Simon Avissar Art

We offer complimentary worldwide shipping and cover all tariffs and import taxes for this artwork. This exceptional artwork is currently on display and available for sale at Signet C...

"Incident" by Rudolf Kosow is a visually stunning oil painting that masterfully utilizes surrealism and a subtle color palette to emphasize the unexpected juxtaposition of a giant pu...

Printer’s ink from rubber stamp on vélin Buckeye paper. Paper Size: 8 x 8 inches. Inscription: Unsigned, as issued. Notes: From the folio, Rubber Stamp Portfolio, 1977. Published by ...

Anita Zotkina’s “Porcupine’s Quiet Path” is an 8 × 8 × 0.7 inch oil on canvas painted in 2025. This gentle, dreamlike work follows a small porcupine as it wanders through soft grass ...

There is a natural and raw understanding in Mukesh Sharma’s prints that depict, and are influenced by, the Rajastani communities of his home town in rura...

Tristan Fabris 1989, French Surrealist artist Abstract Surrealist Figurative study oil on canvas, unframed inscribed verso dated 1989 painting: 32 x 25.5 inches private collection, F...

David Hockney Hockney's Alphabet, 1991 26 color lithographs in Fine Art Cartridge paper bound in quarter vellum with handmade Fabriano Roma paper sides, housed in matching box; signed by David Hockney and most contributors in ink and numbered 178 in black ink on the justification page Numbered 178/250 Hand signed by 24 of the contributors, including David Hockney and Steven Spender 12 5/8 x 9 5/8 inches Bound in book and held in slipcase This portfolio features 26 color lithographs in Fine Art Cartridge paper with full margins, bound as issued, in quarter vellum with handmade Fabriano Roma paper sides, in original grey slipcase. It is signed by David Hockney (the artist) and most contributors in ink and numbered 178 in black ink on the justification page, from the edition of 250, with full text and title page, published by Faber & Faber, London, text edits by Stephen Spender, who also signed. It is illustrated by David Hockney, hand signed by David Hockney and Stephen Spender and also signed by the following contributors: Douglas Adams, Martin Amis, Julian Barnes, William Boyd, Margaret Drabble, Patrick Leigh Fermor, William Golding, Seamus Heaney...

"Cuddly," a charming painting by Rudolf Kosow, depicts a tender and affectionate moment between a dog and its human companion. The dog’s face, with soulful eyes and a furrowed brow, is portrayed in stunning detail, conveying a sense of gentle wisdom and patience. A small lady figure, fitting perfectly within the curve of the dog's face, leans in close, as if finding comfort and protection in the animal’s embrace. The gesture of the figure, with a hand delicately placed, highlights the trust and love inherent in this bond. This piece beautifully encapsulates the warmth and security that pets provide. Kosow's artwork celebrates the simple, heartwarming connections that form the cornerstone of our relationships with our animal friends, reminding us of the comfort and joy found in their company. keywords; painting on canvas, surrealist painting, animal vs human, americana, nature, man, man vs nature, surrealism, giant animal...

We offer complimentary worldwide shipping and cover all tariffs and import taxes for this artwork. This exceptional artwork is currently on display and available for sale at Signet C...

In Rival, Rudolf Kosow conjures a surreal confrontation where human and beast are caught in an ambiguous dance of dominance, awe, and connection. A shirtless man, eyes locked and arm...

There is a natural and raw understanding in Mukesh Sharma’s prints that both depict, and are influenced by, the Rajastani communities of his home town in rural India. In these Limited Edition fine-art prints, made over a period of twenty years, we are offered the colours of India’s ancient land, the textures, light and the patterns that are everywhere. In the patterns of the arable fields to the jali's (carved screens) in the architecture. This work is however not romantic nor nostalgic but shows a deeper rooted need to offer a visual heritage of place, of where the artist is from and the journey that he is taking. The results are both compelling and honest. Mukesh Sharma, Voted Dyas II, Lino-cut/ chine colle, on German Ivory paper Edition: 5 of 8, 1999 Image size: 47 x 39 cm / Sheet size: 79 x 55 cm Unframed 'We belong where love finds us' Mukesh Sharma's work: It is often in childhood that paths are set for what we will become. Mukesh Sharma hails from a rural, agricultural village in Rajasthan, India. His Father is a craftsman who fixed and mended farm machinery and understood the working parts in the processes. Sharma followed in his Father’s footsteps, as is often the case in Indian families, but his was not the machines of the fields but the presses of the printing studio. Like his Father, Mukesh Sharma is fascinated with understanding how things work and how he can manipulate the metal in his hands. It is not surprising then that his medium of choice is printing. One of the most physically challenging of all the practices, it can often be physically challenging as well as technical and detailed. In his youth, Sharma would draw with stones on walls and floors. He was lucky his family encouraged this and he is grateful for his early art-training at the Jaipur School of Art but it was at the Baroda Art Department that he was introduced to the great printing traditions of Jyoti Bhatt...

We love Rudolf's latest series and particularly this exquisite demonstration of TLC in "Best Friends". The artist says "Two inseparable friends, regardless of the size differences, t...