Stratis Tavlaridis Art

This original drawing by Patrick Blake measures 14in x 11.5in and ships float mounted in the pictured simple black custom frame. "Though I work in many different mediums, drawing ...

Ink on paper, Acrylic and / or watercolor, signed in the front, framed in a aluminum silver frame, glass. Philip Wittmann work is based on signs. Sign...

"Ripple" (2021) by SarahGrace Oil and water-based ink relief print Ink on Paper Block Print, Hot Pink, Orange, Peach Color Gradient, Linework, Pattern W...

MEMORY BOX is a new watercolor on Arches paper by Fleur Thesmar. The artwork measures 22x30", and is a striking composition in tones of rose, emerald green, mauve, blue and violet. It's a courageous work of art, seemingly a map or record of change for the artist and her family. From Fleur Thesmar – "Memory Box is a painting of how we remember changes in our lives, sometimes in a fuzzy way. Daily rituals can blur important moments where a shift occured. We look at pictures or videos and over time tend to lose details." Having moved her family from France to America, artist Fleur Thesmar closely observed the changes in her world – from the seemingly obvious such as surrounding landscapes, the light of day and weather, the flowers, trees and shorelines – to the smaller less obvious shifts, such as how one behaves in a new world, in a new home, how one cherishes certain belongings and certain memories. Her artistic practice is borne out of that close observation and shift in perspective, and has led to a number of successful gallery shows in the U.S. and internationally. Fleur Thesmar has shown at Beacon Gallery in Boston MA, 440 Gallery, Brooklyn NY, Old West Museum, Cheyenne WY, Belmont Art Gallery, Belmont MA, and Salon Ile-de-France 2020, Bourg-La-Reine, France. Her work is on permanent display at the Tower Hill Botanic...

PLENTY is a new watercolor on Fabriano paper by Fleur Thesmar. The artwork measures 22x30". Note the gentle complexity of the composition, the suggestion of dollops of ice cream and fruit, or piles of colorful clothes, or a fanciful landscape. The scale grows large and small, far away and right in your lap! From Fleur Thesmar – "My memory invents places and shapes, finding new games of mirrors thanks to mathematical models and theories. Shapes resembling bowls of fruit, balloons, landscapes and so on, actually fulfill a dream of mine to free the imagination and let the viewer invent as well." Having moved her family from France to America, artist Fleur Thesmar closely observed the changes in her world – from the seemingly obvious such as surrounding landscapes, the light of day and weather, the flowers, trees and shorelines – to the smaller less obvious shifts, such as how one behaves in a new world, in a new home, how one cherishes certain belongings and certain memories. Her artistic practice is borne out of that close observation and shift in perspective, and has led to a number of successful gallery shows in the U.S. and internationally. Fleur Thesmar has shown at Beacon Gallery in Boston MA, 440 Gallery, Brooklyn NY, Old West Museum, Cheyenne WY, Belmont Art Gallery, Belmont MA, and Salon Ile-de-France 2020, Bourg-La-Reine, France. Her work is on permanent display at the Tower Hill Botanic...

Ink on paper - Philip Wittmann work is based on signs. Signs are for him an intermediary between abstraction and writing. He started painting 32 years ago, at the age of 26, as an ...

Ink on paper, Acrylic and / or watercolor, signed in the front, framed in a thin blond wood frame, glass. Philip Wittmann work is based on signs. Sign...

Aida experiences resilience: she paints, she breaks and she rebuilds. Watercolor, subtle and delicate, turns into great sculpture. The beauty of scars in her work — imperfect and fra...

Aida experiences resilience: she paints, she breaks and she rebuilds. Watercolor, subtle and delicate, turns into great sculpture. The beauty of scars in her work — imperfect and fra...

TRANSFIGURATION is a new watercolor on Fabriano paper by Fleur Thesmar. The artwork measures 30x22", and is a structured composition in tones of green, blue, umber, rose and teal. Bordering on abstraction and figuration, a landscape of trees and water and sky appears to open up symmetrically, possibly revealing a spirit. From Fleur Thesmar – "Inspired by a mathematical model, I painted this abstraction which slowly took on the form of a person. The shivering brushstrokes create a textured relief, while the person seems to emerge from and recede into the background." Having moved her family from France to America, artist Fleur Thesmar closely observed the changes in her world – from the seemingly obvious such as surrounding landscapes, the light of day and weather, the flowers, trees and shorelines – to the smaller less obvious shifts, such as how one behaves in a new world, in a new home, how one cherishes certain belongings and certain memories. Her artistic practice is borne out of that close observation and shift in perspective, and has led to a number of successful gallery shows in the U.S. and internationally. Fleur Thesmar has shown at Beacon Gallery in Boston MA, 440 Gallery, Brooklyn NY, Old West Museum, Cheyenne WY, Belmont Art Gallery, Belmont MA...

TWO ROSES is a new watercolor on Fabriano paper by Fleur Thesmar. The artwork measures 30x22", and is a striking composition in tones of rose, pink, gold and green. It's a courageous work of art, seemingly a reflection or a symmetry but of course they are two distinct, complex flowers. From Fleur Thesmar – "Standing on top of each other like mystic roses...

The art of Philip Wittmann is founded on signals. For him, signs serve as a bridge between abstraction, reality and writing, too. When he was 26 years old, he began painting as a hobbyist using 'pure' abstraction. However, he believed his work lacked a solid foundation upon which to grow. ​He discovered a book on the origins of the Chinese alphabet, which origins are essentially signs, in 2008 while taking a calligraphy class. The 26 letters of our Latin alphabet are less pictorial than the Chinese characters as we know them now. He discovered that pictorial representation is more prevalent when examining the origins of alphabets—all alphabets, in fact—because there is frequently a similarity between the sign's true meaning and what it is meant to represent. For instance, the symbol for a turtle in the original Chinese script resembles a turtle. Wittmann loves signs as they leave room for interpretation. For instance, if one writes “the sky is blue”, one will make for themself a mental representation of a blue sky, even if each one-off us will probably have some nuance in our own mental representation of that blue sky. On the other hand, a sign can...