Ryan Schude Figurative Photography

Policewoman Playing Tag, New York City, 1978 by Leonard Freed, is a 16” x 20” gelatin silver photograph from the photographer's Police Work series and book. The photograph from the estate is stamped verso (back of photo) and signed by Brigitte Freed (widow). This is a black and white modern photograph...

Richard Sadler's "Young Boy" is a haunting portrait of a very serious young British lad amidst a crowd of other people. He is dressed very formally in hat, coat and tie. He clutche...

Everlong - 2016, Edition of 7 plus 2 Artist Proofs Archival C-Print, based on a Polaroid. Signed on the back and with certificate. Artist inventory PL2016-2003. Not mounted. K...

Christian - Signed limited edition archival pigment print, 1984 - Edition of 5, Unframed This image was captured on film. The negative was scanned creating a digital file which w...

Fire Hydrant, Harlem, 1963 by Leonard Freed is a 19" x 13" limited edition photograph. The portrait is signed verso (back of photo) by the estate and Brig...

Saul Leiter 2 Merce Cunningham Contact Sheets, 1954 Dated and inscribed by Carolyn Brown on verso Kodak safety film 10 x 8 inches Provenance Estate of Carolyn Brown, New York 2025. Saul Leiter (1923-2013) was born in Pittsburgh to a father who was a well-respected Talmudic scholar. His passion for the arts ignited during his late teenage years, and despite being urged to follow in his father's footsteps to become a Rabbi, he chose to forgo theological studies, moving to New York at the age of 23 to delve into painting. In the city, he formed a friendship with Abstract Expressionist painter Richard Pousette-Dart, who was exploring photography. This connection, along with a subsequent friendship with W. Eugene Smith, deepened his fascination with photography. Leiter's initial black and white images reveal a remarkable talent for the art form. By the 1950s, he also began to explore color, producing a substantial and noteworthy collection during the early stages of this medium. His uniquely muted color palette often imparts a painterly essence that distinguishes his work from that of others in his era. Leiter's inaugural showcase of color photography took place in the 1950s at the Artist's Club, a gathering spot for many Abstract Expressionists of that period. Edward Steichen included twenty-three of his black and white works in the influential 1953 exhibition "Always the Young Stranger" at the Museum of Modern Art and also showcased twenty of Leiter's color photographs during the 1957 MoMA event "Experimental Photography in Color. " In the late 1950s, art director Henry Wolf featured Leiter's color fashion photography...

Caroline , Platinum Palladium print on Arches Platine paper from Ian Sanderson, unframed. Edition 1 of 12 plus 2 AP ( small Size ) Portrait of a charismatic nude woman behin...

Part of the BLOOMY VIEW series taken in Bern 2020 in collaboration with Heym Collections, the images gained new life in their ambiguity, which often stimulates the viewer to project ...

"Butterfly 19" (FRAMED) Photography 50" x 40" in Edition 1/8 by Giuliano Bekor Title: Butterfly B19 Year: 2018 Print size: 50" x 40" Inch Framed size: 52" x 42" Inch Edition: 1/8 A...

"Abramson comes much closer to recording the sound of these clubs than we would have any right to expect from a photographer." - Nick Hornby (London, 2009), Light On the South Side, ...

A black-and-white image shot on film by Roberta Fineberg becomes an abstract chiaroscuro portrait of a woman in elegant clothing -- a semi-sophis...

Classic Beauty - The Noble Thistle - Polaroid Photographic Print Framed by Pia Clodi The blue tones within her work should not be interpreted as coldness, as her works are full of f...