Sonja Katzin Lighting

Please note: listed price is for one (1) wall lamp. Set of 6 available. Brass and glass. Produced by ASEA, Sweden, 1950s. Good condition, with signs of usage. New wiring available o...

Early 1950s table lamp with fully adjustable partially perforated Aluminium shade. The concentric atomic styled base is made from black coated brass. The stem with its adjustable joi...

Brass floor lamp manufactured by ASEA, Sweden, in the 1940s. This elegant lamp features a slender brass stem and a wide, pleated shade made of off-white silk fabric, adding a soft di...

This sculptural floor lamp, Model E1770, was designed by Svend Aage Holm-Sørensen for ASEA, Sweden, in the 1950s. The lamp features a black lacquered metal frame with an elegant, ang...

Swedish design wall light, 1940s The light features an extendable, articulated arm with ornate scrollwork in a dark bronze antique brass finish, paired with a classic bell-shaped cr...

Pair of Swedish table lamps by Swedish lighting manufacturer ASEA. Silk shades, brass stem. Manufacturer's label engraved on socket. 120v r...

Rare ASEA table lamp, model E1272, dating back to the 1950s, featuring a rounded base crafted from solid wood. The disc shaped metal shade is adjustable and held just place by a bras...

Pair of outdoor wall lights by Gunnar Asplund for ASEA, with large glass shades with encapsulated air bubbles giving a watery effect. Metal frames in a clean modernist design, lacque...

1950s Hans Bergström Model E1271 Perforated Metal & Brass Table Lamp for ASEA. Executed in painted perforated metal shade with attractively patinated brass legs. A lyrical and elega...

“GA9” appears to be inspired by a droplet, floating upward the wall. The mouth blown glass with bubbles creates an intricate play between light and shadow, giving the appearance of light travelling through water. Swedish architect and designer, Erik Gunnar Asplund, is celebrated as the godfather of functionalist design in Sweden. Like his celebrated Stockholm City Library, these lamps emphasize geometric simplicity and clarity of form. The construction of this model is ingenious, with a bent arm holding the glass in place, with yet another arm holding the light source in the centre of the luminaire. The black lacquered metal bends organically into sinuous forms, while the backplates have a polygon shape. Pairing the geometric elements with the more organic ones shows Asplund’s great eye for design that was well ahead of his time. The large, mushroom-like mouth blown glass shades have distinctive “drops” on their surfaces, creating a beautiful effect that becomes even more apparent when the light is on. The atmospheric light it creates is not measurable, nor is it functional in the traditional sense. It is easily forgotten, but nevertheless important when creating a space of wellbeing. It is the most basic and fundamental of all lighting principles, one that has been with us since the dawn of time. Asplund’s life and work served as inspiration to a number of Scandinavian design luminaries, such as lifelong friend and mentee Alvar Aalto, as well as Erik Bryggman...

Swedish Modern lighting was directly influenced by ASEA, the historic company that had a decisive influence on how the Swedish electrotechnical industry has developed. Based on the c...

The manufacturer of this lamp, ASEA, has a rich heritage rooted in lighting innovation, pushing boundaries and redefining norms, playing a pivotal role in shaping the trajectory of S...