Sergio Gonzales-Tornero Wall Decorations

Decorative framed Asian-style artwork depicting two cranes standing on a rocky outcrop beneath pine branches. The composition features finely detailed plumage and naturalistic landsc...

Photograph Color photograph made with archival pigments on fine art rag paper with matte finish Size varies based on edition This work comes with a "Certificate of Authenticity". Luke Butler...

United Kingdom - Offset Lithograph on Paper, from the original show 1993 Christopher Wool’s paintings and prints explore the confluence of image, text, and pattern. They often feature enigmatic, confrontational found phrases or illegible scribbles, which are either stencilled or plastered in black across flat white fields. The artist occasionally covers the compositions with spray-paint marks and screen-printed elements (some taken from his previous works), erasing and relayering as he goes. His process—which focuses on the possibilities of reproduction, appropriation, and accretion—is as important as the results themselves. Wool studied at Sarah Lawrence College and the New York Studio School. New York’s vibrant 1970s downtown No Wave and punk scenes became major influences, and Wool reached his mature style in the mid-1980s. Wool has exhibited in New York, Los Angeles, Chicago, London, Paris, Tokyo, Berlin, and beyond, and his work belongs in the collections of the Museum of Modern Art, the Centre Pompidou, and the Tate. His work has achieved eight figures on the secondary market. Drawing from Minimalism and Conceptualism, Felix Gonzalez...

Print Digital archival print on Moab Entrada 335 gsm Measures: 16.00 x 13.00 in 40.6 x 33.0 cm Edition of 50 This work comes with a signed Certificate of Authenticity. In partnership with Maison de...

Photograph Photograph taken with a digital single-lens reflex camera and printed with archival pigments on fine art rag paper Measures: 30.00 x 40.00 in 76.2 x 101.6 cm Edition...

Possibly Print or Original, unable to verify. Signed in the Lower Corner. Possibly Pen on paper. Matted within Wooden Frame. Vintage Condition Consistent with Age as Pictured. Dimen...

Beautiful vintage botanical Chromolithograph of pink roses in a hardwood Handpainted enamel wood frame.

Photograph Inkjet print Measures: 14.59 x 24.00 in 37.1 x 61.0 cm Edition of 50 This work comes with a Certificate of Authenticity. This Artspace edition print supports the Stanlee and Gereald Rubin Center for the Visual Arts' 10th anniversary featuring artists who engage in disruptive, alternative, and collective interactions with space and space technology. This print by Tomás Saraceno...

"Italian Renaissance Stained Glass Artwork from Ornamentenschatz, 1887" Description: This vibrant print by H. Dolmetsch is featured in "Ornamentenschatz," a collection published by...

Photograph Measures: Digital print 13.00 x 19.00 in 33.0 x 48.3 cm Edition of 30 In 2012, Janaina Tschäpe filmed two large balloons as they buoy...

Print Pigment inkjet on HotPress Natural, 300 gsm Measures: 20.00 x 25.00 in 50.8 x 63.5 cm Edition of 108 Signed and numbered by the artist. This work is part of the Vera List Anniversary Print Portfolio, created in recognition of the exceptional legacy of philanthropist Vera List. It was the generosity of Vera and her husband Albert that enabled the founding of the Vera List Art Project at Lincoln Center in 1962, MIT's List Arts Center in 1982, and the Vera List Center for Art and Politics at The New School in 1992, among others. These institutions joined forces with Artspace and six internationally renowned artists to produce this print portfolio. This print by Fred Wilson is comprised of a mashup of flags of Caribbean nations, presenting an idea about the relationships among the people of these cultures. Fred Wilson is a conceptual artist of African-American and Caribbean descent who's primarily known for rearranging art and artifacts in museum collections to reveal the inherent racism and gender politics that are often overlooked. First gaining notoriety in the early '90s with the exhibition Mining the Museum, in which he placed a whipping post from pre-Civil War America in a gallery and surrounded it with four ornate chairs...

Print Full bleed six-color silkscreen printed on Letra Ecru 300 gsm Measures: 34.00 x 24.50 in 86.4 x 62.2 cm Edition of 50 This work is signed and numbered by the artist on recto. The imagery for this edition is derived in part from what Michael Bauer calls his “telephone drawings”—quick, loose sketches made while talking on the phone or otherwise distracted. Bauer saves these doodles, no matter how rough or silly, and uses them as raw materials to be copied, scanned, altered, and combined. Bauer often works in series, making groups of paintings that metaphorically “talk back” to one another while simultaneously standing on their own as individual works. As he says, “Every painting that I do relies on the last twenty I did.” In a neat literalization of his process, this print includes the words “baba” and “creme,” recurring terms Bauer uses as verbal readymades for their phonetic qualities and mutable meanings. The amorphic, animalistic forms of German painter Michael Bauer are built upon color washes, meandering lines, and bulbous protrusions. Utilizing a variety of rendering techniques and materials, including pointillism, text and high-chroma colors, Bauer transforms his free-form compositions into dynamic and ornamented abstractions. He borrows from the colorful tradition of Modernist composition, juxtaposing collaged cutouts with a bevy of 20th century painting methodologies—including Cubist, Pop, and Surrealist techniques—to make the swirling paintings...