Sergio Gonzales-Tornero Art

Ara Waya Nac Sergio Gonzales-Tornero, Chilean (1927–2020) Date: 1983 Screenprint, signed, numbered, titled and dated in pencil Edition of 250 Image Size: 24 x 30 inches Size: 28 x 34...

Waha Waharangin Sergio Gonzales-Tornero, Chilean (1927–2020) Date: 1983 Screenprint, signed, numbered, titled and dated in pencil Edition of 250 Image Size: 24 x 30 inches Size: 28 x...

Venus Sergio Gonzales-Tornero, Chilean (1927) Date: 1968 Etching with Aquatint, signed, numbered, dated and titled in pencil Edition of 36/100 Image Size: 24 x 15.75 inches Size: 30 ...

This print was created in 1979 by master printmaker, Chilean artist Sergio Gonzalez-Tornero. His work is characterized by his bold use of color and fascination with the silhouettes a...

A wonderful work by Chilean painter/artist Sergio Gonzalez-Tornero. This color etching with aquatint is pencil signed, titled (A Tree), dated (1964), a...

ABOUT Sergio Gonzales-Tornero Peace on Earth 1970 Etching with Aquatint, signed, titled, numbered and dated in pencil. Edition: 19/100, Unframed. CREATOR Sergio Gonzales-Tornero, Chilean (1927-2020) DATE OF MANUFACTURE c.1970. MATERIALS AND TECHNIQUES Etching with Aquatint on wove paper. CONDITION Good. Wear consistent with age and use. DIMENSIONS Sheet: H 25.25 in. x W 28.25 in., Image: H 19.75 in. W 23.75 in. HISTORY Sergio Carlo Higinio Gonzalez-Tornero, painter and printmaker, was born in Santiago, Chile on May 22, 1927. The son of diplomats, he studied in Chile, Brazil, and the United States. In 1958 he studied at the Slade School in London before moving to Paris, where he worked at Stanley William Hayter's Atelier 17 and met his wife, fellow printmaker Adrienne Cullom. They settled permanently in New York in 1962, where Sergio and Adrienne worked together at Bob Blackburn's Printmaking Workshop. After visiting the Canadian archipelago of Haida Gwaii, Sergio became fascinated with the arts of the indigenous Haida peoples, finding it to be deeply spiritual: this became and remained a powerful influence in his work. Principally a printmaker, Gonzalez-Tornero had more than forty solo exhibitions in Chile, Canada, Europe, and the United States. He discussed his printmaking techniques in an essay on page 325 of Fritz Eichenberg’s The Art of the Print. Gonzalez-Tornero was awarded a fellowship by the New York State Foundation for the Arts in 1987 and a grant from the Adolph and Ester Gottlieb Foundation in 1990. He was a member of and exhibited with the Society of American Graphic Artists, the Boston Printmakers, and the Philadelphia Print Club. His work garnered numerous prestigious awards including the UNESCO Prize at the International Biennial of Prints in Cracow, Poland; first prize at the XII Biennale of Latin American Prints...