Skullphone Art

Shepard Fairey Chaos Mandala 2 Screen print on thick cream Speckletone paper Year: 2025 Size: 24 x 18 inches (60.96 x 45.72 cm) Edition: 550 Signed by Shepard Fairey, dated and numbe...

Screenprint on Somerset Satin Cotton paper with Aluminium frame Edition of 200 + 20 AP 42 x 42 cm - Sheet 51 x 51 cm - Framed hand-signed and numbered by the artist Invader is a French street artist known for his distinctive mosaic art inspired by the pixelated graphics of classic video games, particularly Space Invaders. Since the late 1990s, he has placed his ceramic tile artworks...

22 color hand pulled silkscreen print in colors on wove paper. Hand signed lower right by CB Hoyo. Hand numbered 124/315 lower left. Sheet size 23.62 x 15.75 inches. Frame size 3...

9 color screen print on 410gsm somerset satin radiant paper. Hand signed and dated lower right by Mr. Doodle. Hand numbered 99/100 lower right. Artwork Size: 21.25 x 23.6 inches. ...

Screen print on 310gsm Somerset Tub Sized Satin paper. Hand signed, dated and numbered by the artist. Edition 249/300. Frame size approx 23 x 31 inches. Mr Doodle...

Mr. Brainwash Secret Admirer (Red), 2013 4-color screenprint on hand-torn archival art paper 22 1/2 × 22 1/2 in 57.2 × 57.2 cm Edition of 70 Hand-signed by the artist on the fromt,...

RETNA Madre (Mother), 2023 Silkscreen and crystallina (diamond dust) on Coventry rag paper Hand signed and numbered by RETNA from the limited edition of only 75 on the front (41/75) ...

Silkscreen in 9 colors on 320 gram Coventry Rag Dimensions: 29" x 29" Signed by the Artists in pencil An edition of 75 John “CRASH” Matos and Eric Orr met for the first time as high school students. Although the exact location is unclear, both agree that it would have been at either Fashion Moda or the Writers’ Bench at 149th Street and Grand Concourse. Founded by Stefan Eins in 1978, Fashion Moda began as a “cultural concept” whose principles revolved around the fact that art can be made by anyone, anywhere and art should be accessible to anyone, anywhere. Located in the South Bronx, Fashion Moda embraced new talent and encouraged creative production across all mediums. The gallery has been credited as a major force behind the recognition of graffiti writing as an art form and it played a pivotal role in a community where Hip Hop was rapidly emerging. CRASH was only 19 years old when he curated “Graffiti Art Success for America” at Fashion Moda and his varied experiences at the gallery would later inspire his founding of WALLWORKS. The 149th Street Writers’ Bench, located at the back of the uptown...

Zevs (b. 1977) Liquidated Google, 2013 Screenprint in colors on Arches 88 300gsm paper Edition 28/75 Signed and numbered in pencil along lower edge Full sheet: 16-3/4 x 25-1/4 inches...

Silkscreen in twelve (12) colors on archival paper. Pencil signed and numbered on the front Printed by: Pictures on Walls printmaker, with blind stamp and edition number Extremely ra...

In 1984, Eric Orr and Keith Haring joined forces to create a series of chalk drawings in the NYC subways. As their work evolved, the artists shifted their focus from the subway to the studio and embarked on the production of a suite of drawings. Included in the group was Repeat which had made its first appearance in the 23rd Street IRT uptown station. Little did Orr and Haring know that the reimagined drawing would be auctioned at Christie’s six years later. 2020 heralds a new beginning for Repeat, a truly unique silkscreen print that both illustrates and celebrates a fierce friendship that began in the early 1980s at The Roxy roller rink in NYC, when two young artists decided to trade t-shirts on the dance floor. Repeat, Eric Orr and Keith Haring, 2020 Silkscreen on 320 gram Coventry Rag paper with hand-deckled edges Dimensions: 20 x 28 inches Edition Size: 250 with 25 Artist Proofs and 25 Printer Proofs Signed and numbered in pencil by Eric Orr Plate signed by Eric Orr and Keith Haring Courtesy of Eric Orr and the Keith Haring Foundation Printed and Published by Gary Lichtenstein...

In 2020, Rick “geezy” Williams took an art form he loved for more than two decades and elevated it into a form of self-care. The Detroit native — also known for his prowess in the fashion and creative industries — had already spent 26 years hoofing, better known as tap dancing, with his talent landing him time with the legends of the artform. But at the height of the pandemic, he turned to “The Dance” for more than self-expression. One day at five in the morning, Williams donned his tap shoes and rocked for four hours straight. The morning gave him a shot of new life and inspiration, which was in short supply as the world was shutting down from COVID-19. “The Dance” quickly became a daily meditative practice, an opportunity for him to focus on gratitude and connect with The Most High. From that daily meditation, the debut album by geezy — a nickname used by Williams’ close friends and family — began to come into focus. THE geezy EXPERIMENT merges Rick Williams...