Simon Johns

Ledge is a floating console, mounted to the wall, in solid ash with a clear glass top. It stems from material exploration inspired by the cliffs around Johns’ studio, making solid as...

The Diamond Table’s slight angles focus guests around a middle point that can accommodate a centrepiece. The traditional rectangular approach to seating guests is deconstructed to en...

Ledge is a floating console, mounted to the wall, in solid ash with a black glass top. It stems from material exploration inspired by the cliffs around Johns’ studio, making solid ash reference crumbling stone through a unique technique. The wood components are scored across the grain, then carved by breaking the woods grain, to create patterns of variable depths, according to Johns’ sketch of the rock formations outside. The facade of this piece wraps around to the sides, and the center opens up as two doors, to reveal a functional cabinet. The opaque black glass top nods to the mirror effects of water and contrasts with the minerality of the rest. Due to the hand carved facade, no two pieces are quite the same. Measure: 96". *Available in blackened or stone grey ash finishes. Also available in other sizes: - Ledge 40 // 40" x 22" x 11" - Ledge 60 // 60” x 25...

Future Fossils End Table is the result of hand pressing slabs of clay into a plaster mold, using the collections texture. The cracks and defects of this type of assembly remain visib...

The most expressive of the Future Fossils collection, the low table features slip-cast volumes of stoneware, each loosely mimicking the textures of s...

Ledge is a floating console, mounted to the wall, in solid ash with a black glass top. It stems from material exploration inspired by the cliffs around Johns’ studio, making solid as...

Ledge is a floating console, mounted to the wall, in solid ash with a black glass top. It stems from material exploration inspired by the cliffs around Johns’ studio, making solid as...

A heavy statement chair, with volumes reminiscent of brutalist architecture and deep textured voids. Depth of details are emphasized when the light reaches the voids, while the simple exterior planes become monochromatic geometric shapes. Surprisingly comfortable, the solid gyspsum cement is sealed with an acrylic varnish, keeping it clean. About the Future Fossils Collection...