Stanton Macdonald-Wright (1890–1973) was a pioneering American modernist painter and co-founder of Synchromism, in 1912.
Synchromist paintings were some of the first abstract paintings created in America. The theory of synchromism is based on the idea that color and sound are similar phenomena and that the colors in a painting can be orchestrated in the same harmonious way that a composer arranges notes in a symphony. MacDonald-Wright once said, "Synchromy is to color what symphony is to sound. ...It means everything is done with color."
Stanton MacDonald-Wright was born in Virginia, and moved to Santa Monica with his family at the age of ten. He began studying art at the Art Students League in Los Angeles while in his teens, and in 1907 moved to Paris, studying at major institutions including the Sorbonne, Académie Julian, and Académie Colarossi.
Back in the United States in, he and fellow artist Morgan Russell developed Synchromism. MacDonalnd-Wright and Russell held exhibitions in Paris and Munich in 1913, and MacDonald-Wright lived in New York City from 1914 to 1919 before returning to California.
MacDonald-Wright was instrumental in introducing modern art to Los Angeles, organizing the first exhibition of modernists there in 1920. He served as director of the Art Students League of Los Angeles in 1923 and taught art history and aesthetics at the University of California, Los Angeles from 1942 to 1954. During the 1930s he was a regional director for the Works Progress Administration (WPA) federal art project, creating notable murals in Santa Monica.
MacDonald-Wright spent the rest of his life in California. His paintings are held in the permanent collection of many prestigious museums, including the Museum of Modern Art, the Whitney Museum of American Art, the Museum of Fine Arts in Boston, the Metropolitan Museum of Art, the Los Angeles County Museum of Art, and the National Portrait Gallery.
$1,450
Stanton Macdonald-Wright "Departing Spring" Woodblock Print c.1966
By Stanton MacDonald-Wright
Located in San Francisco, CA
Stanton Macdonald-Wright Woodblock on Laid Paper 1966-67 Departing Spring Hesitates Appears to be an artist proof. The pencil text and signature a...
Woodcut
CIRCLE IMAGE NO. 25
By Louis Schanker
Located in Portland, ME
Schanker, Louis. CIRCLE IMAGE NO. 25. Relief Print in color, 1954-1955. Edition of 210 published by IGAS. Signed and numbered 17/200 (the edition included 10 artist's proofs). 14 x 1...
Woodcut
Mid Century Islands Woodblock
Located in Soquel, CA
Abstract woodblock print, artist proof, by K. N. Tsukamoto. Presented in an archival mat. Image, 21.25"H x 16.75"W.
Woodcut
$1,200Sale Price|20% Off
H 16.63 in W 3.25 in
Clinton Hill, Arroyo, 1962, woodcut, landscape/abstraction
By Clinton Hill
Located in New York, NY
Clinton Hill (1922-2003), lived in SoHo, New York, and was a frequent Gallery visitor. Born in Idaho and raised on a working ranch, he joined the US Navy during World War II and beca...
Woodcut
$2,500
H 33.5 in W 22 in
“Gion Festival” 1961 woodcut RIKIO TAKAHASHI Japanese sōsaku hanga artist
By Rikio Takahashi
Located in Rancho Santa Fe, CA
Woodcut in colors Image size: H 33 x W 22 in. Sight size: H 33.5 x W 22 in. Numbered, titled, signed, and dated lower edge This work can be viewed at our New York City showroom by a...
Woodcut, Paper
Poem 70-82
By Haku Maki
Located in San Francisco, CA
This work is immediately recognizable as the work of Haku Maki (1924-2000). It is one of his well-known abstract compositions. The print is in very good condition, with no flaws noted on the surface. There is some very, very light toning in the margins, barely visible only under bright light. Maki Haku (巻白, 1924–2000) is the artistic name of Maejima Tadaaki, who was born in Ibaraki Prefecture. He was a sōsaku-hanga artist in 20th Century Japan. During World War II, Maejima Tadaaki was trained as a kamikaze pilot in the Japanese air force, but the war ended before he was assigned a mission. Haku had no formal art training, but studied for two years with the sōsaku-hanga artist Onchi Kōshirō...
Paper, Woodcut
Set of three woodcuts by Victor Mira colorful abstract forms
Located in New York, NY
These lively, colorful works are full of movement and Mira's characteristic mysterious, mythical figures and shapes. Victor Mira Set of three woodcuts on buff, textured paper, 1983...
Woodcut
$1,200Sale Price|20% Off
H 16.63 in W 7.5 in
Clinton Hill, Ocotillo (Cactus), 1962, woodcut, landscape/abstraction
By Clinton Hill
Located in New York, NY
Clinton Hill (1922-2003), lived in SoHo, New York, and was a frequent Gallery visitor. Born in Idaho and raised on a working ranch, he joined the US Navy during World War II and beca...
Woodcut
Letchkov
By Martin Noel
Located in Kansas City, MO
Martin Noel "Letchkov" Year: 1994 Color woodcut on handmade paper Size: 27.75 x 22.5 inches (70 x 60 cm) Signed by hand, lower center Publisher: Edition by Griffelkunst-Vereinigung, ...
Woodcut
DECORATION - Rare - 1 of only 4 signed Impressions
By Paul Landacre
Located in Santa Monica, CA
PAUL LANDACRE (1893 – 1963) DECORATION (Design for Green Mansions) 1932-3 (Wien 125), Wood engraving. RARE. Only four titled and signed impressions, ...
Woodcut
$2,000Sale Price|20% Off
H 11.5 in W 16.5 in
Keiji Shinohara, Accelerondo, Ukiyo-e woodcut print landscape, 2005
By Keiji Shinohara
Located in New York, NY
Keiji Shinohara was born and raised in Osaka, Japan. After 10 years as an apprentice to the renowned Keiichiro Uesugi in Kyoto, he became a Master Printmaker and moved to the United ...
Paper, Woodcut
$3,250
H 15.875 in W 11.75 in
"Head of Woman, ed. 1/6" Woodcut on Yellow Paper signed by David Barnett
By David Barnett
Located in Milwaukee, WI
"Head of Woman" is an original woodcut on yellow paper by David Barnett. The artist signed the piece in the lower right, and wrote the title lower center, and the edition number (1/6...
Woodcut
Untitled
By Thomas Nozkowski
Located in New York, NY
Solidly grounded in Abstract Expressionist tradition, process-oriented painter Thomas Nozkowski’s method is predicated on relinquishing the idea of an end result. To highlight this, ...
Woodcut