Sylvia Martins Paintings

Mid Century Textural Color-Field Abstract in Royal Blue-Purple by Peter Witwer A striking mid-century textural color-field abstract in a bold color palette of royal blue-purple by San Francisco artist Peter Witwer (American, 1928-1968). This highly textured mixed media piece, c.1960's, uses a monochromatic palette that is divided into two areas of varying textural depths. The lower part of the canvas verges on sculptural, as the textured surface becomes almost three-dimensional and haunting forms emerge from the abstract purple-blue plane. Unsigned. From a collection of the artist's works. Displayed in a painted wood slate frame. Frame has been painted by the artist and is considered part of the artwork. Linen size: 26"H x 22"W. Framed size: 27"H x 23"W x 1.2"D Unsigned, but was acquired with a collection of the artist's work. Provenance: Without a will and a family that had little interest in his art, nearly all of his possessions and close to 100 paintings were turned over to SF’s Conservators Office. His friend, Albert Richard Lasker, purchased all of Peter’s possessions (including the art) and has taken care of them until this day, always sensing there was something remarkable about the collection. Wanting Peter’s work to finally be seen, Richard came to Lost Art Salon with Peter’s story after reading about the new gallery in a July, 2005 issue of the SF Chronicle. Born George Peter...

ONCE VERDANT 2024 Paris, France This enchanting painting portrays the artist's vision of an abstracted, organic floral pattern. The floral shapes and shadows allude to traces of a ...

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Authenticity, guaranteeing its originality and provenance. We offer secure worldwide delivery to any address you specify, ensuring that your purchase arrives in pristine condition. If you require additional shipping options or a bespoke quote from our trusted network of carriers, please do not hesitate to contact us. Our team is here to help you find the best solutions for a smooth and secure delivery experience. In her work, artist Christina Gschwantner...

Carefully ordered patterns, geometric shapes and delicate lines in pale peach, light blue, and pale violet on a light green background with hints of golden orange and greenish yellow...

In her work, artist Christina Gschwantner combines contrasting art movements such as Art Informel and Minimal Art. She succeeds in depicting and...

"Potion as a Place," 2024, Paris, France A deep and bold floral of an abstract, mesmerizing landscape. This original oil painting on linen exudes loose and energetic movement with rich purples, that dances across the surface. Swirls of the floral, rose composition...

"Day Remains I", 2023, Paris, France Rich painting of blue dye, deep red and yellow ochre oil paint, on natural, antique cotton. Consider pairing with its counterpart "Day Remains I...

"Endless Waves of Transformation no.8" by Alyson Kinkade 26h 21w" oil on linen 28" x 23" framed, black wood The ever-changing sky often causes a pause in my day and lures me into ca...

"Day Remains II", 2023, Paris, France Rich painting of blue dye, deep red and yellow ochre oil paint, on natural, antique cotton. Consider pairing with its counterpart "Day Remains ...

Robert Petrick's "Line Control" is a fusion of meticulous geometry and bold abstract expression. From the artist's Chromatic Collisions series, this piece is both timeless and contem...

"Drift no.3" by Alyson Kinkade Abstract Landscape, dreamy clouds over colorful plains Oil on Canvas 15x15" image 16x16" framed in black wood as pictured "There are parts of the jour...

Richmond Burton’s works are known for their kaleidoscopic color, undulating patterns, and lyrical handling of expressionistic mark making. His Visceral, seductive, and organic compositions play with decorative patterning without compromising a conceptual backbone. Their intensity of vision allows for transcendent thought, experience, and connection while challenging any preconceived norms or rules defining abstract painting. “Structure is never absent; it’s just uninsistent, even accidental. The paintings are built up in stages, but never give the impression of being hard-worked. They have a fluid, textural presence, like luxury fabrics printed with overlapping, off-register layers of patterning.” — Holland Cotter, The New York Times (1999). Richmond Burton (b. 1960, Talladega, AL) obtained a BA in architecture from Rice University Houston, TX (1984). He lives and works in Woodstock, NY. Burton has shown extensively both domestically and internationally and has work in the collections of The Art Institute of Chicago, Chicago, IL; The Broad, Los Angeles, CA; Dallas Museum of Art, Dallas, TX; Fogg Museum at Harvard University, Cambridge, MA; The Metropolitan Museum of Art, New York, NY; Museum of Modern Art (MoMA), New York, NY; and National Gallery of Art, Washington DC, among others. Recent solo exhibitions include venues such as Sarah Moody Gallery of Art at University of Alabama, Tuscaloosa, AL (2015); Silas Marder Gallery, Bridgehampton, NY (2014); Philip Slein Gallery, St. Louis, MO (2013); and George Lawson...