Sarah Grant Sticks Furniture

Brass framed Italian mirror. Can be a floor standing mirror or hang either way. Pairs available.

The Madison standing mirror is made of solid American walnut with a copper-plated metal base. The way the tones of the copper and walnut enhance one a...

Large-scale 19th century brass mirror, circa 1890s. Measures an impressive 63" height x 39.5" width. Retains wonderful original patina to the...

Cristal art mirror with glass shelf, green etched detail, and brass.

Constructed from black walnut the mirror is a portal to another universe. The Crura mirror extends the floor in an infinite illusion. Standing on two legs it doubles space and stands...

Modernist vintage rectangular like floor mirror or wall mirror from brass Italy 1970s. An elegant and beautiful floor mirror or wall mirror with angular edges from brass in sleek sha...

Constructed from black walnut the mirror is a portal to another universe. The Crura mirror extends the floor in an infinite illusion. Standing on two legs it doubles space and stands...

Discover a sculpted Silver mirror that champions one piece at a time.The narrative behind this tall mirror stems from innovative craftsmanship, utilizing a unique technique to mold a...

Fronton mirror glass in handwork solid oak, with glass mirror.

Minimalist rectangular mirror with flat bar aluminum frame. Made by Donnelley-Kelley Mirror Company. USA, circa 1960. Signed with maker’s paper label. Finely crafted. Mirror m...

An extaordinary large wall mirror from the 1950's with a butterfly shaped design. The glass by the edges is in dark gray while the center mirror has itraditional color. The glass has...

A carved giltwood mirror of very large-scale and great quality, made by Froom & Cribbs of London. The beautifully carved wooden frame decorated with flowers and foliage. The scrolled arched top centred by an open scallop cartouche with cresting eagle. Both the frame and glass are in good condition. Stamped on the back with important London makers name and address. Froom & Cribbs 1832-1849. At 136 Strand, London. Carvers and gilders, looking glass manufacturers, picture frame makers. William Froom (1791-1865) was christened in 1791 at St George the Martyr, Southwark, the son of William and Martha Froom. He first comes to notice in 1825, when he attended a meeting of more than fifty master carvers and gilders who resolved to resist the demands of journeymen for an increase in wages (The Times 30 June 1825). He followed Fentham & Co (qv) at 136 Strand, using the description, ‘Late Fentham & Co’, on his trade label for many years. By 1829 Froom had entered into a short-lived partnership with William Cribb (qv), which was dissolved in 1831 (London Gazette 3 May 1831). William Froom and his wife Elizabeth Anne had five children born between 1831 and 1840, christened at St Mary-le-Strand.William Froom was a customer of the composition ornament maker, George Jackson & Sons (qv), 1836-1842 (see Jackson account book, V&A Archive of Art and Design, AAD/2012/1/2/3). In the 1839 directory Froom was listed as a looking glassmaker and in the 1841 census as a plate glass manufacturer. He would appear to have retired from business in 1849 from his entries in the Post Office directory. In the 1851 census he was living in Oxford Square...