Seater Sofa by Johannes Andersen, Walnut Johannes Andersen for Trensum Møbelfabrik Curved Danish Modern Sofa in Walnut and Fabric Curvaceou...

Rare Kaare Klint Model 4118 two-seat box sofa with profiled cross legged mahogany frame. Made by Rud Rasmussen, Copenhagen, Denmark. Upholstered...

Danish modern so called Jupiter sofa model 218 designed by Finn Juhl and manufactured by France and Son, Denmark 1965. The sofa has a solid rosewood frame...

Wonderful Danish modern settee from the 1940s, dark stained beech legs with a multicolored, floral themed upholstered and tufted body.

Settee or sofa, stained wood, leather, fabric, brass, Denmark, 1920s. Exceptional example of early Danish design with robust, bulky aesthetics. The frame of the settee is made of st...

Three-seater sofa model 5011 in original leather and eight-legged ash base. Produced by Rud. Rasmussen Cabinetmakers, Denmark. Minor marks on the frame, patina to the leather. Shown at the Copenhagen Cabinetmakers’ Guild exhibition in 1935. Kaare Klint is widely recognized as the father of Danish modern design. It is hard to overstate his influence. He developed an entirely new analytical approach to furniture design that his students at the Danish Academy of Art would emulate for years to come, yet was also inspired by historic designs from various cultures, modernizing and re-interpreting classic pieces for new generations. Literature: Gorm Harkær, Klintiana: “Kaare Klint”, vol.2, pg 94. Kaare Klint (1888-1954) is regarded as the founding father of Danish Modernim. As an architect, furniture designer and leading professor at the Department of Furniture Design at the Royal Danish Academy of Fine Arts, Copenhagen, Klint established the principles of modern Danish furniture by combining a profound appreciation of traditional construction techniques with a modernist emphasis on function and a rejection of ornaments. Klint’s design was always based on relentless research; he never compromised. Every piece had to fulfill its purpose, be completely clear in its construction with dimensions and proportions corresponding to the human body and display materials and craftsmanship of the highest quality. Logic, often using a mathematical system of measures, and a constructive way of thinking were the foundation of Klint’s philosophy of furniture design. Like many of his contemporaries, counting Le Corbusier and Walter Gropius, he advocated standardization and functional requirements and dismissed the use of all ornamentation. But Klint realized his vision in wood and leather, using traditional craftsmen and working methods and often finding inspiration in historical models. In this way, he charted the course for an alternative Nordic Functionalism that idealized the workshop and the collaboration between furniture architects and cabinetmakers as opposed to the factory. Kaare Klint’s first major work was a collaboration with his mentor, the architect Carl Petersen. In 1914 they were commissioned to design furniture and fixtures for Faaborg Art Museum. One of the highlights to emerge from this commission was the Faaborg chair, a light and elegant chair with clear references to classical furniture. The construction and proportions of an 18th century English Chippendale...