Takenobu Igarashi Furniture

A pair of oversized bottles or vases designed by Otto Brauer for Holmegaard. Denmark, circa 1960. Tinted glass. Measures: H- 19.5", H- 17".

A captivating porcelain vase from the ALDO collection, designed by the acclaimed architectural firm Studio Fuksas for Alessi in 2012. A limited edition piece showcasing the innovati...

Iridescence bulb shaped Soffiato vaseModel no. 1416, with applied multiple handles, close to and around the opening of the fluted mouth of the vase. A technique where the delicately hand blown vessel achieves a thin wall of amethyst colored glass to appear like a Hydria, a container once carried by the ancient Greek women filled with water from the fountains. The vase was designed by the company Pauly & Co formed in 1919. The vessel was created at the glass works of MVM Cappellin...

This beautiful Copper vase was made by famous metal ware company Takenaka Bronze Works. I was hand made of bronze with detailed carving works on it and has ma...

Wonderful Art Deco tubular chrome bud vase by Ruth & William Gerth for Chase & Co., circa 1930s. The design features a central chrome tube attached to which are three tubes of varyin...

A pair of patinated bronze vases designed by Jakob Angman for GAB, Sweden, Circa 1930th. Natural patina, marked by manufacturer.

Originally designed by architect, designer and artistic director Guido Andlovitz in 1936 for Società Ceramica Italiana Laveno, this pair of vases are indeed the rarest of finds. The vases were manufactured in 1942, as attested to by the marking "N - 42" on the base of each vase. The gold rims and aquatic scenes that surround each vase, are unique to each piece and were painted by hand in 1943. They are both signed by the artist "Miruccia". One of the vases has the words “Anni di Guerra” (Year of War) written on the base in reference to the Second World War . Founded in Laveno in 1856 by Severino Revelli and some former employees of the "Richard" manufacturer in Milan. The "SCI" (Italian Ceramic Society) began its activity as a manufacturer of wall tiles and fine tableware. In 1883 it became a limited company and obtained its first successes at numerous national exhibitions. In 1895, Cavalier Luciano Scotti took over the company and, thanks to his intuition and his entrepreneurial skills, the factory grew substantially in a few years. In those years, some Liberty-style pieces designed by Giorgio Spertini, the author of noteworthy elegant "whiplash" creations, were created in the Laveno factory. In 1906 "SCI" presented numerous works at the International Exhibition of Decorative Arts in Milan. Other collaborators from the beginning of the century were Silvio and Piero De Ambrosis, Felice Palucco, Giancarlo Jacopini and the brothers Marco and Luigi Raggiori. However, it was in 1923 that, under the direction of Guido Andlovitz, the company reached the peak of its fame and in 1925 was a resounding success at the 2nd Monza Biennale. Andlovitz, who collaborated with the manufacturer for almost forty years, applied to the production process the principle of seriality, a concept also put into effect by Giò Ponti at "Richard-Ginori", adopting various types of decoration which, although moulded and decal stamped, still retained an undeniable elegance. In 1924 the "Società Ceramica Revelli" became a consortium with the "SCI", the partnership would continue until 1932 and saw Franco Revelli's company marketing pottery and table porcelain on behalf of "SCI". From 1925 porcelain and crockery began to appear in the factory's catalogs. In 1927 the company was present at the 3rd Biennial of Decorative Arts in Monza. Between the end of the 1920's and the beginning of the 1930's, the decorators Giuseppe Bellorini and Daniela Ferretto began to collaborate with the "SCI". As of 1932 the company managed two factories: that of Laveno, which, with over 1300 employees, produced strong pottery, tableware and artistic ceramics and the smaller factory of Verbano, which employed about 400 people and produced, in addition to ceramics for the electrotechnical industry, excellent table porcelain. The products were marketed in the company owned stores in Rome, Genoa and Naples. This was an initiative realised by Andlovitz himself. In the mid-thirties, the decorators Ada Corsi and Ida Fonini among others, collaborated with the "SCI". From 1936 to 1940 the artistic direction of the company was entrusted to the sculptor and modeler Angelo Biancini. In 1939 about 1300 people worked in the Laveno plant and in 1951 about 2300. In the years between the two wars among the collaborators of the factory were Sirio Tofanari...

Object: Vase Manufacturer: Marutomi Designer: Ettore Sottsass (1917–2007) Model: Mirto Date: 1997 Period: Postmodern Material: Plastic Origin: Japan Height: 20.5 cm Diameter: 13 cm C...

In this listing you will find a spectacular glass vase designed by Archimede Seguso for Tiffany and Co. The piece was designed a year after a retrospective exhibition of Seguso's wor...

Glass Vase by Fulvio Bianconi for Venini 1970s This stunning glass vase is a unique piece designed by renowned Italian artist and designer Fulvio Bianconi for Venini in the 1970s. Th...

Wonderful pair of Art Deco tubular chrome bud vases by Ruth & William Gerth for Chase & Co., circa 1930s. The design features a central chrome tube attached to which are three tubes ...

Vintage Murano Sommerso Glass Vase by Lugiano Gaspari for Salviati & Co. ca. 1960 A vintage art glass vase in thick light blue and grass green sommerso glass. Manufactured by Salvia...