Sir William Hamilton

Pair of Roman Sculpture Engravings from Montfaucon, Classical Antiquity c.1721 The map is offered unframed, giving flexibility to select a frame that best suits the intended interio...

Hamilton Hamilton (American, 1847-1928) A large and impressive oil on canvas "Othello and Desdemona" after the William Shakespeare's play "Othe...

This elegant etching titled the gilded youth is of the second wife of the artist The edition is 75 and is referenced as Fletcher #80. Gerald Brockhurst is best known for his portr...

Two French matted and framed 18th century black and white engravings inspired by Classical Antiquity. The first frame contains an engraving of a woman patting a unicorn, and a man an...

A finely embroidered silk civil rank badge panel presented with elaborate lattice mat and a wood frame circa mid to late 19th century (late Qing dynasty). The square rank badge is kn...

Superb pair of 18th century English engravings.

Opulent set of four framed and matted Etruscan vase engravings after Giovanni Passeri (Italian) by Sir William Hamilton illustrated in the Picturea Etruscor in Vaculis. The set inclu...

Pair of framed neoclassical engravings, after works painted by Jean Jacques François Le Barbier (1738 - 1826) and engraved by Jean-Jacques Avril (1744-1831), dated 1789 for the paint...

Dramatic pair of framed etchings by Giovanni Battista Piranesi (Italian 1720-1778). The prints depict classical urns in the neoclassical Greco-Roman taste. The engravings are mounted in substantial black lacquered wood frames with a site measurement of 17 inches wide by 22.5 inches high. The first urn is a krater type supported by a Griffin pedestal...

Sumptuous, very large, original oil on canvas board, still life painting depicting a banquet table. This painting is a virtuoso display of how artist William Frederick Foster (1883-1953) captures texture in paint. You can see this in the mouth watering fruit, crustacea and other samplings laid upon the table as well as the masterfully painted reflective surfaces of the copper tea pot, wine bottle and the gathered table cloth. Painting is framed in the original wood frame. Painting framed measures 34.5” high x 46” wide x 1.5” deep. Painting unframed measures 30.5” high x 42.5” wide. William Foster was born in Cincinnati, Ohio, in 1883. He became a noted figure painter and illustrator, living the last twenty-one years of his career in Los Angeles, California. At age 12, he moved with his family to Colorado, but in 1898, he returned to Cincinnati and enrolled at the Art Academy where he studied with Joseph Henry Sharp and Frank Duveneck. His early ambition was to be a violinist, but he was re-focused on fine art when he saw a painting by Albert Ceck Wenzell. In 1902, he went to New York City where he painted scenery for theaters, auditoriums, and large department stores. He also studied at the New York School with Robert Henri and William Merritt Chase, and from 1903 to 1931, he worked as an illustrator and with a brief teaching stint in 1919 at the Art Institute of Chicago. In 1903, he sold his first illustration, a depiction of high society, to Life magazine, and the style was very similar to Wenzell. From that time, he worked for most of the major magazines including Collier's, The Saturday Evening Post and Harper's Monthly. In 1926, he won the National Academy of Design's Thomas B. Clarke Prize for the best figure composition painted in the United States by a non-academician. The following year, he was voted an Associate Member based on his recognition for a figure work titled The Girl in Brown. During World War I, he operated his own ambulance in France as a member of the American Volunteer Motor Ambulance Corps and also received mention as a camoufleur artist. Returning to the U.S., he resumed his illustration work and moved to Chicago, where he taught at the Art Institute. Foster moved to Los Angeles in 1932 and devoted his energy to painting, exhibiting and teaching. He taught at the Chouinard School of Art in Los Angeles and gave private classes in his studio. He also worked on a mural project at the Hearst estate...

Gilt bronze relief depicting the “Triumph of Bacchus,” created in France during the first quarter of the 19th century. The composition is based on the famous ancient cameo Triumph of...

Presented is a Jacques Reich etched head and shoulders portrait of Alexander Hamilton. Reich completed the portrait in 1904 and it was published by G.P. Putnam that same year. Jacqu...