Sam Tufnell Figurative Photography

"Art is Dead" (FRAMED) Photography 36" x 36" inch Edition 2/7 by Brendan North Size framed: 41" x 41" inch Other sizes available per request ABOUT: Brendan North is a fine art phot...

Caroline (Deep Sleep) (FRAMED) Photography 30"x40" in Ed. of 3 by Larsen Sotelo FRAMED Giclee (Archival Ink) print on 310G Platine Fibre Cotton Rag w/satin finish 40” X 30” inch ...

'Harvest Dance' Limited edition archival photograph. Unframed, hand signed and numbered _________________ Late August, captured in the glow of the evening sun, my daughters join han...

"Fragile" (FRAMED) Photography 34" x 28" inch Edition 1/7 by Brendan North Size framed: 38" x 32" inch Other sizes available per request ABOUT: Brendan North is a fine art photogra...

"Art is Dead" (FRAMED) Photography 36" x 36" inch Edition 2/7 by Brendan North Size framed: 41" x 41" inch Other sizes available per request ABOUT: Brendan North is a fine art phot...

"Untitled 1" (Mustang) Photography 24 x 32 in Edition 2/7 by Larsen Sotelo Untitled 1 From the Mustang series Giclee (Archival Ink) print on 310G Platine Fibre Cotton Rag w/satin f...

"Malibu's Most Wanted Pt. 3" Photography 24" x 36" in Ed. of 7 by Brendan North ships rolled in a tube Available sizes: Edition of 15: 16 x 24 in Edition of 7: 24 x 36 in Edition o...

"Malibu's Most Wanted Pt. 4" Photography 24" x 36" in Ed. of 7 by Brendan North ships rolled in a tube ABOUT: Brendan North is a fine art photographer based in Los Angeles. Having ...

"Target Practice" Photography 50" x 40" inch Edition of 3 by Brendan North Not Framed Ships rolled in a tube Other sizes available ABOUT: Brendan North is a fine art photographer...

"Royal Blood" is part of international artist, Natalie Lennard's series Birth Undisturbed. "When the Queen’s parents suggested she move to a quieter room away from the crowds of well-wishers heard from the front of the Palace, she refused, insisting 'I want my baby to be born in my own room, amongst the things I know.'" Prince Edward was born 10 March 1964 in the Belgian Suite at Buckingham Palace, attended by midwife Helen Rowe and ob-gyn John Harold Peel. The last of Queen Elizabeth II’s children, it was the first to be active and conscious, at a time when “twilight sleep” - knocking out the mother and delivering via forceps - was beginning to phase out. All the Queen’s children were Royal homebirths. Her first birth in 1948 had already marked the end of centuries’ long tradition of Royal observation. Historically, at a birth of any potential heir to the throne, the room would be crowded with ladies-in-waiting, midwives, servants and doctors, near crushing Marie Antoinette to death in 1778. With the birth of her fourth and final child, the Queen was said to lay down the terms for how she wanted to deliver, breaking yet another tradition by having her husband present. Prince Philip, Duke of Edinburgh, had always been a nervous expectant father and historically had chosen to spend the Queen’s labours swimming and playing squash. This time he stayed at her bedside holding her hand, the first male Royal partner to be present in the room in years. In our modern form of collective mass-observation, the whole world watched...

Nadine Rovner orchestrates lush cinematic scenes, exploring a visual world of heightened tension, anticipation, anxiety, longing and desire. These carefu...

Terry O'Neill (1938-2019) Raquel Welch on the Cross, Los Angeles 1970 lifetime edition Lambda C-Type print 48 x 48 in. (paper size) edition of 50 signed and numbered printed later Price: £25,200 GBP (inc. 20% UK VAT) Notes: A publicity shot for One Million Years B.C. From the start of the 1960s and continuing until the present day the name of Terry O'Neill has become inextricably connected with some of the most interesting takes on photographic portraits of celebrities. From the Beatles and Rolling Stones in the 1960s to the Royal Family and the Prime Minister's family in more recent times Terry O'Neill has proved adept at recording the significant subjects of the day in a visually stimulating and sometimes unexpected way and thus illuminated history of our age. Terry O'Neill was born on 30 July 1938 in the East End of London. His career as a photographer evolved by chance out of his first ambition to become a jazz drummer. Leaving school at fourteen and then doing his National Service his ambition was to go to America to study with the great drummers there. He thought that the best way to travel frequently and inexpensively to the USA would be to get a job as an air steward for BOAC. The airline at that time had no vacancies for stewards but suggested he took a vacancy in their technical photographic unit, which he combined with time at an art school and he then became interested in photojournalism. At first, O'Neill worked as freelance at London Airport, later was offered a stunt as a reportage photographer at Heathrow. This was followed by three years in Fleet Street, with O'Neill at 21, the youngest photographer in Fleet Street taking pop pictures for the up-tempo Daily Sketch. One thing lead to another and O'Neill quickly became a significant image-maker and one of the group of talented young photographers who helped create the photographic icons of the 1960s and create part of the buzz that became Swinging London. The peer group that emerged in this decade included David Bailey, Terence Donovan and Brian Duffy from the East End and Patrick Lichfield and Lewis Morley...