Silvana ROBERT Paintings

If you have an association with dance, yoga or working out, this unusual modernist painting might be an interesting addition to your space. Artist Albert Michini used several models ...

Hans Burkhardt The Artist's Wife (1930) Oil on canvas, 20" x 16" 24" x 20 ½" x 1 ½" framed Dated 1930 lower right recto. Annotated "To Elsa HB Louise Burkhardt 1930. HB" verso. ...

Sally Michel Biography American, 1902-2003 Sally Michel Avery was an American painter known for her lyrical depictions of everyday life. Though she used techniques and stylized form...

This painting is illustrated in the Catalogue of the 1945 Encyclopedia Britannica Collection of Contemporary American Painting, p.84. Written and edited by Grace Pagano. "Painting ...

This 60" x 48" original floral oil painting called "Charmed" is one of the first in Tania's body of large format flower-inspired oil paintings. On a sprawling 60" canvas, hues of gr...

An early work by Julio De Diego embodies the deep love he had for his homeland of Spain, combined with his strong emotions against war. The peacefulness of the couple holding hands l...

This work epitomizes Prestopino's interest in social realism which captures a quiet interlude in the everyday life of an "everyman." It also provides a contrast for our expectations as we view a tough, blue collar worker, with no one watching, as he sings a melody to the birds. In an original frame measuring 49" x 39" x 3.25" Provenance: Edith Halpert's Downtown Gallery (label verso from 13 w. 113th street, where the gallery was located from 1926 until 1939) Private collection, NYC, c. 1935 By descent About this artist: Born in Little Italy in 1907, Gregorio Prestopino first set out to become a sign painter as the son of New York City immigrants. Instead, his talent provided a life-changing scholarship to the National Academy of Design, and for five years he studied drawing under C. W. Hawthorne. He spent the summer of 1934 at the MacDowell Colony in Peterborough, New Hampshire. His deep involvement with the colony led him to later serve as its director in 1954. Much of Prestopino’s work was in the vein of social realism. During the 1940s and 1950s he became deeply invested in portraying everyday Manhattan and Harlem scenes. He first became interested in the Ashcan school at the National Academy of Design, and remained committed to an interest in working with urban scenes. His lively treatment of people and events revealed his affinity for sixteenth-century artist Pieter Breughel...

Lords of the Sky (c.1950) Oil on canvas, 30" x 24" 40" x 34" x 2" framed Provenance: The Artist, his daughter About this artist: Julio De Diego crafted a formidable persona within ...

Eugenie Schein was both a dancer and an artist. Her artwork subjects revolved primarily around dancers and dancing, though she also captured everyday scenes in New York. Both Midto...

A Day at the Beach by unkown American School painter, circa 1940-1950, oil on canvas. Framed: 31 x 29 inches

Provenance: Cernuda Art, Coral Gables Private Collection, Los Angeles

Byron Browne On the Beach (1959) Oil on canvas, 20" x 26" 26" x 32" x 1" frame size - likely original Inscribed verso "On the Beach / 1959 / Byron Browne" Provenance: Private collection, Berkley, California About this artist: Through an oeuvre displaying the re-envisioning of figural subjects and the formation of an abstract expressionist style, Byron Browne stands out among the American abstractionists of his generation. Born in Yonkers, New York, in 1907, the artist was a bright talent at the National Academy of Design in his teens. From 1924 to 1928 Browne studied at the Academy under notable artists Robert Aitkin, Charles Courtney Curran, Charles Hawthorne, Alice Murphy...